Aug
5
Tue
COACHING WORKSHOP | 11:00-11:50 AM
Aug 5 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Daniel Ching coaches the Omer Quartet

(Please arrive 10 minutes early)


HAYDN I: An Esterházy Concert
Aug 5 @ 8:00 pm
HAYDN I: An Esterházy Concert @ MCASD Sherwood Auditorium | San Diego | California | United States

HAYDN I: An Esterházy Concert

Celebrate the work of Austrian composer Joseph Haydn as our SummerFest artists bring you some of the work composed during Haydn’s tenure as music director for Austria’s wealthy Esterhazy family.

Program will also feature the SummerFest Chamber Ensemble and the Miró Quartet.

Purchase Tickets

HAYDNAndante with Variations in F Minor, Hob.XVII:6
Piano Trio No. 26 in F-sharp Minor
String Quartet in D Major, Op.64, No.5, "The Lark"
Violin Concerto in G Major, Hob.VIIa:4
Symphony No. 44 in E Minor, "Trauer"

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
Eric Bromberger opens his three-lecture exploration of Franz Joseph Haydn with “Sturm und Drang-and Beyond”

Aug
6
Wed
COACHING WORKSHOP | 10:00-10:50 AM
Aug 6 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Joshua Gindele coaches the Omer Quartet

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 6 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Andrew Staupe coaches SDYS Student

(Please arrive 10 minutes early)


AN EVENING WITH ALISON BALSOM
Aug 6 @ 8:00 pm
AN EVENING WITH ALISON BALSOM @ St. James by-the-Sea | San Diego | California | United States

An Evening with Alison Balsom

Winner of Gramophone Artist of the Year 2013, Alison Balsom, presents a full evening of music highlighting her masterwork on trumpet.

Program features works by J.S. Bach, self-taught Japanese composer Toru Takemitsu, the classic song The Way You Look Tonight by Jerome Kern, and more.

Purchase Tickets

J.S. BACHSarabande from Cello Suite, BWV 1008
TORU TAKEMITSUPaths
J.S. BACHConcerto in D Major, BWV 972
JEHAN ALAINTrois Pieces
ALEXANDER GOEDICKEConcert Etude
ENESCULegende
FALLASeven Popular Folk Songs
KERNThe Way You Look Tonight

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
A Conversation with Alison Balsom hosted by Nicolas Reveles

Aug
7
Thu
COACHING WORKSHOP | 10:00-10:50 AM
Aug 7 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Ori Kam coaches the Omer Quartet on Brahms: String Quartet in A Minor, Op. 51, No.2

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 7 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

William Fedkenheuer coaches the Pegasus Trio on Beethoven: Piano Trio in E-flat Major, Op. 70, No.2

(Please arrive 10 minutes early)


ENCOUNTER: Forced to Become Original
Aug 7 @ 12:30 pm – 2:00 pm

ENCOUNTER--HAYDN-2

ENCOUNTER:
Forced to Become Original: Haydn in Eisenstadt

Join us for an in depth discussion led by SummerFest Scholar-in-Residence Eric Bromberger.

Featuring intriguing discussions and diverse perspectives, SummerFest Encounters reveal fascinating insights into the ways in which music is created, influenced, interpreted and performed.
No reservation necessary.


Aug
8
Fri
COACHING WORKSHOP | 10:00-10:50 AM
Aug 8 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

John Largess coaches the Omer Quartet on Brahms: String Quartet in A Minor, Op. 51, No.2

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 8 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Nicholas Canellakis coaches

(Please arrive 10 minutes early)


BAROQUE MASTERWORKS
Aug 8 @ 8:00 pm
BAROQUE MASTERWORKS @ St. James by-the-Sea | San Diego | California | United States

Baroque Masterworks

La Jolla Music Society presents Baroque Masterworks by J.S. Bach and Handel.

Program will also feature the SummerFest Chamber Ensemble and the Miró Quartet, one of America’s highest profile chamber groups.

Purchase Tickets

HANDELOrgan Concerto in B-flat Major
J.S. BACHCantata, BWV 170
HANDELViolin Sonata in D Major, HWV 371
Con l'ali di costanza from Ariodante
J.S. BACHBrandenburg Concerto No. 3 in G Major, BWV 1048

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

MUSICAL PRELUDE 7 PM
Pegasus Trio performs Beethoven’s Piano Trio in E-flat Major, Op. 70, No. 2

Aug
10
Sun
MIRÓ QUARTET & FRIENDS
Aug 10 @ 3:00 pm
MIRÓ QUARTET & FRIENDS @ The Auditorium at TSRI | San Diego | California | United States

Miró Quartet & Friends

La Jolla Music Society welcomes The Miró Quartet back to SummerFest. One of America’s highest profile chamber groups, The Miró Quartet was the first ensemble ever to be awarded the Avery Fisher Career Grant.

The Quartet will be joined by innovative cellist Nicholas Canellakis and gifted violist, Ori Kam.

