Jan
13
Sat
SDYS CHAMBER ORCHESTRA
Jan 13 @ 7:00 pm
SDYS CHAMBER ORCHESTRA @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SDYS CHAMBER ORCHESTRA

WORKS BY VIVALDI, BOCCHERINI AND MORE

La Jolla Music Society is proud to feature the gifted young musicians of SDYS’ Chamber Orchestra joined by guest soloist, guitarist Celino Romero, part of The Royal Family of Guitar, The Romeros. This multiyear collaboration highlights LJMS’ long-standing commitment to education and SDYS’ tradition of excellence and innovative programming.

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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
1
Thu
PIERRE-LAURENT AIMARD
Mar 1 @ 8:00 pm
PIERRE-LAURENT AIMARD @ Balboa Theatre | San Diego | California | United States

PIERRE-LAURENT AIMARD, piano

Winner of the 2017 Ernst von Siemens Music Prize, an award which is given to artists for a life devoted to the service of music, the Grammy Award-winning French pianist Pierre-Laurent Aimard makes his La Jolla Music Society debut at San Diego’s inspiring Balboa Theatre. Described by The Washington Post as ” a thinker at the piano and a champion of contemporary music, Mr. Aimard opens his program with the 1915 work Revelation by Russian mystic Nikolai Obukhov, paired with Chopin’s Piano Sonata No. 2 in B-flat Major, Op. 35 “Marche Funèbre” (Funeral March) and Beethoven’s powerful and colossal Piano Sonata No. 29 in B-flat Major, Op. 106, the “Hammerklavier.” This will be a powerful and passionate performance.

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OBUKHOVRevelation
CHOPINPiano Sonata No. 2 in B-flat Major, Op. 35 “Marche Funèbre”
BEETHOVENPiano Sonata No. 29 in B-flat Major, Op. 106 “Hammerklavier”

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
3
Sat
AX – KAVAKOS – MA
Mar 3 @ 8:00 pm
AX - KAVAKOS - MA @ Jacobs Music Center-Copley Symphony Hall | San Diego | California | United States

WINTERFEST GALA 2018

Ax – Kavakos – Ma

Three of the world’s greatest musicians form a “super trio” for an unforgettable performance exploring the piano trios of Johannes Brahms.

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BRAHMSPiano Trio No. 2 in C Major, Op. 87
BRAHMSPiano Trio No. 1 in C Minor, Op. 101
BRAHMSPiano Trio in B Major, Op. 8

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
7
Wed
HERBIE HANCOCK
Mar 7 @ 8:00 pm
HERBIE HANCOCK @ Balboa Theatre | San Diego | California | United States

HERBIE HANCOCK

14-time Grammy® Award Winner

Herbie Hancock is a true icon of modern music. In addition to being recognized as a legendary pianist and composer, he has been an integral part of every popular music movement since the 1960s. His career has transcended limitations and genres while maintaining his unmistakable voice. In honor of his work, Herbie Hancock was bestowed in 2016 with the Grammy® Lifetime Achievement Award.

Herbie Hancock is currently in the studio at work on a new album..

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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Mar
16
Fri
ACADEMY OF ST MARTIN IN THE FIELDS
Mar 16 @ 8:00 pm
ACADEMY OF ST MARTIN IN THE FIELDS @ Jacobs Music Center-Copley Symphony Hall | San Diego | California | United States

Academy of St Martin in the Fields

Joshua Bell, violin

Renowned for its distinctive, polished and refined sound, the Academy of St Martin in the Fields, under the leadership of virtuoso violinist Joshua Bell, performs fresh and brilliant interpretations of beloved classical masterworks.

Buy Tickets

MENDELSSOHNOverture from A Midsummer Night’s Dream
WIENIAWSKIViolin Concerto No. 2 in D Minor, Op. 22
       Joshua Bell, violin
BEETHOVEN Symphony No. 6 in F Major, Op. 68, “Pastoral”

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
Arrive early for a pre-performance lecture

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
24
Sat
SCHUBERT’S SWAN SONG I
Mar 24 @ 8:00 pm
SCHUBERT'S SWAN SONG I @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG I

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

Buy Tickets

SCHUBERTFantasy in F Minor for Piano Four-Hands, D.940
SCHUBERTPiano Sonata in B-flat Major, D.960
SCHUBERTPiano Trio in B-flat Major, D.898
Benjamin Beilman, violin; Clive Greensmith, cello; Inon Barnatan, Garrick Ohlsson, pianos

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Apr
14
Sat
SCHUBERT’S SWAN SONG II
Apr 14 @ 8:00 pm
SCHUBERT'S SWAN SONG II @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG II

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

Buy Tickets

SCHUBERTPiano Sonata No. 20 in A Major, D.959
SCHUBERTSchwanengesang, D.957 "Swan Song"
Robin Tritschler, tenor; Inon Barnatan, piano

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Apr
28
Sat
THE JOEY ALEXANDER TRIO
Apr 28 @ 8:00 pm
THE JOEY ALEXANDER TRIO @ Balboa Theatre | San Diego | California | United States

THE JOEY ALEXANDER TRIO

A uniquely gifted young pianist from Bali, Joey Alexander taught himself to play piano by listening with his father to classic jazz albums. His father soon recognized that his son’s gift to grasp complicated musical concepts was beyond someone of his years. His recording debut, My Favorite Things, was nominated as Best Instrumental Jazz Album for the 2016 Grammy® Awards. This performance will feature original compositions and jazz classics by Coltrane, Monk and more.

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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


May
18
Fri
JUHO POHJONEN
May 18 @ 8:00 pm
JUHO POHJONEN @ The Auditorium at TSRI | San Diego | California | United States

JUHO POHJONEN, piano

Since his U.S. debut, the celebrated Finnish pianist Juho Pohjene has garnered a reputation for giving performances that crackle with intensity, displaying his flawless technique and fearless musical conviction over a wide array of repertoire. Pohjonen’s versatility will be on full display when he returns to La Jolla Music Society to conclude this season’s Piano Series, with a program of works that span the Baroque, Classical and Romantic eras.

“It was quickly apparent that Pohjonen has both impeccable technique and a clear-eyed approach to music, unleashing the fugue with stunning clarity and precise dynamic control.” — The Washington Post

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J.S. BACHChromatic Fantasia and Fugue in D Minor, BWV 903
FRANCKPrèlude, Choral et Fugue
MOZARTPrelude and Fugue for Piano in C Major, K.394/383a
SCHUBERTWanderer Fantasy

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
19
Sat
SCHUBERT’S SWAN SONG III
May 19 @ 8:00 pm
SCHUBERT'S SWAN SONG III @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG III

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

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SCHUBERTPiano Sonata No. 19 in C Minor, D.958
SCHUBERTFantasy for Violin and Piano in C Major, D.934
SCHUBERTString Quintet in C Major, D.956
Benjamin Beilman, violin; Carter Brey, cello; Inon Barnatan, piano; Dover Quartet - Joel Link, Bryan Lee, violins; Milena Pajaro-van de Stadt, viola; Camden Shaw, cello

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
3
Fri
OPENING NIGHT CARNIVAL
Aug 3 @ 8:00 pm
OPENING NIGHT CARNIVAL @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

OPENING NIGHT CARNIVAL!

Friday, August 3, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Take a walk on the wild side as the festival kicks off with this celebratory program. Legendary cellist Lynn Harrell leads an all-star roster of eight cellists, sharing the stage with beloved soprano Lyubov Petrova, known for her fiery presence and shimmering voice. The evening closes with a delightful salute to feathers, fur, and fins with Saint-Saëns’ humorous musical suite Carnival of the Animals, with text by comedic musical genius Peter Schickele.

Prelude · 7:00 PM
Interview with SummerFest Music Director Cho-Liang Lin hosted by Eric Bromberger

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OPENING NIGHT CARNIVAL!

BARTÓK · Contrasts for Violin, Clarinet, and Piano, Sz.111
Paul Huang, violin; Anthony McGill, clarinet; Shai Wosner, piano

VILLA-LOBOS · Bachianas Brasileiras No. 1 for Eight Cellos
VILLA-LOBOS · Bachianas Brasileiras No. 5 for Soprano and Eight Cellos
Lyubov Petrova, soprano; Lynn Harrell, Ben Hong, Hai-Ye Ni, Chia-Ling Chien, Yao Zhao, Max Geissler, Jonathan Lo, Alex Greenbaum, cellos

SAINT-SAËNS · Carnival of the Animals
Paul Huang, Cho-Liang Lin, violins; Tien-Hsin Cindy Wu, viola; Ben Hong, cello; Peter Lloyd, bass; Pamela Vliek Martchev, flute; Anthony McGill, clarinet; Shai Wosner, Joyce Yang, pianos; Ryan Nestor, percussion; Mark Pinter, narrator

Aug
4
Sat
AN EVENING WITH YEFIM BRONFMAN
Aug 4 @ 8:00 pm
AN EVENING WITH YEFIM BRONFMAN @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

AN EVENING WITH YEFIM BRONFMAN

Saturday, August 4, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Extolled by The Wall Street Journal for “his range of sonority – from lyrical to pungent, to explosive,” Yefim Bronfman is internationally recognized as one of today’s most acclaimed and admired pianists. As a close friend of Cho-Liang Lin, Mr. Bronfman celebrates the music director’s 18-year tenure with a beautiful and rich evening of solo and chamber music masterpieces, including Schubert’s iconic Piano Sonata, D.958, written in the last year of the composer’s life.

Prelude · 7:00 PM
Interview with Yefim Bronfman hosted by Eric Bromberger

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AN EVENING WITH YEFIM BRONFMAN

MOZART · Sonata in E Minor for Violin and Piano, K.304
Cho-Liang Lin, violin; Yefim Bronfman, piano

SCHUBERT · Piano Sonata in C Minor, D.958
Yefim Bronfman, piano

SCHUMANN · Quintet for Piano and Strings in E-flat Major, Op. 44
Yefim Bronfman, piano; Paul Huang, Emily Kruspe, violins; Tien-Hsin Cindy Wu, viola; Lynn Harrell, cello

Aug
5
Sun
AN AFTERNOON WITH EMERSON STRING QUARTET
Aug 5 @ 3:00 pm
AN AFTERNOON WITH EMERSON STRING QUARTET @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

Emerson String Quartet

AN AFTERNOON WITH EMERSON STRING QUARTET

Sunday, August 5, 2018 · 3:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Named “America’s greatest quartet” by TIME Magazine, the distinguished Emerson String Quartet performs an all-Beethoven program, featuring the bewildering and complex Grosse Fuge.

Prelude · 2:00 PM
Interview with members of Emerson String Quartet hosted by Eric Bromberger

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AN AFTERNOON WITH EMERSON STRING QUARTET

BEETHOVEN · String Quartet in C-sharp Minor, Op. 131
BEETHOVEN · String Quartet in B-flat Major, Op. 130 with Grosse Fuge, Op. 133
Emerson String Quartet:
Eugene Drucker, Philip Setzer, violins; Laurence Dutton, viola; Paul Watkins, cello

Aug
7
Tue
MUSIC FROM THE HEART
Aug 7 @ 8:00 pm
MUSIC FROM THE HEART @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MUSIC FROM THE HEART

Tuesday, August 7, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Strings soar in beautifully lyrical works by Stravinsky and Mendelssohn. The evening culminates with Rachmaninoff’s final composition, Symphonic Dances, performed by two of the most accomplished pianists of their generation, Shai Wosner and Joyce Yang. Let your emotions take flight!

Prelude · 7:00 PM
Rolston String Quartet performs Tchaikovsky’s String Quartet No. 1 in D Major, Op. 11

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MUSIC FROM THE HEART

STRAVINSKY · Suite Italienne for Violin and Piano
Martin Beaver, violin; Joyce Yang, piano

MENDELSSOHN · String Quintet in B-flat Major, Op. 87
Paul Huang, Anna Lee, violins; Tien-Hsin Cindy Wu, Heiichiro Ohyama, violas; Hai-Ye Ni, cello

RACHMANINOFF · Symphonic Dances, Op. 45 for Two Pianos
Shai Wosner, Joyce Yang, pianos

Aug
8
Wed
LATE NIGHT WITH LEONARD BERNSTEIN
Aug 8 @ 8:00 pm
LATE NIGHT WITH LEONARD BERNSTEIN @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

LATE NIGHT WITH LEONARD BERNSTEIN

Wednesday, August 8, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Celebrate the centennial of Leonard Bernstein (1918-1990) with an intimate look into the life and music of this remarkable man, composer, conductor, musician, and father, through the eyes of his daughter Nina Bernstein Simmons.

