Apr
24
Sun
MURRAY PERAHIA, piano
Apr 24 @ 8:00 pm
MURRAY PERAHIA, piano @ MCASD Sherwood Auditorium | San Diego | California | United States

Murray Perahia, piano

After almost thirty years, legendary pianist Murray Perahia returns to La Jolla Music Society to give a solo piano recital with works by Haydn, Mozart, Brahms and featuring Beethoven’s mighty Hammerklavier Sonata.

“Mr. Perahia invariably strikes an ideal balance, playing with a beautiful sound, crystalline articulation, judicious use of pedal and an essential buoyant pulse.” – The New York Times

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HAYDNAndante and Variations in F Minor, Hob.VII:6
MOZARTPiano Sonata in A Minor, K.310
BRAHMSLate Piano Music
        Ballade in G Minor, Op. 118, No. 3
        Intermezzo in C Major, Op. 119, No. 3
        Intermezzo in E Minor, Op. 119, No. 2
        Intermezzo in A Major, Op. 118, No. 2
        Capriccio in D Minor, Op. 116, No. 1
BEETHOVENPiano Sonata in B-flat Major, Op. 106 “Hammerklavier”

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
Lecture by Steven Cassedy: Redefining Sonata Form
Beethoven’s Opus 106, popularly but somewhat misleadingly called the “Hammerklavier,” is the longest and probably most technically difficult of the composer’s thirty-two sonatas for piano. It’s also, from a formal standpoint, one of the most radical, bursting the bounds of sonata form just as it seems to want to burst the bounds of the instrument on which it is performed.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Apr
30
Sat
HUBBARD STREET DANCE CHICAGO
Apr 30 @ 8:00 pm
HUBBARD STREET DANCE CHICAGO @ Spreckels Theatre | San Diego | California | United States

Hubbard Street Dance Chicago

Works by Alejandro Cerrrudo, Penny Saunders,
William Forsythe, Crystal Pite

Hubbard Street Dance Chicago is among the most original forces in contemporary dance. As one of the only professional dance companies to perform year-round, Hubbard Street is continually touring nationwide and internationally. Now in its 37th year, the Company has appeared in some of the most celebrated dance venues around the globe.

“Hubbard Street Dance Chicago ought to bottle itself as a cure for the ills of the era.”
The New York Times

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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
A conversation with Artistic Director Glenn Edgerton and choreographer Penny Saunders hosted by Marcus Overton

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
4
Wed
NEW YORK PHILHARMONIC
May 4 @ 8:00 pm
NEW YORK PHILHARMONIC @ Jacobs Music Center - Copley Symphony Hall | San Diego | California | United States

New York Philharmonic

Alan Gilbert, music director

La Jolla Music Society ends it’s Celebrity Orchestra Series with America’s oldest orchestra, the internationally acclaimed New York Philharmonic. Conducted by Alan Gilbert, the orchestra’s Music Director since 2009, the evening features quintessential orchestral classics by Beethoven and Sibelius.

“A galvanizing force at the Philharmonic. … He is building a legacy that matters and is helping to change the template for what an American orchestra can be.”
                                                                                          — The New York Times

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BEETHOVENEgmont Overture, Op. 84 (1809-10)
Symphony No. 7 in A Major, Op. 92 (1811-12)
SIBELIUSSymphony No. 7 in C Major, Op. 105 (1924)
Finlandia, Op. 26 (1899-1900)

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

The Magnificent Seven with SDSU director of orchestras, Michael Gerdes

On this program, we hear two of history’s greatest symphonists at the peak of their compositional powers. These pieces are a summation of the work that has come before, each symphony building upon the previous and revealing the evolution of two great artists. In listening to the seventh symphonies of Sibelius and Beethoven, can we glimpse what is yet to come?

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
8
Sun
JOSEF SPACEK, violin
May 8 @ 3:00 pm
JOSEF SPACEK, violin @ The Auditorium at TSRI | San Diego | California | United States

Josef Špaček, violin

2009 First Prize Winner at the Michael Hill Violin Competition

Closing the 47th Season Discovery Series is multiple violin competition winner Josef Špaček. Returning to La Jolla Music Society, having appeared during Season 46 as concertmaster with the Czech Philharmonic Orchestra,
Mr. Špaček’s solo program includes works by J.S. Bach, Prokofiev, Saint-Saëns and more.