Purchase Tickets

SCHUBERTString Quartet No. 14 in D Minor, D. 810
     "Death and the Maiden"
BRAHMSString Sextet No. 2 in G Major, Op. 36

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

MUSICAL PRELUDE 2 PM
Omer Quartet performs Brahms’ String Quartet No. 2 in A Minor, Op. 51, No. 2

Aug
11
Mon
COACHING WORKSHOP | 10:00-10:50 AM
Aug 11 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library  | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Lynn Harrell coaches the Omer Quartet

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 11 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | Satsuma | Florida | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Yefim Bronfman coaches the Pegasus Trio on Shostakovich: Piano Trio No.2

(Please arrive 10 minutes early)


Aug
12
Tue
COACHING WORKSHOP | 10:00-10:50 AM
Aug 12 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library  | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Martin Beaver coaches the Omer Quartet on Haydn: String Quartet in C Major, Op. 20, No.3

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 12 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library  | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Yura Lee coaches the Pegasus Trio on Smetana: Piano Trio in G Minor

(Please arrive 10 minutes early)


HAYDN II: Papa, Family Protégé
Aug 12 @ 8:00 pm
HAYDN II: Papa, Family Protégé @ MCASD Sherwood Auditorium | San Diego | California | United States

Haydn II: Papa, Family Protégé

Join La Jolla Music Society as we celebrate the vast influence of Joseph Haydn through his own music along with the contemporaries most close to him.

Program features work by J.M. Haydn- Joseph’s younger brother, Mozart- known friend of Haydn and Beethoven- a once pupil of the great composer.

Purchase Tickets

RESTAURANT NIGHT: Prior to the concert please join us for dinner at Roppongi Restaurant and Sushi Bar.


HAYDNString Quartet in C Major, Op.20, No.2
J.M. HAYDNDivertimento in E-flat Major for Viola, Cello and Bass
MOZARTDuo for Violin and Viola in B-flat Major, K.424
BEETHOVENString Quartet in E minor, Op.59, No.2

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
Eric Bromberger continues his discussions with “Haydn’s Inner Circle”

Aug
13
Wed
COACHING WORKSHOP | 10:00-10:50 AM
Aug 13 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Cynthia Phelps coaches the Omer Quartet on Bartok: String Quartet No.1 in A Minor

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 13 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Martin Beaver coaches the Pegasus Trio on Shostakovich: Piano Trio No.2

(Please arrive 10 minutes early)


OPEN REHEARSAL: Jennifer Johnson Cano
Aug 13 @ 2:20 pm – 3:30 pm

Jennifer Johnson Cano 200x200

OPEN REHEARALS:
Special Guest: Jennifer Johnson Cano

Jennifer Johnson Caro, Catherine Ransome Karoly, Coleman Itzkoff, Andrew Staupe, Julie Smith Phillips and Dustin Donahue rehearse Howard Shore’s A Place Upon the Ruins. No reservation necessary.

Doors will open 10 minutes prior to the start time listed below for each rehearsal. These are working rehearsals and no entry is allowed once they have begun. No Late Seating


AN EVENING WITH YEFIM BRONFMAN
Aug 13 @ 8:00 pm
AN EVENING WITH YEFIM BRONFMAN @ MCASD Sherwood Auditorium | San Diego | California | United States

An Evening with Yefim Bronfman

Widely regarded as one of the most talented performers today, virtuoso pianist Yefim Bronfman returns to the SummerFest stage.

Yefim Bronfman’s commanding technique and exceptional lyrical gifts have won him consistent critical acclaim and enthusiastic audiences worldwide, whether for his solo recitals, his prestigious orchestral engagements or his rapidly growing catalogue of recordings.

Purchase Tickets

PROKOFIEVSelection of Sonatas
BEETHOVENTrio No.7 in B-flat Major, Op.97, "Archduke"

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
Dr. Richard Kogan lectures on “Beethoven: Creative Genius and Psychiatric Illness”

Aug
14
Thu
COACHING WORSHOP | 10:00-10:50 AM
Aug 14 @ 10:00 am – 10:50 am
COACHING WORSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Sheryl Staples coaches the Omer Quartet on Bartok: String Quartet No.1 in A Minor

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 14 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Inon Barnatan coaches the Pegasus Trio on Shostakovich: Piano Trio No.2 / Bernstein: Piano Trio

(Please arrive 10 minutes early)


ENCOUNTER: Beethoven’s Deafness
Aug 14 @ 12:30 pm – 2:00 pm

ENCOUTER-Beethoven

ENCOUNTER:
Beethoven’s Deafness: Psychological Crisis and Artistic Triumph

Distinguished concert pianist and renowned psychiatrist Dr. Richard Kogan presents a lecture-with-music exploring this fascinating topic at the last of our three SummerFest 2014 Encounters.

No reservation necessary.


Aug
15
Fri
COACHING WORKSHOP | 10:00-10:50 AM
Aug 15 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Arnaud Sussman coaches the Pegasus Trio on Smetana: Piano Trio in G Minor

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 15 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Member of Omer Quartet coaches SDYS Student

(Please arrive 10 minutes early)


MUSIC OF OUR TIME
Aug 15 @ 8:00 pm
MUSIC OF OUR TIME @ MCASD Sherwood Auditorium | San Diego | California | United States

Music of Our Time

La Jolla Music Society celebrates contemporary classical music written after 1950 by composers from all around the world.