Leonard Bernstein, a well-known insomniac for whom night was a time for creativity and friendship, was often found entertaining guests late into the night. Hosted by his daughter Nina and featuring soprano Amy Burton and pianists John Musto and Michael Boriskin, this performance is an affectionate, multi-media portrait of the personal side of this singularly public figure.

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LATE NIGHT WITH LEONARD BERNSTEIN

 
Program to be announced from stage.

Aug
9
Thu
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9)
Aug 9 @ 12:30 pm
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9) @ Athenaeum Music & Arts Library | San Diego | California | United States

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE

Thursday, August 9, 2018 · 12:30 PM
Athanaeum Music & Arts Library

New York Philharmonic Principal Cellist Carter Brey, soprano Lyubov Petrova, pianist Saetbyeol Kim, and Fellowship Artist Ensemble Rolston String Quartet are featured in this all-Schubert program. Host Marcus Overton delves into the connection between Schubert’s music and the time in which the composer lived.

Please note, this free event has sold out. Tickets are no longer available.

Register to Attend

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9)

SCHUBERT · Lieder Selections
Lyubov Petrova, soprano; Saetbyeol Kim, piano

SCHUBERT · String Quartet in C Major, D.956
Rolston String Quartet; Carter Brey, cello

49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET
Aug 9 @ 8:00 pm
49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET

Thursday, August 9, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

In this first of two 49-minute performances, the acclaimed FLUX Quartet will take the audience onto a new musical plane with a program celebrating contemporary composers. Audience members are invited to mingle at a post-concert gathering with the artists, creating an opportunity for essential dialogue around this next wave of composition.

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49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET

BROWN · String Quartet (1965)

OLIVER LAKE · Hey Now Hey (2017)

LEI LIANG · Serashi Fragments (2005)

NANCARROW · String Quartet No. 3 (1987)

RAND STEIGER · String Quartet (2018) WORLD PREMIÈRE

FLUX Quartet:
Tom Chiu, Conrad Harris, violins; Max Mandel, viola; Felix Fan, cello

Aug
10
Fri
ACROSS OCEANS
Aug 10 @ 8:00 pm
ACROSS OCEANS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

ACROSS OCEANS

Friday, August 10, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Dive into this lush, dynamic program bridging the great masterworks of Bruch and Dvorák with one of the most prolific and esteemed Japanese composers working today, Toshi Ichiyanagi.

Prelude · 7:00 PM
Cambridge Trio performs Dvorák’s Piano Trio in F Minor, Op. 65

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ACROSS OCEANS

TOSHI ICHIYANAGI · String Quartet
FLUX Quartet

BRUCH · Octet in B-flat Major, Op. posth.
Martin Beaver, Tien-Hsin Cindy Wu, Luri Lee, Emily Kruspe, violins; Hezekiah Leung, Heiichiro Ohyama, violas; Felix Fan, cello; DaXun Zhang, bass

DVORÁK · Piano Quartet in E-flat Major, Op. 87
Gilles Vonsattel, piano; Martin Beaver, violin; Tien-Hsin Cindy Wu, viola; Carter Brey, cello

Aug
11
Sat
SUMMERFEST GALA
Aug 11 @ 6:00 pm
SUMMERFEST GALA @ UC San Diego's Audrey Geisel University House | San Diego | California | United States
SummerFest Gala

SummerFest Gala

Saturday, August 11, 2018
UC San Diego’s Audrey Geisel University House
6:00 PM

Dolly Woo, Gala Chair
Sylvia Ré, SummerFest Chair
Martha Dennis, Honorary Chair

Join us for an elegant evening celebrating Cho-Liang Lin’s incredible tenure! Enjoy a private concert with world-class musicians, paired with world-class cuisine created by the awarding-winning celebrity chef, Jeffrey Strauss of Pamplemousse.

Secure Your Gala Tickets Today



For reservations, please contact Rewa Colette Soltan at 858.459.3724, ext. 206 or RSoltan@LJMS.org


Aug
14
Tue
MY FAVORITE PLAYLIST
Aug 14 @ 8:00 pm
MY FAVORITE PLAYLIST @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MY FAVORITE PLAYLIST

Tuesday, August 14, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Cho-Liang Lin’s eclectic artistic palette has led him to diverse musical endeavors, including championing new works. Join us as we shuffle through some of the gems he has discovered, with friends he’s made along the way during his 18 years as Music Director!

Prelude · 7:00 PM
Lecture by Nicolas Reveles

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MY FAVORITE PLAYLIST

TURINA · Escena Andaluza, Op. 7 (Scenes of Andalusia)
Paul Neubauer, viola; Saetbyeol Kim, piano; Rolston String Quartet

DEBUSSY · Sonata in D Minor for Cello and Piano
Jian Wang, cello; John Novacek, piano

LEI LIANG · Vis-à-vis, for Pipa and Percussion WORLD PREMIÈRE
Wu Man, pipa; Steven Schick, percussion

MAHLER · Rückert-Lieder
Tamara Mumford, mezzo-soprano; Ken Noda, piano

GINASTERA · String Quartet No. 1, Op. 20
Rolston String Quartet

Aug
15
Wed
AN EVENING WITH ADELE ANTHONY & GIL SHAHAM
Aug 15 @ 8:00 pm
AN EVENING WITH ADELE ANTHONY & GIL SHAHAM @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

AN EVENING WITH ADELE ANTHONY & GIL SHAHAM

Wednesday, August 15, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

A string extravaganza featuring the extraordinary Gil Shaham and
Adele Anthony alongside powerhouse violinists and rising stars from
the Bravo! International Music Academy.

Prelude · 7:00 PM
Cambridge Trio performs Beethoven’s Piano Trio in B-flat Major, Op. 97 “Archduke”

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AN EVENING WITH ADELE ANTHONY & GIL SHAHAM

LECLAIR · Sonata in E Minor for Two Violins, Op. 3, No. 5
Adele Anthony, Gil Shaham, violins

MOSZKOWSKI · Suite in G Minor for Two Violins and Piano, Op. 71
Adele Anthony, Gil Shaham, violins; Juho Pohjonen, piano

BACH/BRAHMS · Presto after J.S. Bach from Five Studies for Piano,
op. Anh. Ia/1

BARTÓK · Selections from 44 Duos for Two Violins, Sz.98

WIENIAWSKI · Selections from Études-Caprices for Two Violins, Op. 18
Adele Anthony, Gil Shaham, violins

JULIAN MILONE · Flower Duet from Delibes’ Lakmé
Song to the Moon from Dvorák’s Rusalka
Bohemian Rhapsody by Queen

Adele Anthony, Gil Shaham, Cho-Liang Lin, Kyoko Takezawa, violins; DaXun Zhang, bass

JULIAN MILONE · En Coulisses for Twelve Violins
Adele Anthony, Gil Shaham, Emily Kruspe, Anna Lee, Luri Lee, Cho-Liang Lin, Kyoko Takezawa, Bravo! International Music Academy students, violins

Aug
16
Thu
SUMMERFEST ENCOUNTER: THE VIOLIN MAKER
Aug 16 @ 12:30 pm
SUMMERFEST ENCOUNTER: THE VIOLIN MAKER @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST ENCOUNTER: THE VIOLIN MAKER

Thursday, August 16, 2018 · 12:30 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Renowned contemporary luthier and SummerFest Scholar-in-Residence Sam Zygmuntowicz guides the audience on a journey of instrument making through the history of the great houses of Guarneri and Stradivari to the present day. Festival artists Gary Hoffman, Yura Lee, Cho-Liang Lin, Kyoko Takezawa, and more demonstrate the quality of craftsmanship, artistry, and exquisite sound of these rare instruments from the 17th and 18th centuries. Come and see this priceless collection up close before it is featured onstage at The Glory of Cremona on August 19th!

Free to the public, reservation required.

Register to Attend

 

Please note, parking permits will be required at UC San Diego for The Violin Maker.


49 MINUTES ON THE EDGE: PIANO FOCUS
Aug 16 @ 8:00 pm
49 MINUTES ON THE EDGE: PIANO FOCUS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

49 MINUTES ON THE EDGE: PIANO FOCUS

Thursday, August 16, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

In a spotlight of SummerFest commissions, Marc-André Dalbavie’s Piano Quartet and Pierre Jalbert’s most recent Piano Quintet refashion piano chamber music staples into a vehicle for exploring contemporary harmonies. Following this 49-minute performance, audience members are invited to mingle at a post-concert gathering with the artists, creating the opportunity for essential dialogue around this next wave of composition.

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49 MINUTES ON THE EDGE: PIANO FOCUS

MARC-ANDRÉ DALBAVIE · Piano Quartet for Piano and Strings (2012)
John Novacek, piano; Margaret Batjer, violin, Che-Yen Chen, viola; Max Geissler, cello

PIERRE JALBERT · Piano Quintet (2017) WEST COAST PREMIÈRE
Juho Pohjonen, piano; Rolston String Quartet

Aug
17
Fri
JOHANNES, CLARA, & ROBERT
Aug 17 @ 8:00 pm
JOHANNES, CLARA, & ROBERT @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

JOHANNES, CLARA, & ROBERT

Friday, August 17, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Robert Schumann, Clara Schumann, and Johannes Brahms shared one of the most fascinating and yet tragic love triangles in the history of music. The details of their relationship can be traced through letters, and of course, the great music that was written for and played by each of these three iconic musical figures, who continued to inspire each other even after Robert’s untimely death.

Prelude · 7:00 PM
Rolston String Quartet performs Webern’s Langsamer Satz and Haydn’s String Quartet in B-flat Major, Op. 76, No. 4 “Sunrise”

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JOHANNES, CLARA, & ROBERT

BRAHMS · Two Songs for Alto, Viola, and Piano, Op. 91
Tamara Mumford, mezzo-soprano; Paul Neubauer, viola; John Novacek, piano

C. SCHUMANN · Piano Trio in G Minor, Op. 17
John Novacek, piano; Yura Lee, violin; Jian Wang, cello

R. SCHUMANN · Three Romances for Oboe and Piano, Op. 94
Liang Wang, oboe; Juho Puhonen, piano

BRAHMS · Trio in E-flat Major for Piano, Violin, and Horn, Op. 40
Juho Pohjonen, piano; Kyoko Takezawa, violin; Erik Ralske, horn

Aug
18
Sat
A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO
Aug 18 @ 8:00 pm
A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO

Saturday, August 18, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Called “madly creative” by the Los Angeles Times, world-renowned jazz guitarist and singer John Pizzarelli entertains and delights with his all-star trio. Let “the genial genius of the guitar” (The Toronto Star) take you on a musical journey exploring the Great American Songbook and beyond.

Prelude · 7:00 PM
Interview with John Pizzarelli hosted by Jazz 88.3’s Claudia Russell

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Preview Article from The San Diego Union-Tribune
Guitar ace John Pizzarelli returns with his jazz trio for SummerFest concert

Read Article

A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO

Program to be announced from stage.

Aug
19
Sun
THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI
Aug 19 @ 3:00 pm
THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI

Sunday, August 19, 2018 · 3:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Enjoy a rare opportunity to hear an exquisite collection of string instruments from the greatest lutherie houses of the 17th and 18th centuries on this stunning program. Performed by world-class musicians, these dazzlingly beautiful works from Massenet’s Meditation to Tchaikovsky’s Souvenir de Florence—arguably one of the greatest chamber music works every written—come to life before your eyes.