“With pure tone and a gutsy lower register, the cooly contained Špaček combined fluent technique with expressive finesse…” — The Guardian

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Josef Špaček, violin
Miroslav Sekera, piano

J.S. BACHChaconne from the Partita No. 2 in D Minor for Unaccompanied Violin, BWV 1004 (1720)
SZYMANOWSKIMyths, Op. 30 (1915)
YSAŸECaprice (After a Study in Form of a Waltz of Saint-Saëns, Op. 52, No. 6) (1900)
PROKOFIEVSonata for Solo Violin in D Major, Op. 115 (1947)
SAINT-SAËNSViolin Sonata No. 1 in D Minor, Op. 75 (1885)
ENCORES
VIEUXTEMPSYankee Doodle
SCHUMANNAbendlied

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Musical Prelude 2 PM
Young artists from the San Diego Youth Symphony & Conservatory perform.

J.S. BACHVivace from Concerto for Two Violins in D Minor, BWV 1043Ilana Hirschfeld, violin
Christian Gonzales, violin
MOZARTOboe Quartet in F Major, K.370/368bLaura Gilmore, oboe
Daniel Rim, violin
Nathan Rim, viola
Andrew Rim, vcello

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
14
Sat
THE BEETHOVEN PIANO TRIOS: PART I
May 14 @ 3:00 pm
THE BEETHOVEN PIANO TRIOS: PART I @ MCASD Sherwood Auditorium | San Diego | California | United States

The Complete Beethoven Piano Trios: Part I

Wu Han, piano, Philip Setzer, violin & David Finckel, cello

Emerson String Quartet violinist Philip Setzer joins David Finckel and Wu Han, co-artistic directors of The Chamber Music Society of Lincoln Center, in the first of this two-performance chronological presentation of the complete Beethoven piano trio cycle.

Click here for PART II

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Dinner Break: 5-7 PM

Special Dinner:
Between the performances please join us for dinner at The MED Patio at La Valencia Hotel


BEETHOVENPiano Trio in E-flat Major, Op. 1, No. 1 (1797-95)
Piano Trio in G Major, Op. 1, No. 2 (1794-95)
Piano Trio in C Minor, Op. 1, No. 3 (1794-95)

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 2 PM
Lecture By Eric Bromberger
Beethoven at Opus 1

In May 1795 a set of three piano trios by the 24-year-old Beethoven were advertised, and appeared later that year as his official Opus 1. His first publication was a very carefully planned event, the product of a determined young composer and his equally-determined supporters. This lecture explores the three trios of Beethoven’s Opus 1: how they were written, the music itself, its reception in Vienna, and these trios’ place in Beethoven’s chamber music-and his career.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

THE BEETHOVEN PIANO TRIOS: PART II
May 14 @ 8:00 pm
THE BEETHOVEN PIANO TRIOS: PART II @ MCASD Sherwood Auditorium | San Diego | California | United States

The Complete Beethoven Piano Trios: Part II

Wu Han, piano, Philip Setzer, violin & David Finckel, cello

Emerson String Quartet violinist Philip Setzer joins David Finckel and Wu Han, co-artistic directors of The Chamber Music Society of Lincoln Center, in the second part of this two-performance chronological presentation of the complete Beethoven piano trio cycle.

Click here for PART I

Buy Tickets

Dinner Break: 5-7 PM

Special Dinner:
Between the performances please join us for dinner at The MED Patio at La Valencia Hotel


BEETHOVENPiano Trio in D-flat Major, Op. 70, No. 1 “Ghost” (1808)
Piano Trio in E-flat Major, Op. 70, No. 2 (1808)
Piano Trio in B-flat Major, Op. 97 “Archduke” (1810-11)

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
Lecture with Erica Bromberger
The end of the Heroic Style

Beethoven’s Heroic Style burst to life with the Eroica Symphony of 1803 and he transformed Classical Style into the platform for some of the most intense music ever written. But over the following decade, those furies began to abate, and the three trios on this program, composed in 1808-11, show a relaxation of the Heroic Style. This lecture discusses these three trios, written at a moment when Beethoven’s music was beginning once again to look to the future.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
21
Sat
MOZART GROUP
May 21 @ 8:00 pm
MOZART GROUP @ MCASD Sherwood Auditorium | San Diego | California | United States

MozART group

Don’t let their prestigious musical education and expert musicianship fool you. Laugh out loud at the MozART group’s witty musical interpretations and unpredictable stage antics.