Program features 2 world premières, crystal glasses, a work once banned, and a piece entitled Viola Zombies.

Purchase Tickets

LIGETIString Quartet No.1 "Metamorphoses Nocturnes"
HOWARD SHOREA Palace Upon the Ruins     WORLD PREMIÈRE
LAVISTAMarsias
MICHAEL DAUGHERTYViola Zombies
JULIAN ANDERSONString Quartet No. 2     WEST COAST PREMIÈRE

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

MUSICAL PRELUDE 7 PM
Pegasus Trio performs Shostakovich’s Piano Trio No. 2 in E Minor, Op. 67

Aug
16
Sat
OPEN REHEARSAL: Inon Barnatan
Aug 16 @ 1:20 pm – 3:00 pm

Inon Barnatan

OPEN REHEARALS:
Special Guest: Inon Barnatan

Inon Barnatan, Liang Wang, Burt Hara, Valentin Martchev, Andrew Bain and Catherine Ransome Karoly rehearse Poulenc’s Sextet for Piano and Winds. No reservation necessary.

Doors will open 10 minutes prior to the start time listed below for each rehearsal. These are working rehearsals and no entry is allowed once they have begun. No Late Seating


THE GREAT CLASSICS
Aug 16 @ 8:00 pm
THE GREAT CLASSICS @ MCASD Sherwood Auditorium | San Diego | California | United States

The Great Classics

SummerFest brings you work by 3 great composers- Mozart, Brahms and Schubert.

Program features new and returning SummerFest artists.

Purchase Tickets

MOZARTOboe Quartet in F Major, K.370
BRAHMSHorn Trio in E-flat Major, Op.40
SCHUBERTString Quintet in C Major, D.956

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
Dr. Richard Kogan lectures on “Mozart: The Mind and Music of a Genius”

Aug
17
Sun
WHO’S AFRAID OF THE 20th CENTURY?
Aug 17 @ 3:00 pm
WHO'S AFRAID OF THE 20th CENTURY? @ The Auditorium at TSRI | San Diego | California | United States

Who’s Afraid of the 20th Century?

La Jolla Music Society takes you on a journey through some of the best classical music composed in the 20th century.

Program includes works by Stravinsky, Bernstein and Messiaen and features new and returning SummerFest artists.

Purchase Tickets

BERNSTEINPiano Trio (1937)
STRAVINSKYDuo Concertante (1932)
DOHNÁNYISerenade (1904)
TURINATrio No.2 in B Minor (1951)
MESSIAENLe merle noir for Flute and Piano (1951)
POULENCSextet for Piano and Winds (1932)

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

MUSICAL PRELUDE 2 PM
Omer Quartet performs Bartók’s String Quartet No. 1 in A Minor, Op. 7

Aug
18
Mon
COACHING WORKSHOP | 10:00-10:50 AM
Aug 18 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Desmond Hoebig coaches the Pegasus Trio on Smetana: Piano Trio in G Minor

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 18 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Member of Omer Quartet coaches SDYS Student

(Please arrive 10 minutes early)


OPEN REHEARSAL: Sheryl Staples
Aug 18 @ 3:50 pm – Aug 18 @ 5:30 pm

Sheryl Staples

OPEN REHEARALS:
Special Guest: Sheryl Staples

Sheryl Staples, Desmond Hoebig and John Novacek rehearse Haydn’s Pianos Trio in C Major, Hob XV:27. No reservation necessary.

Doors will open 10 minutes prior to the start time listed below for each rehearsal. These are working rehearsals and no entry is allowed once they have begun. No Late Seating


Aug
19
Tue
COACHING WORKSHOP | 10:00-10:50 AM
Aug 19 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Member of Omer Quartet coaches SDYS Student

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 19 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

John Novacek coaches the Pegasus Trio on Bolcom: Haydn Go Seek or Smetana: Piano Trio

(Please arrive 10 minutes early)


HAYDN III: The Classical Icon
Aug 19 @ 8:00 pm
HAYDN III: The Classical Icon @ MCASD Sherwood Auditorium | San Diego | California | United States

Haydn III: The Classical Icon

The last concert in our SummerFest Haydn series highlights the classical icon’s oeuvre.

Program also features William Bolcom’s Haydn Go Seek, a piano trio written in honor of the bicentenary of Haydn’s death, for the Haydn Festival Eisenstadt.

Purchase Tickets

RESTAURANT NIGHT: Prior to the concert please join us for dinner at NINE-TEN Restaurant and Bar.