Prelude · 2:00 PM
Lecture by Sam Zygmuntowicz

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THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI

TELEMANN · Concerto in D Major for Four Violins
Cho-Liang Lin, Yura Lee, Anna Lee, Kyoko Takezawa, violins

TCHAIKOVSKY · Mélodie, Op. 42, No. 3
Yura Lee, violin; Saetbyeol Kim, piano

MASSENET · Meditation from Thaïs
Anna Lee, violin; Saetbyeol Kim, piano

SCHUMANN · Adagio and Allegro in A-flat Major for Cello and Piano, Op. 70
Jian Wang, cello; Saetbyeol Kim, piano

DVORÁK · Terzetto in C Major for Two Violins and Viola, Op. 74
Yura Lee, Kyoko Takezawa, violins; Toby Hoffman, viola

MENDELSSOHN · Capriccio in E Minor for String Quartet, Op. 81
Anna Lee, Yura Lee, violins; Che-Yen Chen, viola; Jian Wang, cello

TCHAIKOVSKY · Sextet for Strings in D Major, Op. 70 “Souvenir de Florence”
Kyoko Takezawa, Yura Lee, violins; Paul Neubauer, Che-Yen Chen, violas; Gary Hoffman, Jian Wang, cellos

Aug
21
Tue
MIDNIGHT IN PARIS
Aug 21 @ 8:00 pm
MIDNIGHT IN PARIS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MIDNIGHT IN PARIS

Tuesday, August 21, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Stroll along the Seine and fall in love all over again with some of the most beautiful works in chamber music written by the foremost French composers of their time. Delight in the sensualistic palette of harmonies and timbres, and let the reverie transport you à Paris!

Prelude · 7:00 PM
Cambridge Trio performs Ravel’s Piano Trio in A Minor

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MIDNIGHT IN PARIS

GOUNOD · Petite Symphonie for Wind Nonet in B-flat Major, Op. 216
Catherine Ransom Karoly, flute; Liang Wang, Laura Griffiths, oboes; John Bruce Yeh, Teresa Reilly, clarinets; Keith Buncke, Ryan Simmons, bassoons; Erik Ralske, Dylan Hart, horns

RAVEL · String Quartet in F Major
New Orford String Quartet

CHAUSSON · Concerto for Violin, Piano, and String Quartet, Op. 21
Cho-Liang Lin, violin; Orion Weiss, piano; New Orford String Quartet

Aug
22
Wed
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22)
Aug 22 @ 12:30 pm
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22) @ Athenaeum Music & Arts Library | San Diego | California | United States

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE

Wednesday, August 22, 2018 · 12:30 PM
Athanaeum Music & Arts Library

Hosted by Scholar-in-Residence Eric Bromberger, this Encounter features a virtuosic and exuberant program with Fellowship Artist Ensemble Cambridge Trio and acclaimed violist Eric Nowlin of the New Orford String Quartet.

Please note, this free event has sold out. Tickets are no longer available.

Register to Attend

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22)

HANDEL/HALVORSEN · Passacaglia for Violin and Cello
Anna Lee, violin; Max Geissler, cello

BRAHMS · Piano Quartet in A Major, Op. 26
Cambridge Trio; Eric Nowlin, viola

AN EVENING WITH EMANUEL AX
Aug 22 @ 8:00 pm
AN EVENING WITH EMANUEL AX @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

Emanuel Ax

AN EVENING WITH EMANUEL AX

Wednesday, August 22, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

One of the most versatile and universally respected pianists on the international concert scene, with a career that has taken him to every major venue and orchestra in the world, Emanuel Ax rounds out our celebration of Music Director Cho-Liang Lin with this glorious program.

Prelude · 7:00 PM
Rolston String Quartet performs Brahms’ String Quartet No. 2 in A Minor, Op. 51, No. 2

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AN EVENING WITH EMANUEL AX

BRAHMS · Variations on a Theme by Haydn, Op. 56b
Emanuel Ax, Orion Weiss, pianos

SCHOENBERG · Six Little Piano Pieces, Op. 19
Emanuel Ax, piano

MOZART · “Kagelstatt” Trio in E-flat Major, K. 498
John Bruce Yeh, clarinet; Che-Yen Chen, viola; Emanuel Ax, piano

BRAHMS · Piano Quartet No. 3 in C Minor, Op. 60
Emanuel Ax, piano; Cho-Liang Lin, violin; Toby Hoffman, viola; Gary Hoffman, cello

Aug
24
Fri
SUMMERFEST FINALE WITH DAVID ZINMAN
Aug 24 @ 8:00 pm
SUMMERFEST FINALE WITH DAVID ZINMAN @ Balboa Theatre | San Diego | California | United States

SUMMERFEST FINALE WITH DAVID ZINMAN

Friday, August 24, 2018 · 8:00 PM
Balboa Theatre

How does one say farewell after 18 incredible years? For Music Director Cho-Liang Lin, the answer is easy: in a performance with one’s closest friends and the most resplendent music. Maestro David Zinman, pianists Emanuel Ax and Jon Kimura Parker, and cellist Gary Hoffman join forces with the SummerFest Orchestra and San Diego Master Chorale to celebrate Cho-Liang Lin’s legacy. With the Beethoven Triple and Choral Fantasy on the same program, this is a rare and wondrous occasion—and one you will never forget!

Prelude · 7:00 PM
Lecture by Eric Bromberger

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SUMMERFEST FINALE WITH DAVID ZINMAN

ALL WORKS FEATURE THE SUMMERFEST ORCHESTRA

ELGAR · Serenade for Strings in E Minor, Op. 20

BEETHOVEN · Triple Concerto in C Major, Op. 56
Cho-Liang Lin, violin; Gary Hoffman, cello; Jon Kimura Parker, piano

ELGAR · Introduction and Allegro for Strings, Op. 47
New Orford String Quartet

BEETHOVEN · Choral Fantasy in C Minor, Op. 80
Emanuel Ax, piano; San Diego Master Chorale

Oct
3
Wed
SPACES BY WYNTON MARSALIS – JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS
Oct 3 @ 8:00 pm
SPACES BY WYNTON MARSALIS - JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS @ Balboa Theatre | San Diego | California | United States

Wynton Marsalis

SPACES BY WYNTON MARSALIS

JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS

Wednesday, October 3, 2018 · 8:00 PM
Balboa Theatre

Spaces – composed with the concept of “animal ballet” in mind by Pulitzer Prize-winning trumpeter Wynton Marsalis – comes to life with Jazz at Lincoln Center Orchestra’s true jazz melodies and the groundbreaking dance magic of Memphis “jookin’” star Lil Buck and tap dancer Jared Grimes.

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Or call Balboa Theatre at (619) 570-1100.

Jazz 88.3 FM is a proud media sponsor of this performance.

Prelude · 7:00 PM
Prelude interview with Vincent Gardner, trombone, hosted by Robert John Hughes

Free Event · Open Sound Check and Q&A with Kenny Rampton, trumpet
Please contact Allison Boles, Education and Community Programming Manager: 858.459.3724, ext. 221 or ABoles@LJMS.org for details and to register.


Oct
18
Thu
SEONG-JIN CHO
Oct 18 @ 8:00 pm
SEONG-JIN CHO @ The Auditorium at TSRI | San Diego | California | United States

SEONG-JIN CHO, piano

Thursday, Oct. 18, 2018 · 8:00 PM
The Auditorium at TSRI

Seong-Jin Cho was brought to the world’s attention in 2015 when he won the coveted First Prize at the Chopin International Competition in Warsaw. With an overwhelming talent and innate musicality, Cho is rapidly embarking on a world-class career and considered one of the most distinctive artists of his generation.

“… this latest Chopin Competition winner can stand proud next to illustrious past winners like Pollini, Argerich and Zimerman.” – Pianist

Prelude · 7:00 PM
Prelude lecture by Seth Lerer

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SEONG-JIN CHO, piano

J.S. BACH · Chromatic Fantasia and Fugue in D Minor, BWV 903

SCHUBERT · Fantasy in C Major, D.760 “Wanderer Fantasy”

CHOPIN · Polonaise-Fantaisie in A-flat Major, Op. 61

MUSSORGSKY · Pictures at an Exhibition

Jan
20
Sun
LEIF OVE ANDSNES
Jan 20 @ 6:00 pm
LEIF OVE ANDSNES @ The Auditorium at TSRI | San Diego | California | United States

LEIF OVE ANDSNES, piano

Sunday, Jan. 20, 2019 · 6:00 PM
The Auditorium at TSRI

CANCELLED


LEIF OVE ANDSNES, piano

SCHUMANN · Three Romances, Op. 28

JANÁCEK · On an Overgrown Path, Book I

BARTÓK · Three Burlesques, Op. 8c, Sz. 47

SCHUMANN · Carnaval, Op. 9

Feb
7
Thu
DANISH STRING QUARTET: THURSDAY SKÅL!
Feb 7 @ 6:30 pm
DANISH STRING QUARTET: THURSDAY SKÅL! @ basileIE Gallery | San Diego | California | United States
Danish String Quartet

DANISH STRING QUARTET:
THURSDAY SKÅL!

Thursday, Feb. 7, 2019 · 6:30 PM
General Admission, Standing Only
basileIE Gallery

Join us for an informal gathering uniting music, art, and beer with the Danish String Quartet as they play an array of Nordic folk tunes and classical favorites. Presented at the basileIE Gallery in Barrio Logan, this concert brings traditional music to a contemporary space. Step outside of the concert hall and toast the musicians with beer provided by Mikkeller Brewing. Skål!

“I can’t imagine a more involving performance.” – Anthony Tommasini, The New York Times

Thursday Skål is sponsored by Mikkeller Brewing. Please note, two beverages are included with the purchase of each ticket.

Online sales have closed. Tickets will be available for purchase at the door on Thursday, Feb. 7, beginning at 6 pm.



ADDITIONAL PERFORMANCES BY DANISH STRING QUARTET

DANISH STRING QUARTET ON THE REVELLE CHAMBER MUSIC SERIES
Friday, Feb. 8, 2019 · 8:00 PM
The Auditorium at TSRI

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DANISH STRING QUARTET: AN EVENING OF NORDIC FOLK MUSIC
Saturday, Feb. 9, 2019 · 8:00 PM
The Auditorium at TSRI

Learn More
Feb
8
Fri
DANISH STRING QUARTET
Feb 8 @ 8:00 pm
DANISH STRING QUARTET @ The Auditorium at TSRI | San Diego | California | United States

Danish String Quartet

DANISH STRING QUARTET

Friday, Feb. 8, 2019 · 8:00 PM
The Auditorium at TSRI

The Danish String Quartet begins year one of their three year residency with La Jolla Music Society with three unique concert experiences celebrating the quartet’s diverse repertoire and commitment to Scandanavian composers, traditional Nordic folk tunes, and classical music masters. Winners of the 2016 Borletti-Buitoni Trust Award, they have played everywhere from Alice Tully Hall at Lincoln Center to NPR’s Tiny Desk Concerts.

“One of the best quartets before the public today.” – The Washington Post

Prelude · 7:00 PM
Prelude lecture

Online sales have closed. Tickets will be available for purchase at the performance venue on Friday, Feb. 8, beginning at 6 pm.



ADDITIONAL PERFORMANCES BY DANISH STRING QUARTET

DANISH STRING QUARTET: AN EVENING OF NORDIC FOLK MUSIC
Saturday, Feb. 9, 2019 · 8:00 PM
The Auditorium at TSRI

Learn More

DANISH STRING QUARTET: THURSDAY SKÅL!
Thursday, Feb. 7, 2019 · 6:30 PM
basileIE Gallery

Learn More

DANISH STRING QUARTET

HAYDN · String Quartet in B-flat Major, Op. 1, No. 1 “La Chasse”

MOZART · String Quartet, K. 458 “Hunt”

WIDMANN · Jagdquartett (Hunt Quartet)

NIELSEN · String Quartet No. 1 in G Minor, Op. 13

Feb
9
Sat
DANISH STRING QUARTET: AN EVENING OF NORDIC FOLK MUSIC
Feb 9 @ 8:00 pm
DANISH STRING QUARTET: AN EVENING OF NORDIC FOLK MUSIC @ The Auditorium at TSRI | San Diego | California | United States

Danish String Quartet

DANISH STRING QUARTET:
AN EVENING OF NORDIC FOLK MUSIC

Saturday, Feb. 9, 2019 · 8:00 PM
The Auditorium at TSRI

The Danish String Quartet showcases some of the treasures of their Nordic musical heritage with beloved folk arrangements near and dear to their hearts.