Made up of musicians from prestigious Academies of Music in Warsaw and
Łódz, MozART group sells out stadiums in Europe and are YouTube sensations with more than 10 million hits. Their performances not only rival the comedic brilliance of the late, great Victor Borge, but they are all first-class musicians, each funny, silly and sweet in their own way.

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
3
Wed
COACHING WORKSHOP | 10:00-10:50 AM
Aug 3 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Rune Tonsgaard Sørensen coaches the Verona Quartet on Mendelssohn’s String Quartet, Opus 44, No. 2

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 3 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Jon Kimura Parker coaches Beacon Street Trio on Brahms’ Piano Trio in B Major, Opus 8

(Please arrive 10 minutes early)


FREE OUTDOOR CONCERT: SUMMERFEST UNDER THE STARS
Aug 3 @ 6:30 pm
FREE OUTDOOR CONCERT: SUMMERFEST UNDER THE STARS @ Ellen Browning Scripps Park | San Diego | California | United States

Free Outdoor Concert:
SummerFest Under the Stars
featuring Time For Three

Join us at the famous La Jolla Cove for our annual free concert to kick off SummerFest!

First we welcome back SDYS International Youth Symphony led by Jeff Edmons, then Time for Three takes center stage for an entertaining mix of virtuosity and showmanship. Let loose with these brilliant and innovative musicians.

Bring your picnic and enjoy this wonderful, family-friendly SummerFest tradition featuring a stunning ocean backdrop!

Recommended Listening
Download Program Flyer

A little more information…
Bring your picnic and enjoy this wonderful, family-friendly SummerFest tradition featuring a stunning ocean backdrop! As the sun begins to set over the Pacific, enjoy this annual community event to celebrate our the 30th Anniversary year of SummerFest. It’s our gift to La Jolla. Maestro Jeff Edmons conducts the SDYS International Youth Symphony and then the incredible, hugely popular, genre-defying Time for Three will take to the stage. Vibrant, energetic, original and innovative, Time for Three are taking the classical music world by storm. After their sold out concert at last year’s festival we’re thrilled to have the “Three” launch our 30th Anniversary year.


Download Program Flyer
VIVALDISelections from The Four Seasons
Autumn
Winter
SDYS International Youth Symphony; Luke Hsu, violin; Heiichiro Ohyama, conductor
MOZARTAllegro Assai from Symphony No. 31 in D Major, K. 297
SDYS International Youth Symphony; Jeff Edmons, conductor , conductor
Program to be announced from stage
An entertaining mix of virtuosity and showmanship, the trio performs music from Bach, Brahms and beyond – including their own arrangements of everything from bluegrass, to hip tunes of today.
Time For Three
      Nicholas Kendall, violin
      Nikki Chooi, violin
      Ranaan Meyer, bass

WATCH!

TIME FOR THREE
TAYLOR SWIFT: Shake It Off


Aug
4
Thu
COACHING WORKSHOP | 10:00-10:50 AM
Aug 4 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Asbjørn Nørgaard coaches the Verona Quartet on Bartok’s String Quartet No. 5

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 4 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Carter Brey coaches the Beacon Street Trio on Fauré’s Piano Trio, Opus 120

(Please arrive 10 minutes early)


Aug
5
Fri
COACHING WORKSHOP | 10:00-10:50 AM
Aug 5 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Martin Beaver coaches the Beacon Street Trio on Ravel’s Piano Trio in A Minor

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 5 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Heiichiro Ohyama coaches the Verona Quartet on Mendelssohn’s String Quartet, Opus 44, No. 2

(Please arrive 10 minutes early)


OPENING NIGHT: A Bohemian Rhapsody
Aug 5 @ 8:00 pm
OPENING NIGHT: A Bohemian Rhapsody @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

OPENING NIGHT: A Bohemian Rhapsody

Travel with us to Bohemia for our Opening Night.
Join Janáček, Smetana and Dvořák for an opening night to remember!

JANÁČEK    String Quartet No. 2 “Intimate Letters”
SMETANA    Piano Trio in G Minor, Op. 15
DVOŘÁK    Sextet for Strings in A Major, Op. 48

Buy Tickets
Recommended Listening

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at NINE-TEN.