HAYDNClarinet Trio No.2 in E-flat Major, Hob.IV:Es2
Clarinet Trio No.3 in B-flat Major, Hob.IV:Es3
Baryton Trio No.66 in A Major, Hob.XI:66
Baryton Trio No.113 in D Major, Hob.XI:133
WILLAIM BOLCOMHaydn Go Seek (2000)
HAYDNArianna a Naxos, Hob.XV:27
Piano Trio in C Major, Hob.XV:27

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


PRELUDE 7 PM
Eric Bromberger concludes his three-part lecture series with “Haydn’s Forgotten Instrument,” joined by baryton player Shirley Hunt

Aug
20
Wed
COACHING WORKSHOP | 10:00-11:30 AM
Aug 20 @ 10:00 am – 11:30 am
COACHING WORKSHOP | 10:00-11:30 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Master Class on Score Reading with Leonard Slatkin

(Please arrive 10 minutes early)


AN EVENING WITH THE ASSAD BROTHERS
Aug 20 @ 8:00 pm
AN EVENING WITH THE ASSAD BROTHERS @ MCASD Sherwood Auditorium | San Diego | California | United States

An Evening with the Assad Brothers

SummerFest welcomes back Brazilian guitar virtuosos Sérgio and Odair Assad.

Enjoy an evening of collaborative music making with the extraordinary Assad Brothers joined by their SummerFest friends in a thrilling program featuring music from composers COPLAND, FALLA, CLARICE ASSAD, PIAZZOLLA and more.

Purchase Tickets

TBDSelections of works for Two Guitars
PAIZZOLLAMilonga per tre
SÉRGIO ASSADA Medley of Charlie Chaplin
GUERRA-PEIXEMourão for Cello Two guitars and Piano
LECUONAConga
FALLA7 Canciones Españolas
CHICK COREANo Mystery
COPLANDHoe Down
PIAZZOLLAInvierno
Verano porteño

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

MUSICAL PRELUDE 7 PM
Pegasus Trio performs Smetana’s Piano Trio in G Minor, Op. 15

Aug
21
Thu
ENCOUNTER: A Widening World
Aug 21 @ 12:30 pm – 2:00 pm

ENCOUNTER--HAYDN-2

ENCOUNTER:
A Widening World – Haydn in London

SummerFest Program Annotator and Scholar-in-Residence Eric Bromberger hosts the final Encounter of the festival.

Featuring intriguing discussions and diverse perspectives, SummerFest Encounters reveal fascinating insights into the ways in which music is created, influenced, interpreted and performed.
No reservation necessary.


Aug
22
Fri
SUMMERFEST FINALE WITH LEONARD SLATKIN
Aug 22 @ 8:00 pm
SUMMERFEST FINALE WITH LEONARD SLATKIN @ MCASD Sherwood Auditorium | San Diego | California | United States

SummerFest Finale with Leonard Slatkin

La Jolla Music Society closes SummerFest 2014 with Music Director of both the Detroit Symphony Orchestra and the Orchestre National de Lyon, France, Leonard Slatkin conducting the SummerFest Chamber Orchestra.

Program features Beethoven, Mozart, Ginastera and more!

Purchase Tickets

BEETHOVENOverture to The Creatures of Prometheus, Op.43
SÉRGIO ASSADScare Crow     WORLD PREMIÈRE
MOZARTViolin Concerto No.2 in D Major, K.211
GLAZUNOVFive Novelettes (arr. Slatkin)
GINASTERAVariaciones Concertantes

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
A Conversation with Leonard Slatkin hosted by Eric Bromberger

Oct
25
Sat
COACHING WORKSHOP: Hagen Quartet
Oct 25 @ 3:00 pm
RainerSchmidtWorkshop

COACHING WORKSHOP

SATURDAY, OCTOBER 25 at 3:00 – 4:30 PM
MCASD Sherwood Auditorium
FREE ADMISSION

Hagen Quartet’s RAINER SCHMIDT, violin, coaches two ensembles from Idyllwild Arts Academy on:

BEETHOVEN: String Quartet No. 14 in C-sharp Minor, Op. 131, VII – Allegro
JENNIFER HIGDON: Piano Trio, II – Fiery Red

RESERVE A SEAT – RSVPs welcome but not required
To reserve a seat for this Coaching Workshop, please email Jonathan Piper, Education Manager at JPiper@LJMS.org. with your name and mailing address. If you’d like, you can reserve a seat for one guest in addition to yourself. If you’re unable to send an email, you can place your reservation by phone at 858.459.3724, ext. 221.

BEETHOVEN: String Quartet No. 14 in C-sharp Minor, Op. 131, VII – Allegro
JENNIFER HIGDON: Piano Trio, II – Fiery Red

HAGEN QUARTET
Oct 25 @ 8:00 pm
HAGEN QUARTET @ MCASD Sherwood Auditorium | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Hagen Quartet

La Jolla Music Society opens its 46th season Revelle Chamber Music Series with the Hagen Quartet.

The unprecedented three-decade career of the Hagen Quartet has enabled the group to work its way through virtually the entire quartet repertoire. Tonight’s performance features works by Shostakovich, Brahms and perhaps Mozart’s most famous quartet, No. 19 in C Major, the “Dissonant”, the last in a set of six quartets dedicated to Haydn.