“They could be grounded in their tone or mystical. They allowed time to stand still, and they could assume the pose of excitingly aggressive rockers. They did it all.”
The Los Angeles Times

Online sales have closed. Tickets will be available for purchase at the performance venue on Saturday, Feb. 9, beginning at 6 pm.



ADDITIONAL PERFORMANCES BY DANISH STRING QUARTET

DANISH STRING QUARTET ON THE REVELLE CHAMBER MUSIC SERIES
Friday, Feb. 8, 2019 · 8:00 PM
The Auditorium at TSRI

Learn More

DANISH STRING QUARTET: THURSDAY SKÅL!
Thursday, Feb. 7, 2019 · 6:30 PM
basileIE Gallery

Learn More
Feb
16
Sat
JAZZ IN THE KEY OF ELLISON
Feb 16 @ 8:00 pm

Jazz in the Key of Ellison

JAZZ IN THE KEY OF ELLISON

Saturday, February 16, 2019 · 8:00 PM
Balboa Theatre

Inspired by the musical life of the National Book Award-winning American writer Ralph Ellison, Jazz in the Key of Ellison is a multimedia concert featuring music by Ellison’s favorite artists including Duke Ellington, Louis Armstrong, Ray Charles, and Thelonious Monk. This star-led evening includes Grammy® Award-winning trumpeter Nicholas Payton, R&B and jazz vocalist Will Downing, iconic Labelle singer Nona Hendryx, 2017 Sarah Vaughan International Jazz Vocal Competition winner Quiana Lynell, the Andy Farber Jazz Orchestra, and author Roxane Gay as narrator.

Prelude · 7:00 PM
Prelude interview by Robert John Hughes

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Day of, tickets will be available at the Balboa Theatre Box Office beginning at 4:00pm.

Jazz 88
Jazz in the Key of Ellison featured on Jazz 88.3
Danny Kapilian, producer of Jazz in the Key of Ellison, sat down with Dave Drexler for “Inside Art” on Jazz 88.3 to discuss Ralph Ellison’s legacy and the inspiration for this Saturday’s show at Balboa Theatre.

Listen Here

Audible


Feb
22
Fri
SIR ANDRÁS SCHIFF
Feb 22 @ 8:00 pm
SIR ANDRÁS SCHIFF @ Balboa Theatre | San Diego | California | United States

Sir Andras Schiff

SIR ANDRÁS SCHIFF, piano

Friday, Feb. 22, 2019 · 8:00 PM
Balboa Theatre

Awarded Knighthood by Her Majesty Queen Elizabeth II in June 2014, Sir András Schiff is world-renowned and critically acclaimed as a pianist, conductor, pedagogue, and lecturer.

“Andras Schiff would make Bach proud.” – New York Magazine

Prelude · 7:00 PM
Prelude lecture by Seth Lerer

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Tickets will be available for sale at the Balboa Theatre Box Office beginning at 4:00pm.


SIR ANDRÁS SCHIFF, piano

J.S. BACH · Partita for keyboard No. 5 in G major, BWV 829

SCHUMANN · Davidsbündlertänze, Op. 6

JANÁCEK · Piano Sonata 1.X.1905, “From the street

SCHUMANN · Piano Sonata No. 1 in F sharp minor, Op. 11

Mar
29
Fri
UKULELE ORCHESTRA OF GREAT BRITAIN
Mar 29 @ 8:00 pm
UKULELE ORCHESTRA OF GREAT BRITAIN @ Balboa Theatre | San Diego | California | United States

Ukulele Orchestra of Great Britain

GEORGE HINCHLIFFE’S
UKULELE ORCHESTRA OF GREAT BRITAIN

Friday, March 29, 2019 · 8:00 PM
Balboa Theatre

Back by popular demand, The Ukulele Orchestra of Great Britain is the original troupe of all-singing, all-strumming, all-ukulele players. Selling out concerts around the globe, these first-rate artists create big fun from small instruments as they slide playfully from Tchaikovsky to Spaghetti Western to Otis Redding.

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Tickets will be available for purchase at the Balboa Theatre box office beginning at 4:00 PM.

Workshop with the Artists
Friday, March 29, 2019 – 5:30-6:30pm
Open to ticket holders

Join the Ukulele Orchestra of Great Britain at Balboa Theatre in a special Workshop prior to their performance. The artists will demonstrate how they approach arranging songs, highlight the roles of each performer, and inject their own unique “twist” on covers. The Workshop will also include practice of the play-along pieces for the evening’s concert.

Register

Practice for the play-along!
Use the following video and sheet music to practice for The Ukulele Orchestra of Great Britain’s participation piece, so we can all sing and play together.

View Sheet Music

Apr
9
Tue
JERUSALEM QUARTET
Apr 9 @ 8:00 pm
JERUSALEM QUARTET @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Jerusalem Quartet

JERUSALEM QUARTET

Tuesday, April 9, 2019 · 8:00 PM
The Baker-Baum Concert Hall

La Jolla Music Society is happy to welcome back The Jerusalem Quartet – regularly featured on the Revelle Chamber Music series. Since the ensemble’s founding in 1993 and subsequent 1996 debut, these four Israeli musicians have embarked on a journey of growth and maturation. This journey has resulted in a wide repertoire and stunning depth of expression.

“Passion, precision, warmth, a gold blend: these are the trademarks of this excellent Israeli string quartet.” – The New York Times

Prelude · 7:00 PM
Prelude lecture

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JERUSALEM QUARTET

HAYDN · String Quartet in G Major, Op. 76, No. 1

DEBUSSY · String Quartet in G Minor

BEETHOVEN · String Quartet in E-flat Major, Op. 127

Apr
12
Fri
MIDORI & JEAN-YVES THIBAUDET
Apr 12 @ 8:00 pm
MIDORI & JEAN-YVES THIBAUDET @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Sold Out

MIDORI & JEAN-YVES THIBAUDET

Friday, April 12, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Midori regularly transfixes audiences around the world, bringing together graceful precision and intimate expression that allows the listening public to not just hear music but to be personally moved by it.  For more than three decades, Jean-Yves Thibaudet has performed world-wide, recorded more than 50 albums, and built a reputation as one of today’s finest pianists.

Prelude · 7:00 PM
Prelude lecture

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MIDORI & JEAN-YVES THIBAUDET

SCHUMANN · Sonata in A Minor, Op. 105

FAURÉ · Sonata No.1 in A Major, Op. 13

DEBUSSY · Sonata for Violin and Piano

ENESCU · Sonata No. 3 in A Minor

Apr
13
Sat
NPR’S FROM THE TOP
Apr 13 @ 6:00 pm
NPR'S FROM THE  TOP @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

NPR's From The Top

NPR’S FROM THE TOP

Saturday, April 13, 2019 · 6:00 PM
The Baker-Baum Concert Hall

Join the studio audience at The Conrad Prebys Performing Arts Center for a live taping of From the Top, one of National Public Radio’s most popular weekly music programs. From the Top shares the stories and performances of pre-college classical musicians with more than 700,000 listeners each week. Vijay Gupta, violinist, social justice advocate, and 2018 MacArthur Fellow, hosts the program and will be joined by special guests include the San Diego Youth Symphony Chamber Orchestra.

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Guest Host: Vijay Gupta, 2018 MacArthur Fellow

Vijay Gupta is a violinist and social justice advocate providing musical enrichment and valuable human connection to the homeless, incarcerated, and other under-resourced communities in Los Angeles. After joining the Los Angeles Philharmonic as a young violinist, Gupta began to give lessons to Nathaniel Ayers, a Juilliard-trained musician whose mental illness led to homelessness. This experience motivated him to play for the homeless and mentally ill living on Skid Row, an area of concentrated poverty and homelessness in downtown Los Angeles and, eventually, to cofound the not-for-profit Street Symphony.


NPR’S FROM THE TOP

San Diego Youth Symphony Chamber Orchestra
IX. Scherzo: Presto assai e molto leggiero from The Comedians, Op. 26 by Dmitry Kabalevsky (1904-1987) with conductor Jeff Edmons

Pianist George Li with the San Diego Youth Symphony Chamber Orchestra
II. Romance. Larghetto from Piano Concerto No.1, Op.11 by Frédéric Chopin (1810-1849) with conductor Jeff Edmons

Piazzolla Trio:
Audrey Park, Violin, 16, from Valencia, CA
Kevin Song, Cello, 16, from San Diego, CA
Michelle Cann, Piano

Primavera Porteña from “The 4 Seasons of Buenos Aires” by Astor Piazzolla (1921-1992)

Vijay Gupta, violin
“Hallelujah” by Leonard Cohen

Vijay Gupta, violin, and Kevin Song, cello
II. Très vif from the Sonata for Violin and Cello by Maurice Ravel (1875-1937)

Phoebe Rawn, Flute, 18, from Seattle, WA
Andante Pastoral et Scherzettino by Paul Taffanel (1844-1908), with Michelle Cann, piano

Logan Wadley, Tuba, 18, from Vermillion, SD
I. Allegro pesante from the Sonata for Tuba and Piano by Paul Hindemith (1895-1963), with Michelle Cann, piano

Apr
17
Wed
DANIIL TRIFONOV
Apr 17 @ 8:00 pm
DANIIL TRIFONOV @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States
Daniil Trifonov

DANIIL TRIFONOV, piano

Wednesday, April 17, 2019 · 8:00 PM
The Baker-Baum Concert Hall

GRAMMY© award-winning Russian pianist Daniil Trifonov has made a spectacular ascent in the world of classical music as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe.

“Without question, the most astounding pianist of our age.” – The Times of London

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Daniil Trifonov

DANIIL TRIFONOV, piano

BEETHOVEN · Andante Favori in F Major, WoO.57

BEETHOVEN · Sonata No. 18, Op. 31, No. 3

SCHUMANN · Selections from Bunte Blätter, Op. 99

SCHUMANN · Presto Passionato, Op. 22

PROKOFIEV · Piano Sonata No. 8 in B-flat Major, Op. 84

Apr
18
Thu
ANOUSHKA SHANKAR
Apr 18 @ 8:00 pm
ANOUSHKA SHANKAR @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

ANOUSHKA SHANKAR, sitar

Thursday, April 18, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Anoushka Shankar, sitar
Ojas Adhiya, tabla
Pirashanna Thevarajah, mridangam
Ravichandra Kulur, flute
Danny Keane, cello & piano
Kenji Ota, tanpura

Sitar  player  and  composer  Anoushka Shankar—daughter of legendary sitar master Ravi Shankar and former Encinitas resident—is  a  singular  figure  in  the  Indian  classical  and  progressive  world  music  scenes.  Her  dynamic  and  spiritual  musicality  has  garnered  several  prestigious  accolades  including  six  GRAMMY®  award  nominations.  In her  new  program,  she draws  on  classical ragas,  referencing  the  experiences  she’s  built  along  the  way  and  experimenting  with  new  ideas  in  a  cross cultural  dialogue showcasing  the  versatility  of  the  sitar  across  musical  genres.

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Apr
24
Wed
CHRIS THILE
Apr 24 @ 8:00 pm
CHRIS THILE @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

CHRIS THILE

Wednesday, April 24, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Multiple Grammy© Award-winner and MacArthur Fellow Chris Thile, a member of Punch Brothers and Nickel Creek, and now the host of the radio program, Live from Here, is a mandolin virtuoso, composer and vocalist. With his broad outlook, Thile transcends the borders of conventionally circumscribed genres, creating a distinctly American canon and a new musical aesthetic for performers and audiences alike. His most recent album, Thanks for Listening, is a collection of songs of “gentle humor and musical imagination” (Uncut) from Live From Here’s popular “Song of the Week” segment.

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Apr
25
Thu
GIL SHAHAM & AKIRA EGUCHI
Apr 25 @ 8:00 pm
GIL SHAHAM & AKIRA EGUCHI @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Gil Shaham & Akira Eguchi

GIL SHAHAM & AKIRA EGUCHI

Thursday, April 25, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Longtime friend of La Jolla Music Society Gil Shaham has solidified his renown as an American violin master. Named Musical America’s Instrumentalist of the Year, Shaham is sought after for concerto appearances with leading orchestras and conductors around the globe.

Shaham is joined by longtime collaborator, pianist Akira Eguchi, distinguished for his performances for heads of State, including American Presidents and the Emperor and Empress of Japan.