A little more information…
Travel with us to Bohemia for our Opening Night. SummerFest Music Director Cho-Liang Lin leads this celebratory evening with acclaimed pianist Jon Kimura Parker, violin virtuoso Martin Beaver, principal cellist of the New York Philharmonic Carter Brey, rising stars – the Danish String Quartet, and other great SummerFest artists in an all-Czech program. Join Janáček, Smetana and Dvořák for an opening night to remember!


JANÁČEKString Quartet No. 2 "Intimate Letters"
Danish String Quartet
SMETANAPiano Trio in G Minor, Op. 15
Chee-Yun, violin, Ben Hong, cello,
Jon Kimura Parker, piano
DVOŘÁKSextet for Strings in A Major, Op. 48
Martin Beaver, violin, Cho-Liang Lin, violin, Che-Yen Chen, viola,
Heiichiro Ohyama, viola, Carter Brey, cello, Eileen Moon, cello

LISTEN!


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

Join us for a lecture by Dr. Nicolas Reveles

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
6
Sat
MUSIC TRANSFIGURED
Aug 6 @ 8:00 pm
MUSIC TRANSFIGURED @ MCASD Sherwood Auditorium | San Diego | California | United States

SummerFest 2016

MUSIC TRANSFIGURED

This evening’s highlight is Schoenberg’s String Sextet Verklärte Nacht (“Transfigured Night”) played by Martin Beaver and Cho-Liang Lin, violins,
Che-Yen Chen and Heiichiro Ohyama, violas, and Carter Brey and
Eileen Moon, cellos.

MOZART    Sonata for Piano and Violin in G Major, K.379
SCHOENBERG    Verklärte Nacht, Op. 4
SCHUBERT    String Quintet in C Major, D.956

Buy Tickets
Recommended Listening

A little more information…
This evening’s highlight is Schoenberg’s String Sextet Verklärte Nacht (“Transfigured Night”) played by Martin Beaver and Cho-Liang Lin, violins, Che-Yen Chen and Heiichiro Ohyama, violas, and Carter Brey and Eileen Moon, cellos. This Wagner-influenced tone poem, from early in his career, ventures far from its home key and is rich in chromatic language. While still essentially a tonal work, it is perhaps an indication of what was to come as Schoenberg developed and explored new composition techniques – like the 12-tone method – that later became the core of the Second Viennese School.
Mozart’s Violin Sonata No. 27 and Schubert’s final chamber work, his String Quintet in C Major, complete this program.


MOZARTSonata for Piano and Violin in G Major, K.379
Cho-Liang Lin, violin, Jon Kimura Parker, piano
SCHOENBERGVerklärte Nacht, Op. 4
Martin Beaver, violin, Cho-Liang Lin, violin, Che-Yen Chen, viola
Heiichiro Ohyama, viola, Carter Brey, cello, Eileen Moon, cello
SCHUBERTString Quintet in C Major, D.956
Chee-Yun, Frederik Øland, violins, Asbjørn Nørgaard, viola,
Fredrik Schøyen Sjölin, cello, Ben Hong, cello

WATCH!

SCHOENBERG: Verklärte Nacht, Op. 4, for String Sextet
The Emerson Quartet with Paul Neubauer, viola and Colin Carr, cello


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

Join us for a lecture by Dr. Nicolas Reveles

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
7
Sun
FROM MOZART TO MAHLER
Aug 7 @ 3:00 pm
FROM MOZART TO MAHLER @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

FROM MOZART TO MAHLER

This afternoon’s Festival program features The Montrose Trio and other great SummerFest artists on a journey from Mozart to Mahler by way of Schubert…

MAHLER    Piano Quartet in A Minor
MOZART    Viola Quintet C Major, K.515
SCHUBERT    Trio in B-flat Major for Violin, Cello and Piano, D.898

Buy Tickets
Recommended Listening

A little more information…
This afternoon’s program takes us on a journey from Mozart to Mahler by way of Schubert…
Mahler’s Piano Quartet in A Minor opens this afternoon’s program, a single-movement (uncompleted) work written when the composer was still in his teens. Still at the onset of his career, we hear the Romantic influences of Brahms and Schubert in the writing. SummerFest Music Director Cho-Liang Lin is joined by Chee-Yun, violin, violists Asbjørn Nørgaard and Che-Yen Chen and cellist Fredrik Schøyen Sjölin for Mozart’s String Quintet in C Major, a work that inspired Schubert’s own chamber music compositions.
The program concludes with The Montrose Trio playing Schubert’s Piano Trio in B-flat Major, to perfectly bridge Mozart to Mahler.