Purchase Tickets

COACHING WORKSHOP:
Hagen Quartet’s RAINER SCHMIDT, violin, coaches two ensembles from Idyllwild Arts Academy: Saturday, October 25 at 3:00 PM, MCASD Sherwood Auditorium

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at Roppongi Restaurant and Sushi Bar


[/fusion_tab]

[tab title=”Program Notes”]

MOZARTString Quartet in C Major, K. 465 "Dissonant"
SHOSTAKOVICHString Quartet No. 8 in C Minor, Opus 110
BRAHMSString Quartet in B-flat Major, Opus 67

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


[/fusion_tab]


PRELUDE 7 PM
Join us for a pre-concert lecture prior to this evening’s performance hosted by Dr. Nicolas Reveles:

Dissonance in Mozart, Shostakovich and Brahms.


[tab title=”Artists’ Bio”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

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Nov
6
Thu
CZECH PHILHARMONIC
Nov 6 @ 8:00 pm
CZECH PHILHARMONIC @ Jacobs Music Center/ Copley Symphony Hall | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Czech Philharmonic

Jiří Bělohlávek, chief conductor
Jean-Yves Thibaudet, piano

Jiří Bělohlávek, Chief Conductor of the Czech Philharmonic conducts an evening featuring internationally-renowned French pianist Jean-Yves Thibaudet performing Liszt’s Piano Concerto No. 2 and Dvořák’s well-loved masterpiece, The New World Symphony.

Purchase Tickets

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at the University Club Atop Symphony Towers.


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[tab title=”Program Notes”]

JANÁČEKTaras Bulba
LISZTPiano Concerto No. 2 in A Major, S.125
        Jean-Yves Thibaudet, piano
DVOŘÁKSymphony No. 9 in E Minor, Opus 95 "From the New World"
ENCORE
SMETANAOverture to The Bartered Bride

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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PRELUDE 7 PM
Join us for a pre-concert lecture prior to this evening’s performance hosted by Steven Cassedy.

Looking Backward, Looking Forward – Three composer-giants look for meaning inside and outside music.

[tab title=”Artist Bios”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

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Nov
15
Sat
COACHING WORKSHOP: Danish String Quartet
Nov 15 @ 10:00 am
FreferickOlandDANISH

COACHING WORKSHOP

10:00 AM and 11:00 AM
MCASD Sherwood Auditorium
FREE ADMISSION

Frederik Øland, violin and Fredrik Schøyen Sjölin, cello (Danish String Quartet) coach students from the San Diego Youth Symphony & Conservatory and UC San Diego on works by Mozart and Brahms.

RESERVE A SEAT
To reserve a seat for this Coaching Workshop, please email Jonathan Piper, Education Manager at JPiper@LJMS.org. with your name and mailing address. If you’d like, you can reserve a seat for one guest in addition to yourself. If you’re unable to send an email, you can place your reservation by phone at 858.459.3724, ext. 221.
Reservations are required by Wednesday, November 12th, 5:00 PM

10:00 AM
MOZARTViolin Concerto No. 4 in D Major, K. 218
I. Allegro
Sofia Hashemi-Asasi, violin
Bora Kim, piano
11:00 AM
BRAHMSClarinet Trio in A Minor, Op. 114
I. Allegro
Jinyoung Choi, piano
Linda Szeto, clarinet
Peter Ko, cello
DANISH STRING QUARTET
Nov 15 @ 8:00 pm
DANISH STRING QUARTET @ MCASD Sherwood Auditorium | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Danish String Quartet

La Jolla Music Society welcomes First Prize winners in the Eleventh London International String Quartet Competition, the Danish String Quartet.

The Danish String Quartet has reached incredible heights in the course of its 10 years. In January 2012 the quartet was appointed to the prestigious Chamber Music Society of Lincoln Center Two programme beginning with the 2013-2014 season.

Tonight, your program features quartets by Haydn, Nielsen and Beethoven.

Purchase Tickets

COACHING WORKSHOP:
Danish String Quartet’s Frederik Øland, violin, and Fredrik Schøyen Sjölin, cello, coach musicians selected from San Diego Youth Symphony & Conservatory and UC San Diego: Saturday, November 15 at 10:00 AM and 11:00 AM, MCASD Sherwood Auditorium


[/fusion_tab]

[tab title=”Program Notes”]

HAYDNString Quartet in G Major, Opus 77, No. 1
NIELSENString Quartet No. 4 in F Major, Opus 44, FS36
BEETHOVENString Quartet in C-sharp Minor, Opus 131
ENCORE
Traditional Scandinavian folk tuneAck Värmeland, du sköna

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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PRELUDE 7 PM
Join us for a pre-concert lecture prior to this evening’s performance hosted by Dr. Nicolas Reveles.

Carl Nielsen and his String Quartets


[tab title=”Artist Bios”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

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Jan
15
Thu
GIDON KREMER, violin & DANIIL TRIFONOV, piano
Jan 15 @ 8:00 pm
GIDON KREMER, violin & DANIIL TRIFONOV, piano @ MCASD Sherwood Auditorium | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Gidon Kremer, violin
Daniil Trifonov, piano

Opening La Jolla Music Society’s 46th season Celebrity Recital Series is one of the world’s leading violinists, Gidon Kremer alongside spectacular Russian pianist, Daniil Trifonov.

Program features works by Mozart, Schubert and Rachmaninoff and features a guest appearance by cellist, Giedre Dirvanauskaite.