Prelude · 7:00 PM
Prelude lecture

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GIL SHAHAM & AKIRA EGUCHI

KREISLER · Praeludium and Allegro

WHEELER · The Singing Turk: Sonata No.2 for Violin and Piano

DORMAN · Nigunim (Sonata No. 3)

J.S. BACH · Partita No.3 in E Major for Solo Violin, BWV 1006

FRANCK · Sonata in A Major for Violin and Piano

Apr
26
Fri
SAN DIEGO SYMPHONY
Apr 26 @ 8:00 pm
SAN DIEGO SYMPHONY @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

San Diego Symphony

SAN DIEGO SYMPHONY
JEANNETTE SORRELL, conductor & harpsichord soloist

Friday, April 26, 2019 · 8:00 PM
The Baker-Baum Concert Hall

La Jolla Music Society celebrates San Diego’s vibrant and collaborative arts community with a presentation from the San Diego Symphony. Led by Jeannette Sorrell, 2019 GRAMMY Award-winner and one of today’s most compelling interpreters of Baroque and Classical repertoire, the program of Baroque music will include works by J.S. Bach and Handel.

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Please note, Matthew Halls will not participate in this program due to a family health emergency.


SAN DIEGO SYMPHONY
JEANNETTE SORRELL, conductor & harpsichord soloist

Handel · Selections from Water Music and Fireworks Music Suites
J.S. Bach · Brandenburg Concerto No. 3 in G major, BWV 1048
J.S. Bach · Brandenburg Concerto No. 5 in D major, BWV 1050
Handel · Entrée (Jalousie) and Chaconne from Terpsichore (Il Pastor fido)
Handel · Selections from Water Music and Fireworks Music Suites

Apr
27
Sat
HIROMI: SOLO (CANCELLED)
Apr 27 @ 8:00 pm
HIROMI: SOLO (CANCELLED) @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Hiromi

HIROMI: SOLO

Saturday, April 27, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Unfortunately, Hiromi must cancel performances through August 2019 under advisement from her doctor regarding her pregnancy.

CANCELLED


May
3
Fri
GARRICK OHLSSON: BRAHMS EXPLORATION
May 3 @ 8:00 pm
GARRICK OHLSSON: BRAHMS EXPLORATION @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Garrick Ohlsson

GARRICK OHLSSON: BRAHMS EXPLORATION

Friday, May 3, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial, interpretive, and technical prowess.

“A born Brahmsian, equipped at the highest level with the necessary speed and power.” — BBC Music Magazine

Prelude · 7:00 PM
Prelude Lecture by Seth Lerer

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GARRICK OHLSSON, piano

BRAHMS · Six Pieces, Op. 118

BRAHMS · Sonata in F-sharp Minor, Op. 2

BRAHMS · Intermezzi, Op. 117

BRAHMS · Variations and Fugue on a Theme by Handel, Op. 24

May
4
Sat
STORM LARGE & LE BONHEUR
May 4 @ 8:00 pm
STORM LARGE & LE BONHEUR @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE & LE BONHEUR

Saturday, May 4, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Singer, actor, author, and playwright Storm Large makes a triumphant return to La Jolla Music  Society with her band Le Bonheur.

Best known as a guest vocalist for Pink Martini, Storm and her band perform American songbook classics, Broadway tearjerkers, and rock anthems with ferocity and a wicked sense of humor. Enjoy an eclectic mix of sublime and subversive interpretations of classic songs from the rock and roll cannon and the Great American Songbook.

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May
9
Thu
THE TRIPLETS OF BELLEVILLE
May 9 @ 8:00 pm
The Triplets of Belleville

THE TRIPLETS OF BELLEVILLE

Thursday, May 9, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Benoit Charest leads Le Terrible Orchestre de Belleville in the live performance of his original score for the film The Triplets of Belleville, including his ACADEMY AWARD® nominated best song “Belleville de Rendez-Vous.” In the spirit of the film, Le Terrible Orchestre de Belleville transports audiences to the exciting streets of 1920’s Paris and Le Jazz Hot.

Prelude · 7:00 PM
Prelude interview by Robert John Hughes

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Jazz 88
The Triplets Of Belleville on Jazz 88.3’s “Inside Art”

LISTEN
Jazz 88.3 FM is a proud media sponsor of this performance.


May
10
Fri
DAVID FINCKEL & WU HAN
May 10 @ 8:00 pm
DAVID FINCKEL & WU HAN @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

David Finckel & Wu Han

DAVID FINCKEL & WU HAN

Friday, May 10, 2019 · 8:00 PM
The Baker-Baum Concert Hall

David Finckel and Wu Han are among the most esteemed and influential classical musicians in the world today.  They are recipients of Musical America’s Musicians of the Year award, one of the highest honors granted by the music industry. Their duo performances have garnered superlatives from the press, public, and presenters alike. La Jolla Music Society welcomes these two previous SummerFest music directors home.

Prelude · 7:00 PM
Prelude lecture

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DAVID FINCKEL & WU HAN

The Unfolding of Music

J.S. BACH · Sonata in G Major for Viola da Gamba and Keyboard, BWV 1027

BEETHOVEN · Sonata in C Major for Cello and Piano, Op. 102, No. 1

MENDELSSOHN · Sonata No. 2 in D Major for Cello and Piano, Op. 58

DEBUSSY · Sonata in D Minor for Cello and Piano

BRITTEN · Sonata in C Major for Cello and Piano, Op. 65

May
11
Sat
STORM LARGE’S CRAZY ENOUGH
May 11 @ 8:00 pm
STORM LARGE'S CRAZY ENOUGH @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE’S CRAZY ENOUGH

Saturday, May 11, 2019 · 8:00 PM
The Baker-Baum Concert Hall

An autobiographical musical written and performed by Storm Large, Crazy Enough is about staying alive and living fully in the moment. Part cabaret, part confessional, and part comedy, the show reveals how she grew up with a schizophrenic mother and the way music helped her to overcome heartache. In painful and humorous detail, Storm Large takes her audience on a gritty journey, showing us what it takes sometimes just to survive.

“An empowering look at how one woman has managed, despite repeated heartaches and screw-ups, to stay aware of the preciousness of life.” – The Oregonian

MATURE CONTENT: Please be advised that this performance will contain adult content and explicit language. Children below the age of 12 will not be admitted.

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Please note, La Jolla Music Society will present Storm Large’s Crazy Enough two consecutive evenings, May 11 and 12. Click here to view the May 12 performance listing.


May
12
Sun
STORM LARGE’S CRAZY ENOUGH
May 12 @ 3:00 pm
STORM LARGE'S CRAZY ENOUGH @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE’S CRAZY ENOUGH

Sunday, May 12, 2019 · 3:00 PM
The Baker-Baum Concert Hall

An autobiographical musical written and performed by Storm Large, Crazy Enough is about staying alive and living fully in the moment. Part cabaret, part confessional, and part comedy, the show reveals how she grew up with a schizophrenic mother and the way music helped her to overcome heartache. In painful and humorous detail, Storm Large takes her audience on a gritty journey, showing us what it takes sometimes just to survive.

“An empowering look at how one woman has managed, despite repeated heartaches and screw-ups, to stay aware of the preciousness of life.” – The Oregonian

MATURE CONTENT: Please be advised that this performance will contain adult content and explicit language. Children below the age of 12 will not be admitted.

Buy Tickets

Please note, La Jolla Music Society will present Storm Large’s Crazy Enough two consecutive evenings, May 11 and 12. Click here to view the May 11 performance listing.


May
16
Thu
ANAT COHEN QUARTET
May 16 @ 7:00 pm
Anat Cohen

ANAT COHEN QUARTET

Thursday, May 16, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Clarinetist and saxophonist Anat Cohen has taken the jazz world by storm, winning hearts and minds the world over with her expressive virtuosity and delightful stage presence. As JazzTimes says, “With the clarinet she becomes a singer, a dancer, a poet, a mad scientist, laughing — musically — with the sheer delight of reaching that new place, that new feeling, with each chorus.” An established bandleader and prolific composer, the Anat Cohen Quartet program is a unique blend of modern and traditional jazz, classical music, Brazilian choro, Argentine tango, and an expansive timeline of Afro-Cuban styles. The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air‘s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”

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Seating will be available on a first come, first served basis at your assigned table. Small bites and beverages will be available from Snake Oil Cocktail Company.
Preview The JAI Menu
Please note, La Jolla Music Society will present the Anat Cohen Quartet at 7:00 PM and 9:00 PM. Click here to view the 9:00 PM performance listing.


ANAT COHEN QUARTET
May 16 @ 9:00 pm
Anat Cohen

ANAT COHEN QUARTET

Thursday, May 16, 2019 · 9:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Clarinetist and saxophonist Anat Cohen has taken the jazz world by storm, winning hearts and minds the world over with her expressive virtuosity and delightful stage presence. As JazzTimes says, “With the clarinet she becomes a singer, a dancer, a poet, a mad scientist, laughing — musically — with the sheer delight of reaching that new place, that new feeling, with each chorus.” An established bandleader and prolific composer, the Anat Cohen Quartet program is a unique blend of modern and traditional jazz, classical music, Brazilian choro, Argentine tango, and an expansive timeline of Afro-Cuban styles. The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air‘s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table. Small bites and beverages will be available from Snake Oil Cocktail Company.
Preview The JAI Menu
Please note, La Jolla Music Society will present the Anat Cohen Quartet at 7:00 PM and 9:00 PM. Click here to view the 7:00 PM performance listing.


Jun
8
Sat
JAZZMEIA HORN
Jun 8 @ 7:00 pm
Jazzmeia Horn

JAZZMEIA HORN

Saturday, June 8, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Grammy Award nominated vocalist Jazzmeia Horn has a name that speaks for itself, capturing her very essence. Since winning the Thelonious Monk Competition in 2015, Jazzmeia’s star has continued to rise, along with her reputation as an artist with an assured maturity and a vocal confidence far beyond her years. JazzTimes exclaims that Jazzmeia’s “vivacity, imagination, gutsiness and sociopolitical savvy echo the likes of Carter and Abbey Lincoln. Simply put, she is as exciting a discovery as Cécile McLorin Salvant or Gregory Porter.” Her debut album, A Social Call, was released on Concord’s Prestige label to overwhelming acclaim from critics and fans alike, earning Jazzmeia her first Grammy Award nomination for Best Jazz Vocal Album. Great story-telling, an inspired message, fluid vocals, scat-singing, and spirited group performances – A Social Call features all one would hope to hear from a veteran vocalist of longstanding reputation. As such, the album serves as a clarion call, proudly announcing the arrival of a young, confident musical talent with a bright future ahead of her, blessed with a name that carries its own destiny. Jazzmeia looks forward to her sophomore release in early summer 2019.

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table.
Please note, La Jolla Music Society will present Jazzmeia Horn at 7:00 PM and 9:00 PM. Click here to view the 9:00 PM performance listing.


JAZZMEIA HORN
Jun 8 @ 9:00 pm
Jazzmeia Horn

JAZZMEIA HORN

Saturday, June 8, 2019 · 9:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Grammy Award nominated vocalist Jazzmeia Horn has a name that speaks for itself, capturing her very essence. Since winning the Thelonious Monk Competition in 2015, Jazzmeia’s star has continued to rise, along with her reputation as an artist with an assured maturity and a vocal confidence far beyond her years. JazzTimes exclaims that Jazzmeia’s “vivacity, imagination, gutsiness and sociopolitical savvy echo the likes of Carter and Abbey Lincoln. Simply put, she is as exciting a discovery as Cécile McLorin Salvant or Gregory Porter.” Her debut album, A Social Call, was released on Concord’s Prestige label to overwhelming acclaim from critics and fans alike, earning Jazzmeia her first Grammy Award nomination for Best Jazz Vocal Album. Great story-telling, an inspired message, fluid vocals, scat-singing, and spirited group performances – A Social Call features all one would hope to hear from a veteran vocalist of longstanding reputation. As such, the album serves as a clarion call, proudly announcing the arrival of a young, confident musical talent with a bright future ahead of her, blessed with a name that carries its own destiny. Jazzmeia looks forward to her sophomore release in early summer 2019.