MAHLERPiano Quartet in A Minor
Jon Kimura Parker, piano, Frederik Øland, violin,
Asbjørn Nørgaard, viola, Fredrik Schøyen Sjölin, cello
MOZARTViola Quintet in C Major, K.515
Cho-Liang Lin, violin, Chee-Yun, violin, Asbjørn Nørgaard, viola,
Che-Yen Chen, viola, Fredrik Schøyen Sjölin, cello
SCHUBERTTrio in B-flat Major for Violin, Cello and Piano, D.898
The Montrose Trio
      Martin Beaver, violin
      Clive Greensmith, cello
      Jon Kimura Parker, piano

LISTEN!


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 2 PM

Join us for a lecture by Dr. Nicolas Reveles

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
8
Mon
COACHING WORKSHOP | 10:00-10:50 AM
Aug 8 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Clive Greensmith coaches the Beacon Street Trio on Fauré’s Piano Trio, Opus 120

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 8 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Fredrik Schøyen Sjölin coaches the Verona Quartet on Mendelssohn’s String Quartet, Opus 44, No. 2

(Please arrive 10 minutes early)


Aug
9
Tue
COACHING WORKSHOP | 10:00-10:50 AM
Aug 9 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Pinchas Zukerman coaches the Beacon Street Trio on Beethoven’s
Piano Trio in E-flat Major, Opus 70, No. 2

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 9 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Yura Lee coaches a student from violinist Stella Chung from San Diego Youth Symphony and Conservatory

(Please arrive 10 minutes early)


AN EVENING WITH ZUKERMAN TRIO
Aug 9 @ 8:00 pm
AN EVENING WITH ZUKERMAN TRIO @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

An Evening with Zukerman Trio

Join one of the greatest violinists in the world and his famous chamber ensemble in the first of this festival’s An Evening With Series.

BRAHMS    Scherzo in C Minor for Violin and Piano (Sonatensatz)
DVOŘÁK   Piano Trio in E Minor, Op. 90, “Dumky”
GLIÈRE    Duets for Violin and Cello, Op. 39
MENDELSSOHN    Piano Trio No. 1 in D Minor, Op. 49

Buy Tickets
Recommended Listening

A little more information…
Join one of the greatest violinists in the world and his famous chamber ensemble in the first of this festival’s An Evening With Series.

The evening opens with the Scherzo from rarely-performed the F.A.E. Sonata a four-movement work created jointly by Brahms, Schumann and Dietrich as a gift (and a puzzle) for the celebrated violinist Joseph Joachim. The letters F.A.E. stand for Joachim’s credo in life: Frei, aber einsam (Free, but lonely), and the work pivots around these three musical notes. Dvořák’s popular “Dumky” Trio, Mendelssohn’s expressive and passionate D Minor Piano Trio, and a selection of extraordinary miniatures for violin and cello from Russian composer Glière complete this unforgettable program.


BRAHMSScherzo in C Minor for Violin and Piano (Sonatansatz)
Pinchas Zukerman, violin
Angela Cheng, piano
DVOŘÁKPiano Trio in E Minor, Op. 90, “Dumky”
Zukerman Trio
Pinchas Zukerman, violin, Amanda Forsyth, cello, Angela Cheng, piano
GLIÈREDuets for Violin and Cello, Op. 39
Pinchas Zukerman, violin
Amanda Forsyth, cello
MENDELSSOHNPiano Trio No. 1 in D Minor, Op. 49
Zukerman Trio
Pinchas Zukerman, violin, Amanda Forsyth, cello, Angela Cheng, piano
KREISLERMiniature Viennese March

Zukerman Trio


LOOK!

MENDELSSOHN: Piano Trio No. 1 in D Minor, Op. 49
Zukerman Trio


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
10
Wed
COACHING WORKSHOP | 10:00-10:50 AM
Aug 10 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Adam Barnett Hart coaches the Verona Quartet on Bartok’s String Quartet No. 5 or Beethoven’s String Quartet, Opus 59, No. 2

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 10 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Young Artists

Juho Puhjonen coaches the Beacon Street Trio on Ravel’s Piano Trio in A Minor

(Please arrive 10 minutes early)


1824 – 1942: RICHARD, ROBERT & LUDWIG
Aug 10 @ 8:00 pm
1824 - 1942: RICHARD, ROBERT & LUDWIG @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

1824-1942:
RICHARD, ROBERT & LUDWIG

Fellowship artists, Verona Quartet, opening tonight’s performance with the beautiful and poetic Strauss’ Sextet joined by former SummerFest Music Director and violist Heiichiro Ohyama and cellist Eileen Moon.