Purchase Tickets

DANIIL TRIFONOV, piano:
Daniil Trifonov returns to La Jolla Music Society for a solo recital as part of the Frieman Family Piano Series on Friday, April 10 at 8:00 PM, MCASD Sherwood Auditorium


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[tab title=”Program Notes”]

MOZARTFantasy in D Minor, K. 397
WEINBERGSonata No.2 for Violin
SCHUBERTFantasy in C Major for Violin and Piano, D. 934
RACHMANINOFFPiano Trio in D Minor, Opus 9 "Trio élégiaque"
Joined by guest artist Giedre Dirvanauskaite, cello.
ENCORE
SHCHEDRINLet´s play an Opera by Rossini

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


[/fusion_tab]


[tab title=”Artist Bios”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

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Jan
17
Sat
TAKÁCS QUARTET
Jan 17 @ 8:00 pm
TAKÁCS QUARTET @ MCASD Sherwood Auditorium | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Takács Quartet

Recognized as one of the world’s great ensembles, the Takács Quartet returns to La Jolla Music Society to play their unique blend of drama, warmth and humor, to bring fresh insights to the string quartet repertoire.

Tonight’s program features quartets by Debussy and Bartók as well as Beethoven’s Quartet No. 13, Op. 130 played with the Finale, added to the piece after its premier. This new finale was the last full-scale movement Beethoven completed.

Purchase Tickets

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[tab title=”Program Notes”]

DEBUSSYString Quartet in G Minor, Opus 10
BARTÓKString Quartet No. 4, Sz.91
BEETHOVENString Quartet in B-flat Major, Opus 130

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

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PRELUDE 7 PM
Join us for a pre-concert lecture prior to this evening’s performance hosted by Dr. Nicolas Reveles.

Bartok’s Dialogue with Debussy

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Jan
25
Sun
MUSICAL PRELUDE
Jan 25 @ 2:00 pm – 2:30 pm
MUSICAL PRELUDE @ The Auditorium at TSRI | San Diego | California | United States

Musical Prelude

Young artists from the San Diego Youth Symphony perform.

JIAYAN SUN, piano
Jan 25 @ 3:00 pm
JIAYAN SUN, piano @ The Auditorium at TSRI | San Diego | California | United States

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Jiayan Sun, piano

First Prize Winner at the Toronto International Piano Competition.

La Jolla Music Society opens it’s 46th Season Discovery Series with pianist Jiayan Sun, who in 2010, won first prize at the Toronto International Piano Competition. Jiayan’s program features works by Chopin and Debussy.

Jiayan Sun is “technically flawless, poetically inspired and immensely assured playing” –Toronto Star

Purchase Tickets

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CHABRIERSelections from Dix Pièces pittoresque
DEBUSSYSelections from Préludes, Book II
BARTÓKOut of Doors, Sz.81
CHOPINPrelude in C-sharp Minor, Opus 45
CHOPINPreludes, Opus 28
ENCORE
GRIEGI Love You
TCHAIKOVSKYDance of the Sugar Plum Fairy

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.




Musical Prelude:
Young artists from the San Diego Youth Symphony perform.
BEETHOVENPiano Sonata No. 23 in F minor, Opus 57
I. Allegro assai
Yunheng Zhu, piano
TCHAIKOVSKYViolin Concerto in D major, Opus 35
I. Allegro moderato
Flora Li, violin
Angela Yun-Yin Wu, piano

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Jan
29
Thu
CHOREOLAB 2015
Jan 29 @ 6:00 pm – 8:30 pm

ChoreoLab-Events

CHOREOLab

6:00 PM
SAN DIEGO STATE UNIVERSITY
ENS 200 Large Studio
5500 Campanile Drive
San Diego, CA 92115

FREE ADMISSION

Five local choreographers present their work to an all-star panel!

CHOREOLab is a unique event showcasing the amazing work of San Diego choreographers in front of a panel of esteemed members of the global dance community.

This year’s panel, consisting of world-renowned choreographers Kyle Abraham, Joshua Beamish, Brian Brooks, and Alejandro Cerrudo, will offer artistic and entrepreneurial feedback following the performance of five pieces by local dance-makers.

Congratulations to Blythe Barton, Geoffrey Gonzalez, Ami Ipapo, Melissa Nunn and Elyssa Dru Rosenberg, the local choreographers selected to present their work at CHOREOLab 2015.

Jan
30
Fri
WENDY WHELAN- RESTLESS CREATURE
Jan 30 @ 8:00 pm
WENDY WHELAN- RESTLESS CREATURE  @ Balboa Theatre | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Wendy Whelan- Restless Creature

La Jolla Music Society opens the 46th Season Dance Series with New York City Ballet’s Wendy Whelan as she embarks on a new dance adventure with four male choreographers.

Whelan together with her collaborators, will present Restless Creature, an evening of four duets created and danced with Kyle Abraham, Joshua Beamish, Brian Brooks and Alejandro Cerrudo. Restless Creature received its world première in August 2013 at Jacob’s Pillow Dance Festival.

Purchase Tickets

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at the Westgate Hotel.


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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.



PRELUDE 7 PM
Marcus Overton will host a conversation with choreographer Brian Brooks.