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table.
Please note, La Jolla Music Society will present Jazzmeia Horn at 7:00 PM and 9:00 PM. Click here to view the 7:00 PM performance listing.


Aug
2
Fri
OPENING NIGHT: THE TIME TRAVELER’S SUITE
Aug 2 @ 8:00 pm

SUMMERFEST OPENING NIGHT:
THE TIME TRAVELER’S SUITE

FRIDAY, AUGUST 2, 2019 · 8 PM
The Baker-Baum Concert Hall

Inspired by a Baroque dance suite, join us for a time-traveling musical adventure exploring how deeply connected music can be across centuries. After intermission, the journey continues with a new work by the dynamic young composer and pianist Conrad Tao, concluding with Rachmaninoff’s breathtakingly powerful Suite for Two Pianos.

Prelude · 7:00 PM
Interview with SummerFest Music Director Inon Barnatan, hosted by Eric Bromberger


SUMMERFEST OPENING NIGHT:
THE TIME TRAVELER’S SUITE

J.S. BACH · Allegro from Brandenburg Concerto No. 2 in F Major, BWV, 1047
HANDEL · Adagio from Trio for Two Violins and Continuo, Op. 2, No. 5
RAMEAU · La Poule from 6 concerts transcrits en sextour
Entrée de Polymnie from Les Boreades
COUPERIN · Les Baricades Mistérieuses (arr. Ades)
RAVEL · Rigaudon from Le Tombeau de Couperin
STRAVINSKY · Serenata from Suite Italienne for Cello and Piano
CHARLES WUORINEN · Selections from Bearbeitungen Über Das Glogauer Liederbuch
CONNESSON · Techno Parade for Flute, Clarinet and Piano
J.S.BACH · Finale from Brandenburg Concerto No. 2 in F Major, BWV, 1047

Erin Keefe, violin; Stefan Jackiw, Ben Beilman, violins; Masumi Per Rostad, viola; Alisa Weilerstein, cello; Timothy Cobb, bass; Henrik Heide, flute; James Austin Smith, oboe; Anthony McGill, clarinet; Frank Renk, bass clarinet; Inon Barnatan, harpsichord

CONRAD TAO · “All I had forgotten or tried to” (2019) · WORLD PREMIÈRE
Stefan Jackiw, violin; Conrad Tao, piano

HALVORSEN · Passacaglia (after Handel)
Benjamin Beilman, violin; Alisa Weilerstein, cello

RACHMANINOFF · Suite No. 2 for Two Pianos, Opus 17
Inon Barnatan, Conrad Tao, pianos

Aug
3
Sat
SONGS OF HEAVEN AND EARTH
Aug 3 @ 8:00 pm
Songs of Heaven and Earth

SONGS OF HEAVEN AND EARTH

SATURDAY, AUGUST 3, 2019 · 8 PM
The Baker-Baum Concert Hall

From J.S. Bach’s intimate portrayal of a man’s sublime resignation and yearning to Messiaen’s achingly beautiful movement from his Quartet For the End of Time, Songs of Heaven and Earth offers the distinctively unique ideas of three brilliant composers’ perceptions of heavenly voices. The program closes with soprano Susanna Phillips, whose voice The New York Times describes as “warm and shimmering,” singing “Das himmlische Leben” in Mahler’s sunniest and most intimate symphony presenting a child’s vision of the heavens.

Prelude · 7:00 PM
Lecture by Eric Bromberger

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SONGS OF HEAVEN AND EARTH

J.S. BACH · Ich habe genug, BWV 82a
Tyler Duncan, baritone; James Austin Smith, oboe; Stefan Jackiw, Andrew McIntosh, violins; Masumi Per Rostad, viola; Kenneth Olsen, cello; Timothy Cobb, bass; Tina Chong, harpsichord

MESSIAEN · Louange à l’Immortalité de Jésus from Quatuor pour la fin du temps
Stefan Jackiw, violin; Conrad Tao, piano

MAHLER · Symphony No. 4 in G Major (arr. Erwin Stein)
Susanna Phillips, soprano; Erin Keefe, Ben Beilman, violins; Masumi Per Rostad, viola; Alisa Weilerstein, cello; Timothy Cobb, bass; Henrik Heide, flute/piccolo; James Austin Smith, oboe/english horn; Anthony McGill, clarinet/bass clarinet; Valentin Martchev, bassoon; Dustin Donahue, percussion; Inon Barnatan, piano; Patricia Mabee, harmonium; Osmo Vänskä, conductor

Aug
4
Sun
ANCIENT VOICES
Aug 4 @ 3:00 pm
Ancient Voices

ANCIENT VOICES

SUNDAY, AUGUST 4, 2019 · 3 PM
The Baker-Baum Concert Hall

An evocation of voices past, this exquisite evening of music features Debussy’s ravishing and quietly revolutionary Prelude to the Afternoon of a Faun, George Crumb’s mystical Vox Balaenae (Voice of the Whale) for three masked players, Ravel’s magical songs for soprano and chamber ensemble, and one of Rachmaninoff’s most beloved works steeped in the sounds of his childhood, raised in the Russian Orthodox Church.

This concert is dedicated to Jere Robins.

Prelude · 2:00 PM
Lecture by Eric Bromberger

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ANCIENT VOICES

DEBUSSY · Prelude to the Afternoon of a Faun (arr. Sachs/Schoenberg)
Benjamin Beilman, Erin Keefe; violins, Masumi Per Rostad, viola; Kenneth Olsen, cello; Timothy Cobb, bass; James Austin Smith, oboe; Anthony McGill, clarinet; Henrik Heide, flute; Valentin Martchev, bassoon; Inon Barnatan, piano; Tina Chong, harmonium; Osmo Vänskä, conductor

GEORGE CRUMB · Vox Balaenae (Voice of the Whale)
Rose Lombardo, flute; Alisa Weilerstein, cello; Conrad Tao, piano

RAVEL · Trois poèmes de Mallarmé
Henrik Heide, Rose Lombardo, flutes; Anthony McGill, Osmo Vänskä, clarinets; Susanna Phillips, soprano; Erin Keefe, Stefan Jackiw, violins; Masumi Per Rostad, viola; Kenneth Olsen, cello; Inon Barnatan, piano

RACHMANINOFF · Sonata in G Minor for Cello and Piano, Op. 19
Alisa Weilerstein, cello; Inon Barnatan, piano

Aug
6
Tue
REFLECTION
Aug 6 @ 8:00 pm

Reflection

REFLECTION

TUESDAY, AUGUST 6, 2019 · 8 PM
The Baker-Baum Concert Hall

A retrospective through music. Ysaÿe’s virtuosic Violin Sonata and Arensky’s moving String Quartet ingeniously pay homage to the great masters before them and to dear friends whom they have lost. Shostakovich’s Symphony No. 15 reflects on his own life and enigmatically quotes works by other composers in this rarely heard transcription for piano trio and three percussionists.

Prelude · 7:00 PM
Musical performance by pianist George Li

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REFLECTION

YSAŸE · Sonata in A Minor for Solo Violin, Op. 27
Yura Lee, violin

ARENSKY · String Quartet No. 2 in A Minor, Op. 35
Erin Keefe, violin; Yura Lee, viola; Kenneth Olsen, Alisa Weilerstein, cellos

SHOSTAKOVICH · Symphony No. 15 in A Major, Op. 141 (arr. Derevianko)
Philippe Quint, violin; Alisa Weilerstein, cello; Inon Barnatan, piano & celeste; red fish blue fish, percussion

Aug
7
Wed
SYNERGY SERIES I: INTERSECTION
Aug 7 @ 8:00 pm
Intersection

SYNERGY SERIES I: INTERSECTION

with CECILE MCLORIN SALVANT, AARON DIEHL, and INON BARNATAN
Produced by Inon Barnatan and Clara Wu Tsai

WEDNESDAY, AUGUST 7, 2019 · 8 PM
The Baker-Baum Concert Hall

An unforgettable performance highlighting the symbiotic relationship between classical music and jazz. Cécile McLorin Salvant, three-time GRAMMY® Award winner and “the finest jazz singer to emerge in the last decade” (The New York Times), Aaron Diehl, one of the most in-demand jazz pianists today, who studied classical piano and recently appeared as soloist with the New York Philharmonic and the Cleveland Orchestra, come together with pianist and SummerFest Music Director Inon Barnatan for a not-to-be-missed musical event.

“You get a singer like this once in a generation or two.”
Wynton Marsalis

Prelude · 7:00 PM
Interview with the artists hosted by Robert John Hughes

PLEASE NOTE, TICKETS TO THIS PERFORMANCE HAVE SOLD OUT.


Aug
8
Thu
SUMMERFEST ENCOUNTER: CLASSICAL TRANSFORMATION
Aug 8 @ 1:00 pm – 2:30 pm
Alex Ross

SUMMERFEST ENCOUNTER:
Classical Transformation featuring Alex Ross

THURSDAY, AUGUST 8, 2019 · 1:00-2:30 PM
The JAI

Alex Ross, award-winning music critic for The New Yorker and author of The Rest is Noise and Listen to This, explores how Beethoven helped to establish the idea of a classical-music repertory. Discover why the great master’s music inspires and poses challenges for contemporary composers today—and all composers since his time.

PLEASE NOTE, TICKETS ARE NO LONGER AVAILABLE FOR THIS FREE EVENT.
If you’re unable to use your tickets for this event, please contact The Conrad Box Office at 858.459.3728. Your seats will be released 10 minutes after the listed start time to allow stand-by guests to attend the event.


MOZART REWORKED
Aug 8 @ 8:00 pm
Mozart Reworked

MOZART REWORKED

THURSDAY, AUGUST 8, 2019 · 8 PM
The Baker-Baum Concert Hall

Wolfgang Amadeus Mozart’s music has been reimagined throughout the centuries. This program explores his own reworking of the Wind Serenade for Strings followed by transformations of his music by his admirers: Beethoven‘s Piano Quartet, also originally for winds, Estonian composer Arvo Pärt’s reinterpretation of a movement of a Mozart piano sonata, and finally, Carl Czerny’s brilliant reduction of Beethoven’s favorite concerto by Mozart—all in testament to the composer’s genius.

Prelude · 7:00 PM
Callisto Quartet performs Allegro from Beethoven’s String Quartet Op. 59, No. 2 and Ligeti’s String Quartet No. 1

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MOZART REWORKED

MOZART · String Quintet in C Minor, K.406
Brentano Quartet – Serena Canin, Mark Steinberg, violins; Misha Amory, viola; Nina Lee, cello;
Hsin-Yun Huang, viola;

BEETHOVEN · Piano Quartet in E-flat Major Op. 16a
Benjamin Beilman, violin; Yura Lee, viola; Kenneth Olsen, cello; George Li, piano

ARVO PÄRT · Mozart Adagio
Trio Clara – Ying Li, piano; Tatjana Roos, violin; Annie Jacobs-Perkins, cello

MOZART · Piano Concerto No. 20 in D Minor, K.466 (arr. Czerny)
George Li, piano; Rose Lombardo, flute; Timothy Cobb, bass
Miró Quartet – Daniel Ching, William Fedkenheuer, violins; John Largess, viola; Joshua Gindele, cello;

Aug
9
Fri
BEETHOVEN COMPLETE STRING QUARTETS I: BRENTANO QUARTET
Aug 9 @ 8:00 pm
Brentano Quartet

BEETHOVEN COMPLETE STRING QUARTETS I: BRENTANO QUARTET

FRIDAY, AUGUST 9, 2019 · 8 PM
The Baker-Baum Concert Hall

A composer who changed the course of music, Ludwig van Beethoven’s 16 string quartets stand today as arguably his most formidable achievement and continue to move audiences with their extraordinary power. This summer, we embark on one of music’s most transcendent journeys, a two-season exploration of the complete Beethoven string quartets with some of the world’s leading quartets, including the SummerFest debut of the Brentano Quartet.