R. STRAUSS    Sextet for Strings from Capriccio, Op. 85
SCHUMANN    Piano Quartet in E-flat Major, Op. 47
BEETHOVEN    String Quartet in E-flat Major, Op. 127

Buy Tickets
Recommended Listening

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at Catania.


A little more information…
Fellowship artists, Verona Quartet, opening tonight’s performance with the beautiful and poetic Strauss’ Sextet joined by former SummerFest Music Director and violist Heiichiro Ohyama and cellist Eileen Moon. Schumann’s bold, exquisite Piano Quartet in E-flat Major follows and the Danish String Quartet complete the evening with the first of Beethoven’s late quartets, the Quartet in E-flat Major. Beethoven’s Late Quartets are nowadays widely considered to be among the greatest compositions of all time, transcending anything he or anyone else had ever composed.


R. STRAUSSSextet for Strings from Capriccio, Op. 85
Verona Quartet, Heiichiro Ohyama, viola , Eileen Moon, cello
SCHUMANNPiano Quartet in E-flat Major, Op. 47
Kristin Lee, violin , Yura Lee, viola ,
Clive Greensmith, cello , Juho Pohjonen, piano
BEETHOVENString Quartet in E-flat Major, Op. 127
Danish String Quartet

WATCH!

BEETHOVEN: String Quartet in E-flat Major, Op. 127
Danish String Quartet


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

Join us for a lecture by Steven Cassedy

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
11
Thu
COACHING WORKSHOP | 10:00-10:50 AM
Aug 11 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Aaron Boyd coaches the Verona Quartet on Haydn’s String Quartet in B-flat Major, Opus 50, No. 1
(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 11 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Young Artists

Juho Pohjonen coaches the Beacon Street Trio on Beethoven’s Piano Trio in E-flat Major, Opus 70, No. 2

(Please arrive 10 minutes early)


Aug
12
Fri
COACHING WORKSHOP | 10:00-10:50 AM
Aug 12 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Fellowship Artist Sophie Scolnik-Brower of Beacon Street Trio coaches a student of the San Diego Youth Symphony and Conservatory

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 12 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Young Artists

Felix Fan and Tom Chiu coach the Verona Quartet on Ligeti’s Metamorphosen

(Please arrive 10 minutes early)


VIENNESE GIANTS
Aug 12 @ 8:00 pm
VIENNESE GIANTS @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

VIENNESE GIANTS

Vienna has always enjoyed a reputation as a European cultural center and one of the musical capitals of the world. Tonight’s program marries the First and Second Viennese Schools.

MOZART    Piano Quartet in G Minor, K.478
ZEMLINKSY    String Quartet No. 4, Op. 25
WEBERN     Six Bagatelles for String Quartet, Op. 9
KORNGOLD    Quintet for Piano and Strings in E Major, Op. 15

Buy Tickets
Recommended Listening

A little more information…
Vienna has always enjoyed a reputation as a European cultural center and one of the musical capitals of the world. Over the centuries it has been the workplace of many of our greatest composers. Tonight’s program marries the First and Second Viennese Schools. Classical Vienna (Mozart’s Piano Quartet No. 1) meets 20th Century Vienna (Webern’s Six Bagatelles for String Quartet, Op. 9). Korngold’s Piano Quintet in E Major is a special highlight too. The Escher String Quartet is joined by pianist Juho Pohjonen to perform this effusively romantic and heroic work, written when the composer was just 24 years old.


MOZARTPiano Quartet No. 1 in G Minor, K.478
Kristin Lee, violin , Yura Lee, viola ,
Clive Greensmith, cello , John Novacek, piano
ZEMLINSKYString Quartet No. 4, Op. 25
Escher String Quartet
WEBERN Six Bagatelles for String Quartet, Op. 9
Verona Quartet
KORNGOLDQuintet for Piano and Strings in E Major, Op. 15
Escher String Quartet , Juho Pohjonen, piano

LISTEN!