[tab title=”Artist Bios”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Jan
31
Sat
NIKOLAY KHOZYAINOV, piano
Jan 31 @ 8:00 pm
NIKOLAY KHOZYAINOV, piano @ MCASD Sherwood Auditorium | San Diego | California | United States

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Nikolay Khozyainov, piano

Opening La Jolla Music Society’s 46th Season Frieman Family Piano Series, Russian pianist, Nikolay Khozyainov.

Prizewinner in several International Piano Competitions during his youth, Nikolay Khozyainov’s La Jolla program will include works by Schumann, Liszt, Ravel and Rachmaninoff..

Purchase Tickets

RESTAURANT NIGHT:
Prior to the concert please join us for dinner at La Valencia Hotel.



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CHOPINBallade No. 2 in F Major, Opus 38
CHOPINThree Waltzes
TCHAIKOVSKYTheme and Variations in F Major, Opus 19, No. 6
LISZTRhapsodie espagnole, S.254
RAVELPavane pour une infante défunte
RACHMANINOFFPiano Sonata No. 1 in D Minor, Opus 28
ENCORES
RACHMANINOFFThe Daisies, Op. 38 No. 3
BIZET/HOROWITZVariations on a Theme from Carmen
LISZTIsolde's Liebestod (after Wagner), S447
STRAUSS/ROSENTHALFantasy on Johann Strauss
DEBUSSYClair de Lune

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


PRELUDE 7 PM
Pre-concert lecture hosted by Steven Cassedy.

Crazy-Difficult Piano Music – Liszt and Rachmaninoff both raised the technical standards of piano playing forever, but they did so in ways that not only continue to challenge the most accomplished performers, but have often split the world of first-class pianists into two camps.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Feb
8
Sun
MUSICAL PRELUDE
Feb 8 @ 2:00 pm – 2:30 pm
MUSICAL PRELUDE @ The Auditorium at TSRI | San Diego | California | United States

Musical Prelude

Young artists from the San Diego Youth Symphony perform.

INGOLF WUNDER, piano
Feb 8 @ 3:00 pm
INGOLF WUNDER, piano @ The Auditorium at TSRI | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Ingolf Wunder, piano

First Prize Winner at the Concours Musical de France in (Asti)

La Jolla Music Society welcomes Ingolf Wunder, international young pianist who has achieved worldwide recognition as the First Prize Winner at the Concours Musical de France. He brings us a program for solo piano featuring several works by both Chopin and Liszt.

“Ingolf Wunder is a real master of mellow tones […] and shows his virtuosity not in grandiloquence but in gentle and accurately articulated pieces.”- Sueddeutsche Zeitung, March 2013

Purchase Tickets

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CHOPINNocturne in E-flat Major, Opus 55, No.2
Allegro de Concert
Andante Spianato et Grande Polonaise Brillante, Opus 22
LISZTHexaméron, S.392
Sonetto 104 from Années de pèlerinage
Mephisto Waltz No.1, S.110/2
ENCORE
WILLIAMS/WUNDERMain theme from Star Wars

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.




Musical Prelude:
Young artists from the San Diego Youth Symphony perform.
BLOCH“Prayer” from Jewish Life, No. 1Andrew Rim, cello
Cho-Hyun Park, piano
SCHUBERTSonatina No. 1 in D Major, D.384
MOZARTConcerto No. 4 in D Major, K.218
I. Allegro
III. Rondeau (Andante grazioso - Allegro ma non troppo)
Sofia Hashemi-Asasi, violin

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Feb
13
Fri
ROTTERDAM PHILHARMONIC
Feb 13 @ 8:00 pm
ROTTERDAM PHILHARMONIC @ Jacobs Music Center / Copley Symphony Hall | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Rotterdam Philharmonic

Yannick Nézet-Séguin, music director
Hélène Grimaud, piano

La Jolla Music Society presents Rotterdam Philharmonic, ranked among Europe’s foremost orchestras and internationally known for the intense energy of its performances, acclaimed recordings and innovative audience approach.

The evening will feature Yannick Nézet-Séguin, music director of The Rotterdam Philharmonic since 2008 and accomplished pianist Hélène Grimaud performing Ravel’s Piano Concerto in G Major.

Purchase Tickets

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at the University Club Atop Symphony Towers.


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RAVELSuite from Ma Mère I'Oye (Mother Goose)
RAVELPiano Concerto in G Major
        Hélène Grimaud, piano
PROKOFIEVSymphony No. 5 in B-flat Major, Opus 100
ENCORES
BRAHMSWaltz in A-flat Major, Opus 39, No. 15
SHOSTAKOVICHFolk Fest from The Gadlfy

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.



PRELUDE 7 PM
Join us for a pre-concert lecture prior to this evening’s performance hosted by Marcus Overton, Always a Bridesmaid.

[tab title=”Artist Bios”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.