“luxuriously warm sound and yearning lyricism”
The New York Times

Prelude · 7:00 PM
Interview with Brentano Quartet violinist Mark Steinberg

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BEETHOVEN COMPLETE STRING QUARTETS I: BRENTANO QUARTET

BEETHOVEN
String Quartet in A Major, Op. 18, No. 5
String Quartet in F Minor, Op. 95 “Serioso”
String Quartet in E-flat Major, Op. 127

Brentano Quartet – Serena Canin, Mark Steinberg, violins; Misha Amory, viola; Nina Lee, cello

Aug
10
Sat
BEETHOVEN COMPLETE STRING QUARTETS II: MIRÓ QUARTET
Aug 10 @ 8:00 pm

BEETHOVEN COMPLETE STRING QUARTETS II: MIRÓ QUARTET

SATURDAY, AUGUST 10, 2019 · 8 PM
The Baker-Baum Concert Hall

A composer who changed the course of music, Ludwig van Beethoven’s 16 string quartets stand today as arguably his most formidable achievement and continue to move audiences with their extraordinary power. This summer, we embark on one of music’s most transcendent journeys, a two-season exploration of the complete Beethoven string quartets with some of the world’s leading quartets, including the celebrated and much beloved Miró Quartet.

“playing of this caliber casts light on the path ahead”
The New York Times

Prelude · 7:00 PM
Trio Clara performs Beethoven’s Piano Trio in C Minor, Op. 1, No.3


BEETHOVEN COMPLETE STRING QUARTETS II: MIRÓ QUARTET

BEETHOVEN
String Quartet in C Minor, Op. 18. No. 4
String Quartet in F Major, Op. 135
String Quartet in E Minor, Op. 59, No. 2

Miró Quartet – Daniel Ching, William Fedkenheuer, violins; John Largess, viola; Joshua Gindele, cello

Aug
11
Sun
TAKEOVER @ THE JAI: MUSIC FROM MUSIC I
Aug 11 @ 7:00 pm

TAKEOVER @ THE JAI
MUSIC FROM MUSIC I

Curated by David Lang

SUNDAY, AUGUST 11, 2019 · 7 PM
THE JAI

Pulitzer Prize-winning composer David Lang curates a two-part series in The JAI, our exciting alternative performance space, celebrating some of the most innovative compositional voices today. Each selected composer honors the storied chamber music of our past while forging new musical paths forward out of the older tradition.

Doors Open · 6:00 PM
Join us for bites and beverages


TAKEOVER @ THE JAI
MUSIC FROM MUSIC I

CAROLINE SHAW · Entr’acte
Miró Quartet – Daniel Ching, William Fedkenheuer, violins; John Largess, viola; Joshua Gindele, cello

CHRIS CERRONE · South Catalina
Rose Lombardo, flute; Joseph Morris, clarinet; Paul Aguilar, violin; Hannah Moses, cello; Timo Andres, piano; Dustin Donahue, percussion

GABRIELLA SMITH · Carrot Revolution
Miró Quartet

DAVID LANG · Death Speaks
Nora Fischer, soprano; Tatjana Roos, violin; Timo Andres, piano; Derek Johnson, electric guitar

Aug
13
Tue
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE
Aug 13 @ 1:00 pm – 2:30 pm

SUMMERFEST ENCOUNTER:
Musical Performance

TUESDAY, AUGUST 13, 2019 · 1:00-2:30 PM
The Baker-Baum Concert Hall

Pianist Qian Wu, recipient of Lincoln Center’s 2016 Emerging Artist Award, joins the members of Fellowship Artist Ensembles Callisto Quartet and Trio Clara for a beautiful afternoon of music. Enjoy a solo performance of Chopin by pianist Ying Li, Schumann’s beloved Piano Quartet, and Callisto Quartet’s stirring rendition of Dvorák’s final string quartet.

PLEASE NOTE, TICKETS ARE NO LONGER AVAILABLE FOR THIS FREE EVENT.
If you’re unable to use your tickets for this performance, please contact The Conrad Box Office at 858.459.3728. Your seats will be released 10 minutes after the listed start time to allow stand-by guests to attend the event.


SUMMERFEST ENCOUNTER:
Musical Performance

CHOPIN · Fantasie in F Minor, Op. 49
Ying Li, piano

SCHUMANN · Piano Quartet in E-flat Major, Op. 47
Qian Wu, piano; Tatjana Roos, violin; Eva Kennedy, viola; Annie Jacobs-Perkins, cello

DVORÁK · String Quartet No. 14 in A-flat Major
Callisto Quartet – Paul Aguilar, Rachel Stenzel, violins; Eva Kennedy, viola; Hannah Moses, cello

Aug
14
Wed
INVENTIONS
Aug 14 @ 8:00 pm
Carter Brey

INVENTIONS

WEDNESDAY, AUGUST 14, 2019 · 8 PM
The Baker-Baum Concert Hall

A rarely heard string version of J.S. Bach’s monumental masterpiece the Goldberg Variations caps a program full of innovation and invention, featuring the première of an exciting new work by Brett Dean, one of the most sought-after and respected composers alive, alongside Debussy’s ravishing Première Rhapsodie. Delight in a spiritual journey of beauty and art that’s guaranteed to inspire.

This concert is dedicated to Helene Kruger.

Prelude · 7:00 PM
Callisto Quartet performs Schumann’s Piano Quintet with Ying Li

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INVENTIONS

DEBUSSY · Première Rhapsodie
Joseph Morris, clarinet; Qian Wu, piano

BRETT DEAN · Seven Signals (2019) · WEST COAST PREMIÈRE
Joseph Morris, clarinet; Qian Wu, piano; Liza Ferschtman, violin; Felix Fan, cello
Co-commissioned by the Chamber Music Society of Lincoln Center and Wigmore Hall

J.S. BACH · Goldberg Variations, BWV 988 (arr. Sitkovetsky)
Liza Ferschtman, violin; Brett Dean, viola; Carter Brey, cello

Aug
15
Thu
SYNERGY SERIES II: MUSIC AT AN EXHIBITION
Aug 15 @ 7:00 pm
Music at an Exhibition

SYNERGY SERIES II: MUSIC AT AN EXHIBITION

Produced by Inon Barnatan and Clara Wu Tsai

THURSDAY, AUGUST 15, 2019 · 7 PM
The Conrad Prebys Performing Arts Center

The Conrad transforms into an immersive and interactive “festival within a festival.” Walk through the different stages and public spaces of The Conrad and discover an array of musicians, painters, video artists, and creative technologists joining forces to explore the intrinsic connection between the visual and the aural. The evening revolves around a collaborative staging of Mussorgsky’s Pictures at an Exhibition by Music Director Inon Barnatan and revolutionary theatre director, stage designer, and visual artist Doug Fitch. Plus an exhibition of works by world renowned painter Caio Fonseca.

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Aug
16
Fri
BEETHOVEN COMPLETE STRING QUARTETS III: EHNES QUARTET
Aug 16 @ 8:00 pm
Ehnes Quartet

BEETHOVEN COMPLETE STRING QUARTETS III: EHNES QUARTET

FRIDAY, AUGUST 16, 2019 · 8 PM
The Baker-Baum Concert Hall

The third part of this two-year, transcendent journey through the complete Beethoven string quartets features the SummerFest debut by the brilliant Ehnes Quartet. Come let this glorious music transport and transform you.

“an important new force in the chamber music arena with a dream-team line-up”
Strings Magazine

Prelude · 7:00 PM
Trio Clara performs Arensky’s Piano Trio No. 1, Op. 32

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BEETHOVEN COMPLETE STRING QUARTETS III: EHNES QUARTET

BEETHOVEN
String Quartet in B-flat Major, Op. 18 No. 6
String Quartet in E-flat Major, Op. 74 “Harp”
String Quartet in A Minor, Op. 132

Ehnes Quartet – James Ehnes, Amy Schwartz Moretti, violins; Richard O’Neill, viola; Edward Arron, cello

Aug
17
Sat
SUMMERFEST GALA
Aug 17 @ 5:00 pm
SummerFest Gala

CARNIVAL AT THE CONRAD
Sérgio Mendes Benefit Concert for Education

SATURDAY, AUGUST 17, 2019 · 5:00 PM
The Conrad Prebys Performing Arts Center
7600 Fay Avenue, La Jolla

Lehn Alpert Goetz, Gala Chair
Sylvia Ré, SummerFest Chair
Dolly Woo, Honorary SummerFest Chair

You will not want to miss this unforgettable evening featuring a Fundraising Benefit Concert for Education by legendary Sérgio Mendes and his five decades of evolution and new collaboration of iconic music.

It will be a Colorful and Festive evening starting with world-class Brazilian inspired cuisine created by Award-Winning Celebrity Chef, Jeffrey Strauss of Pamplemousse and specialty Exotic handcrafted cocktails by Snake Oil Cocktail Co. This will be the Carnival that everyone will be talking about for years to come!

This year’s SummerFest will benefit the La Jolla Music Society Education and Children’s Programming efforts, which means…your support, will significantly impact a child’s future, through our critically important music programs. Music affects the intellectual and emotional development of children, particularly children at risk. Please join us and other like-minded supporters as we continue our mission of leadership and education by becoming a SummerFest Gala Sponsor or attending this extraordinary celebration.

Reserve your Gala ticket online
For reservations by telephone or email, please contact Rewa Colette Soltan at 858.459.3724, ext. 206 or RSoltan@LJMS.org


SÉRGIO MENDES BENEFIT CONCERT
Aug 17 @ 8:00 pm

Sergio Mendes

SÉRGIO MENDES BENEFIT CONCERT
In support of La Jolla Music Society’s Education and Community Programming

SATURDAY, AUGUST 17, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Don’t miss three-time Grammy Award-winner and legendary Brazilian producer, composer, keyboardist, and vocalist Sérgio Mendes performing live at the newly opened Conrad Prebys Performing Arts Center.

Your benefit concert ticket is a tremendous value. First, you get to see Mendes’ signature mix of bossa nova, samba, and pop instrumentation in an intimate and world class venue. Second, after experiencing Mendes’ sizzling performance of iconic hits, you get to attend the exclusive after party and dance the night away in the Wu Tsai QRT.yrd! The after party includes a live salsa band and complimentary drinks.

Third, you get the satisfaction of knowing that a portion of the ticket price goes to support LJMS education and community programming. These programs provide concert tickets for students, development opportunities for young artists as well as audience engagement.

Tickets for this unique experience are selling fast. Experience Sérgio Mendes live and support LJMS Education and Community programming by clicking the link below and buying your tickets today.

BUY TICKETS

Eager to support La Jolla Music Society even more? Consider enhancing your evening by attending the SummerFest Gala, which includes a Brazilian-inspired dinner prior to Sérgio Mendes’ performance.

Learn More

Aug
18
Sun
TAKEOVER @ THE JAI: MUSIC FROM MUSIC II
Aug 18 @ 7:00 pm

TAKEOVER @ THE JAI
MUSIC FROM MUSIC II

Curated by David Lang
Produced by Inon Barnatan and Clara Wu Tsai
A part of the Synergy Initiative

SUNDAY, AUGUST 18, 2019 · 7 PM
THE JAI

Curator David Lang’s artistic narrative comes to life in the second part of Music From Music with bold works inspired by classical composers, a contemporary artist collective, visual art, and even the amazing light of Southern California. Step into the minds of some of the most remarkable composers today in a cool, relaxed space.

Doors Open · 6:00 PM
Join us for bites and beverages


TAKEOVER @ THE JAI
MUSIC FROM MUSIC II

TED HEARNE · For the Love of Charles Mingus
Liza Ferschtman, Alyssa Park, Jun Iwasaki, Paul Aguilar, Tatjana Roos, Rachel Stenzel, violins

NINA YOUNG · Spero lucem
Timo Andres, piano; Jun Iwasaki, violin; Eva Kennedy, viola; Hannah Moses, cello

TIMO ANDRES · Piano Trio
Timo Andres, piano; Alyssa Park, violin; Annie Jacobs-Perkins, cello

JULIA WOLFE · With a Blue Dress On
Liza Ferschtman, Alyssa Park, Jun Iwasaki, Tatjana Roos, Rachel Stenzel, violins

Aug
20
Tue
LOVE STORIES
Aug 20 @ 8:00 pm

LOVE STORIES

TUESDAY, AUGUST 20, 2019 · 8 PM
The Baker-Baum Concert Hall

Tales of love and loss have inspired composers for centuries to write some of the most impassioned works in the musical canon. Feel the emotion behind the sounds and allow yourself to be carried away.