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
14
Sun
PREMIERES & REPRISES
Aug 14 @ 3:00 pm
PREMIERES & REPRISES @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

PREMIÈRES & REPRISES

Continuing with the important tradition of commissioning new works, SummerFest celebrates its 30th Anniversary by bringing together the past and the present.

THOMAS    Bells Ring Summer
SHEPHERD    String Quartet No. 2 – West Coast Première
TSONTAKIS    Stimulus Package
LANG    String Quartet “almost all the time” – California Première
DANIELPOUR    Clarinet Quintet “The Last Jew in Hamadan” – California Première

Buy Tickets
Recommended Listening

A little more information…
Continuing with the important tradition of commissioning new works, SummerFest celebrates its 30th Anniversary by bringing together the past and the present. Not only are festival audiences often the first to hear these exciting new works but this year, will be fortunate to experience reprise performances of those that have now become staples of the contemporary chamber music repertoire. Augusta Read Thomas’ Bells Ring Summer (2000) and the 2009 work Stimulus Package by George Tsontakis are programmed alongside new works commissioned for 2016. Sean Shepherd’s String Quartet No. 2 and Richard Danielpour’s Clarinet Quintet both receive their west-coast premières at today’s performance.


THOMASBells Ring Summer
Felix Fan, cello
SHEPHERDString Quartet No. 2
FLUX Quartet
WEST COAST PREMIÈRE
TSONTAKISStimulus Package
Felix Fan, cello, John Novacek, piano , Aiyun Huang, percussion
LANGString Quartet "almost all the time"
FLUX Quartet
CALIFORNIA PREMIÈRE
DANIELPOURClarinet Quintet "The Last Jew in Hamadan"
Burt Hara, clarinet , Verona Quartet
CALIFORNIA PREMIÈRE

WATCH!

TSONTAKIS: Stimulus Package
from UCSD-TV, SummerFest 2009
Felix Fan, cello, David Cossin, percussion, Andrew Russo, piano


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 2 PM

FLUX Quartet in a conversation hosted by Marcus Overton

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
15
Mon
COACHING WORKSHOP | 10:00-10:50 AM
Aug 15 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Cho-Liang Lin coaches the Verona Quartet on Bartok’s String Quartet No. 5
(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 15 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Young Artists

John Sharp coaches the Beacon Street Trio on Fauré’s Piano Trio, Opus 120

(Please arrive 10 minutes early)


Aug
16
Tue
COACHING WORKSHOP | 10:00-10:50 AM
Aug 16 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Kristin Lee coaches a student of the San Diego Youth Symphony and Conservatory
(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 16 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Young Artists

Fellowship Artist Dorothy Ro of Verona Quartet coaches a student of the San Diego Youth Symphony and Conservatory

(Please arrive 10 minutes early)


A SPIRITUAL JOURNEY
Aug 16 @ 8:00 pm
A SPIRITUAL JOURNEY @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

A SPIRITUAL JOURNEY

Prepare to be transported and moved by some of the most
transformative and profound chamber music written, including Messiaen’s monumental Quartet for the End of Time.

DUTILLEX    Ainsi la nuit
FAURÉ    Piano Trio in D Minor, Op. 120
MESSIAEN    Quartuor pour la Fin du Temps

Buy Tickets
Recommended Listening

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at La Valanecia.


A little more information…
Prepare to be transported and moved by some of the most transformative and profound chamber music written. Dutilleux’s Ainsi La Nuit and Fauré’s Piano Trio in D Minor open tonight’s program which concludes with Messiaen’s monumental Quartet for the End of Time. Composed during his internment in a German prisoner-of-war camp, Quartet for the End of Time was premiered in 1941, performed by and for the composer’s fellow prisoners. An inscription in the score supplies a catastrophic image from the Book of Revelation: “In homage to the Angel of the Apocalypse, who lifts his hand toward heaven, saying, ‘There shall be time no longer.’”

“There are few pieces that offer the possibility of such transfiguration, and that it should have emerged from such horrific beginnings seems little short of miraculous. It offers a stark juxtaposition between the destructive and creative potentials of humanity, a struggle we all embody to some degree.”
The Guardian


DUTILLEXAinsi la nuit
Escher String Quartet
FAURÉPiano Trio in D Minor, Op. 120
Beacon Street Trio
MESSIAENQuatour pour la Fin du Temps
Burt Hara, clarinet , Kristin Lee, violin ,
John Sharp, cello, John Novacek, piano

LISTEN!