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Feb
20
Fri
SIR ANDRÁS SCHIFF, piano
Feb 20 @ 8:00 pm
SIR ANDRÁS SCHIFF, piano @ MCASD Sherwood Auditorium | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Sir András Schiff, piano

La Jolla Music Society welcomes world-renowned and critically-acclaimed pianist, conductor, pedagogue and lecturer, Sir András Schiff. This program of “Last Sonatas” features the third-to-last piano sonatas of Haydn, Mozart, Beethoven and Schubert.

Purchase Tickets

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HAYDNSonata No. 60 in C Major, Hob.XVI:50
BEETHOVENSonata in E Major, Opus 109
MOZARTSonata in C Major, K. 545
SCHUBERTSonata in C Minor, D. 958

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.



PRELUDE 7 PM
Pre-concert lecture hosted by Steven Cassedy.

What’s ‘Late’ about ‘Late Beethoven’? Part I – Beethoven’s so-called “late period” piano sonatas were written as the composer left his forties and moved into his fifties, when he had some years left of living and composing. Are they truly as different from the sonatas of his “middle period” as they are often claimed to be?

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Feb
21
Sat
JERUSALEM QUARTET
Feb 21 @ 8:00 pm
JERUSALEM QUARTET @ MCASD Sherwood Auditorium | San Diego | California | United States

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Jerusalem Quartet

Closing it’s 46th season Revelle Chamber Music Series, La Jolla Music Society welcomes back Jerusalem Quartet with a Romantic program featuring Schumann’s String Quartet in A Major and Schubert’s String Quartet in D Minor, the profound masterpiece also known as Death and the Maiden.

“Passion, precision, warmth, a gold blend: these are the trademarks of this excellent Israeli string quartet.” – The Times, February 2011

Purchase Tickets

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SCHUMANNString Quartet in A Major, Opus 41, No. 3
SCHUBERTString Quartet in D Minor, D.810 "Death and the Maiden"

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


PRELUDE 7 PM
Join us for a pre-concert lecture prior to this evening’s performance hosted by Dr. Nicolas Reveles: “Schumann’s Mind and Music.”

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Feb
27
Fri
GIL SHAHAM, violin
Feb 27 @ 8:00 pm
GIL SHAHAM, violin @ MCASD Sherwood Auditorium | San Diego | California | United States

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Gil Shaham, violin

La Jolla Music Society welcomes the return of Avery Fisher Prize-winner Gil Shaham, one of the foremost violinists of our time, with an unaccompanied all-Bach program.

Named Musical America’s “Instrumentalist of the Year,” Gil Shaham is sought after throughout the world for concerto appearances with leading orchestras and conductors, and regularly gives recitals and ensemble appearances on the great concert stages and at the most prestigious festivals.

Purchase Tickets

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at La Valencia Hotel.


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BACHPartita No. 3 in E Major, BWV 1006
Sonata No. 3 in C Major, BWV 1005
Partita No. 2 in D Minor, BWV 1004

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.



Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Mar
6
Fri
INON BARNATAN, piano
Mar 6 @ 8:00 pm
INON BARNATAN, piano @ MCASD Sherwood Auditorium | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Inon Barnatan, piano

Israeli pianist Inon Barnatan performs works by Bach, Franck, Barber and Schubert. Mr. Barnatan – widely recognized for his refined and insightful playing – makes a welcome return to La Jolla Music Society having recently appeared at SummerFest 2014.

Purchase Tickets

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J.S. BACHToccata in E Minor, BWV 914
FRANCKPrelude, Chorale, and Fugue
BARBERPiano Sonata, Opus 26
SCHUBERTPiano Sonata in B-flat Major, D. 960
ENCORES
WAGNERGrunfeld Waltz
SCHUBERTImpromptu. Opus 90, allegro
BACHCantata No. 208 Sheep May Safely Graze

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.



PRELUDE 7 PM
Pre-concert lecture hosted by Steven Cassedy.
More Adventures in Sonata Form: From Late Beethoven to Late Schubert

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Mar
13
Fri
MOMIX “Alchemia”
Mar 13 @ 8:00 pm
MOMIX "Alchemia" @ Spreckels Theatre | San Diego | California | United States

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MOMIX

Moses Pendleton, artistic director

LJMS welcomes MOMIX led by artistic director Moses Pendleton as he leads us on a surreal journey in “Alchemia”.

Moses Pendleton manipulates the four classic elements of earth, air, fire and water to produce a show full of aesthetic thrills, surprising metamorphoses, and the sexuality of nature itself.

Purchase Tickets

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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.



PRELUDE 7 PM
Join us for a pre-concert lecture prior to this evening’s performance hosted by Marcus Overton: “Modern/Post-Modern. What’s the difference?”

[tab title=”Artist Bios”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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Mar
20
Fri
CHICK COREA & HERBIE HANCOCK
Mar 20 @ 8:00 pm
CHICK COREA & HERBIE HANCOCK @ Jacobs Music Center/ Copley Symphony Hall | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Combined Thirty-six time Grammy Award® Winners

Chick Corea & Herbie Hancock

La Jolla Music Society presents opens it’s 46th Season Jazz Series with jazz titans Chick Corea and Herbie Hancock.

For over half a century, Chick Corea and Herbie Hancock have been blazing their own paths of artistic innovation at the keyboard. Program includes both artists as an acoustic piano duo.