This concert is dedicated to Kay Hesselink.

Prelude · 7:00 PM
Trio Clara performs C. Schumann’s Piano Trio in G Minor, Op. 17


LOVE STORIES

WAGNER · Prelude to Tristan and Isolde (arr. Gürtler)
James Ehnes, Liza Ferschtman, violins; Cynthia Phelps, Richard O’Neill, violas; Edward Arron, Clive Greensmith, cellos

SCHUMANN · Dichterliebe, Op. 48
Robin Tritschler, tenor; Jonathan Biss, piano

C. SCHUMANN · Three Romances for Violin and Piano, Op. 22
Augustin Hadelich, violin; Jonathan Biss, piano

SCHOENBERG · Verklärte Nacht (Transfigured Night)
Liza Ferschtman, James Ehnes, violins; Richard O’Neill, Cynthia Phelps, violas; Clive Greensmith, Carter Brey, cellos

Aug
21
Wed
SYNERGY SERIES III: IN STEP
Aug 21 @ 8:00 pm

SYNERGY SERIES III: IN STEP
featuring MARK MORRIS DANCE GROUP

Produced by Inon Barnatan and Clara Wu Tsai

WEDNESDAY, AUGUST 21, 2019 · 8 PM
The Baker-Baum Concert Hall

Learn, interact, perform: Celebrate dance with MMDG during this multi-day collaborative engagement between dancers, musicians and audience. Enjoy the rare opportunity to watch Mark Morris Dance Group perform in the intimate setting of The Baker-Baum Concert Hall alongside some of the best musicians in the world, culminating in a world première of a brand new work by Mark Morris set to music by Handel.

BUY TICKETS

Please note, La Jolla Music Society will present In Step two consecutive evenings, August 21 and 22. Stay after the August 22 show and dance the night away at Club JAI. Click here to view the August 22 performance listing.


SYNERGY SERIES III: IN STEP
featuring MARK MORRIS DANCE GROUP

PRELUDE AND PRELUDE
ONE CHARMING NIGHT
THE OFFICE
THE MUIR
WORLD PREMIERE NEW WORK

Choreographed by: MARK MORRIS
Music by: COWELL, PURCELL, DVORÁK, BEETHOVEN and HANDEL

Performed by: Jennifer Zetlan, soprano; John Holiday, countertenor; Robin Tritschler, tenor; David Pershall, baritone; Augustin Hadelich, Andrew Wan, violins; Edward Arron, Clive Greensmith, Annie Jacobs-Perkins, cellos; Inon Barnatan, piano; Colin Fowler, harpsichord

Aug
22
Thu
SUMMERFEST ENCOUNTER: DANCE WITH MMDG
Aug 22 @ 1:00 pm – 2:00 pm
Mark Morris Dance Group

SUMMERFEST ENCOUNTER:
Dance with MMDG

THURSDAY, AUGUST 22, 2019 · 1:00-2:00 PM
The JAI

DON’T KNOW HOW TO DANCE? IT DOESN’T MATTER. Now you have the opportunity to learn alongside the best: Dance with MMDG is a fun, low-impact class for all ages and abilities. No experience is necessary to join the class, which will be taught by Mark Morris Dance Group company members Domingo Estrada, Jr. and Dallas McMurray, and accompanied by live music. After a gentle warm-up, you’ll get to learn Mark Morris’ choreography from one of the works on the program. Please wear comfortable attire; no shoes required.

PLEASE NOTE, TICKETS ARE NO LONGER AVAILABLE FOR THIS FREE EVENT.
If you’re unable to use your tickets for this event, please contact The Conrad Box Office at 858.459.3728. Your seats will be released 10 minutes after the listed start time to allow stand-by guests to attend the event.


SUMMERFEST ENCOUNTER: DANCE WITH MMDG
Aug 22 @ 2:30 pm – 3:30 pm
Mark Morris Dance Group

SUMMERFEST ENCOUNTER:
Dance with MMDG

THURSDAY, AUGUST 22, 2019 · 2:30-3:30 PM
The JAI

DON’T KNOW HOW TO DANCE? IT DOESN’T MATTER. Now you have the opportunity to learn alongside the best: Dance with MMDG is a fun, low-impact class for all ages and abilities. No experience is necessary to join the class, which will be taught by Mark Morris Dance Group company members Domingo Estrada, Jr. and Dallas McMurray, and accompanied by live music. After a gentle warm-up, you’ll get to learn Mark Morris’ choreography from one of the works on the program. Please wear comfortable attire; no shoes required.

PLEASE NOTE, TICKETS ARE NO LONGER AVAILABLE FOR THIS FREE EVENT.
If you’re unable to use your tickets for this event, please contact The Conrad Box Office at 858.459.3728. Your seats will be released 10 minutes after the listed start time to allow stand-by guests to attend the event.


SYNERGY SERIES III: IN STEP
Aug 22 @ 8:00 pm

Mark Morris Dance Group

SYNERGY SERIES III: IN STEP
featuring MARK MORRIS DANCE GROUP

Produced by Inon Barnatan and Clara Wu Tsai

THURSDAY, AUGUST 22, 2019 · 8 PM
The Baker-Baum Concert Hall

Learn, interact, perform: Celebrate dance with MMDG during this multi-day collaborative engagement between dancers, musicians and audience. Enjoy the rare opportunity to watch Mark Morris Dance Group perform in the intimate setting of The Baker-Baum Concert Hall alongside some of the best musicians in the world, culminating in a world première of a brand new work by Mark Morris set to music by Handel. Stay after the show and dance the night away at Club JAI (Aug 22 only).

Prelude · 7:00 PM
Callisto Quartet performs Haydn’s String Quartet Op. 77, No. 1

Please note, La Jolla Music Society will present In Step two consecutive evenings, August 21 and 22. Click here to view the August 21 performance listing.


SYNERGY SERIES III: IN STEP
featuring MARK MORRIS DANCE GROUP

PRELUDE AND PRELUDE
ONE CHARMING NIGHT
THE OFFICE
THE MUIR
WORLD PREMIERE NEW WORK

Choreographed by: MARK MORRIS
Music by: COWELL, PURCELL, DVORÁK, BEETHOVEN and HANDEL

Performed by: Jennifer Zetlan, soprano; John Holiday, countertenor; Robin Tritschler, tenor; David Pershall, baritone; Augustin Hadelich, Andrew Wan, violins; Edward Arron, Clive Greensmith, Annie Jacobs-Perkins, cellos; Inon Barnatan, piano; Colin Fowler, harpsichord

Aug
23
Fri
SUMMERFEST FINALE: CONCERTO GROSSO
Aug 23 @ 8:00 pm

SUMMERFEST FINALE: CONCERTO GROSSO

FRIDAY, AUGUST 23, 2019 · 8 PM
The Baker-Baum Concert Hall

SummerFest Music Director Inon Barnatan’s inaugural festival comes to a close with an evening of works celebrating the concerto grosso. Conductor and harpsichordist Nicholas McGegan leads the SummerFest Chamber Orchestra as great masterworks pair in exciting ways with modern visions of the form, all tying back to Opening Night’s exploration of the deep connection of music across centuries.

Prelude · 7:00 PM
Lecture by Kristi Brown Montesano


SUMMERFEST FINALE: CONCERTO GROSSO

J.S. BACH · Concerto in D Major for Three Violins, BWV 1064
Cho-Liang Lin, James Ehnes, Augustin Hadelich, violins; Nicholas McGegan, harpsichord; SummerFest Chamber Orchestra

ANDREW NORMAN · Gran Turismo
Andrew Wan, James Ehnes, Cho-Liang Lin, Augustin Hadelich, Jun Iwasaki, Tatjana Roos, Paul Aguilar, Rachel Stenzel, violins

MOZART · Concerto in E-flat Major for Two Pianos, K.365
Jonathan Biss, Inon Barnatan, pianos; SummerFest Chamber Orchestra; Nicholas McGegan, conductor

VIVALDI · Concerto in G Minor for Two Cellos, RV 531
Clive Greensmith, Edward Arron, cellos; SummerFest Chamber Orchestra; Nicholas McGegan, harpsichord

HANDEL · Violin Sonata in D Major, HWV 371
Augustin Hadelich, violin; Hannah Moses, cello; Nicholas McGegan, harpsichord

ELLEN TAAFFE ZWILICH · Concerto Grosso 1985
SummerFest Chamber Orchestra

VIVALDI · Concerto Grosso in D Minor, Op. 3, No. 11
SummerFest Chamber Orchestra

Oct
2
Wed
CHICK COREA TRILOGY
Oct 2 @ 8:00 pm
Chick Corea Trilogy

CHICK COREA TRILOGY WITH CHRISTIAN MCBRIDE & BRIAN BLADE

WEDNESDAY, OCTOBER 2, 2019 · 8 PM
Balboa Theatre

NEA Jazz Master and 22-time GRAMMY®-Award winner Chick Corea is joined by bass powerhouse Christian McBride and drum master Brian Blade to form this stellar trio. Trilogy includes reinventions of classic Corea compositions, previously unrecorded originals, and an array of jazz standards recognized with two GRAMMY® Awards.

Prelude · 7:00 PM
Audience Q&A with Chick Corea

BUY TICKETS
The box office will be open until 6:00 PM. For more information, please call 619.570.1100


Oct
13
Sun
LILA DOWNS’ DÍA DE MUERTOS: AL CHILE
Oct 13 @ 7:00 pm

Lila Downs

LILA DOWNS’ DÍA DE LOS MUERTOS: AL CHILE

with appearances by Grandeza Mexicana Folk Ballet Company and Mariachi Feminil Flores Mexicanas

SUNDAY, OCTOBER 13, 2019 · 7 PM
Balboa Theatre

Observe Día de los Muertos early with one of Mexico’s greatest singers and cultural ambassadors, GRAMMY® Award-winner, Lila Downs, in AL CHILE—a fiesta of music, dance, and tradition, featuring Los Angeles’ Grandeza Mexicana Folk Ballet Company and the Southwest’s leading all-female mariachi group, Mariachi Femenil Flores Mexicanas. Come dressed in your favorite Día de los Muertos costume and makeup to share in the celebration that is AL CHILE!

BUY TICKETS

Oct
16
Wed
BÉLA FLECK, ZAKIR HUSSAIN, EDGAR MEYER
Oct 16 @ 8:00 pm

Béla Fleck, Zakir Hussain, and Edgar Meyer

BÉLA FLECK, ZAKIR HUSSAIN, AND EDGAR MEYER WITH RAKESH CHAURASIA

WEDNESDAY, OCTOBER 16, 2019 · 8 PM
Balboa Theatre

The leading virtuosos on their respective instruments, Béla Fleck, Zakir Hussain, and Edgar Meyer move with ease within the spheres of classical, bluegrass, jazz, and world music. The genre-blending super group fuses world-class banjo, tabla, and double bass to create an original and unforgettable music experience.

Prelude · 7:00 PM
Interview hosted by Robert John Hughes

BUY TICKETS

The box office will be open until 6:00 PM. For more information, please call 619.570.1100


Nov
8
Fri
FARRUQUITO
Nov 8 @ 8:00 pm

FARRUQUITO

FRIDAY, NOVEMBER 8, 2019 · 8 PM
The Baker-Baum Concert Hall

Heir to the most renowned Gypsy flamenco dynasty, Farruquito is known as “one of the greatest flamenco dancers of this new century” (The New York Times). Farruquito brings his East Coast tour to the West for the first time, alongside an exceptional cast of live musicians, singers, and dancers. Experience his authentic and visceral flamenco dancing in the intimate setting of The Baker-Baum Concert Hall.

“Within moments, he proved that he is one of today’s superlative dance artists.” – The New York Times


Nov
9
Sat
GARRICK OHLSSON: BRAHMS EXPLORATION II
Nov 9 @ 8:00 pm
Garrick Ohlsson

GARRICK OHLSSON: BRAHMS EXPLORATION II

SATURDAY, NOVEMBER 9, 2019 · 8 PM
The Baker-Baum Concert Hall

Garrick Ohlsson concludes his two-season journey exploring the catalogue of one of the most prolific composers of keyboard works—Johannes Brahms.

Prelude · 7:00 PM
Lecture by Michael Gerdes