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
17
Wed
COACHING WORKSHOP | 10:00-10:50 AM
Aug 17 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Pierre Lapointe coaches the Verona Quartet on Beethoven’s String Quartet, Opus 59, No. 2

(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 17 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Young Artists

Andrew Wan coaches the Beacon Street Trio on Brahms’ Piano Trio in B Major, Opus 8

(Please arrive 10 minutes early)


AN EVENING WITH PAQUITO D’RIVERA
Aug 17 @ 8:00 pm
AN EVENING WITH PAQUITO D’RIVERA  @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

AN EVENING WITH PAQUITO D’RIVERA:
Jazz Meets the Classics

Woodwind master Paquito D’Rivera defies categorization. The winner of fourteen Grammy® Awards, he is celebrated both for his artistry in Latin jazz and his achievements as a classical composer.

PIAZZOLLA    Concierto para Quinteto for Clarinet and String Quintet (arr. by Gabriel Senanes)
D’RIVERA    Fiddle Dreams for Violin and Piano
D’RIVERA    Four Pieces from the South
SENANES    Contratango – World Première
ASLAN    Tangua, (arr. by Gabriel Senanes)
G.M. RODRIGUEZ    La Cumparsita
D’RIVERA    Ladies in White
D’RIVERA    Improvisations for Clarinet and Piano

Buy Tickets
Recommended Listening

A little more information…
Woodwind master Paquito D’Rivera defies categorization. The winner of fourteen Grammy® Awards, he is celebrated both for his artistry in Latin jazz and his achievements as a classical composer. Join Paquito, bassist Pablo Aslan, pianist Alex Brown and a host of SummerFest artists as jazz fuses with classical for a not-to-be-forgotten evening of great music.


PIAZZOLLAConcierto para Quinteto for Clarinet and String Quintet (arr. by Gabriel Senanes)
Paquito D'Rivera, clarinet, Pablo Aslan, bass, Escher String Quartet ,
D'RIVERAFiddle Dreams for Violin and Piano
Andrew Wan, violin; Alex Brown, piano
Four Pieces from the South
Paquito D'Rivera, clarinet,
Escher String Quartet , Pablo Aslan, bass, Alex Brown, piano
SENANESContratango
Escher String Quartet , Pablo Aslan, bass
ASLANTangua (arr. by Gabriel Senanes)
Paquito D'Rivera, clarinet,
Escher String Quartet , Pablo Aslan, bass,
G.M. RODRIGUEZLa Cumparsita
Paquito D'Rivera, clarinet,
Escher String Quartet , Pablo Aslan, bass,
D'RIVERALadies in White
Paquito D'Rivera, clarinet, Brook Speltz, cello, Alex Brown, piano
Improvisations for Clarinet and Piano
Paquito D'Rivera, clarinet, Alex Brown, piano
ENCORE
D'RIVERATo Brenda with Love

LISTEN & WATCH

D’RIVERA: Fiddle Dreams
Paquito D’Rivera, clarinet


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
19
Fri
COACHING WORKSHOP | 10:00-10:50 AM
Aug 19 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Cho-Liang Lin coaches the Beacon Street Trio on Brahms’ Piano Trio in B Major, Opus 8
(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 19 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Young Artists

Cynthia Phelps coaches the Verona Quartet on Beethoven’s String Quartet, Opus 59, No. 2

(Please arrive 10 minutes early)


BACH CELLO SUITES WITH MISCHA MAISKY Part 1
Aug 19 @ 8:00 pm
BACH CELLO SUITES WITH MISCHA MAISKY Part 1 @ MCASD Sherwood Auditorium | San Diego | California | United States

THE BACH SUITES WITH MISCHA MAISKY Part 1

SummerFest 2016 welcomes the extraordinary cellist Mischa Maisky in his
San Diego debut. Over two consecutive evenings, Mr. Maisky will play all six of J.S. Bach’s Suites for Unaccompanied Cello, a feat that is as challenging intellectually as it is physically.

Tonight’s Suites: I, IV & V

THE BACH SUITES WITH MISCHA MAISKY Part 2

Buy Tickets
Recommended Listening

A little more information…
SummerFest 2016 welcomes the extraordinary cellist Mischa Maisky in his San Diego debut. Over two consecutive evenings, Mr. Maisky will play all six of J.S. Bach’s Suites for Unaccompanied Cello, a feat that is as challenging intellectually as it is physically. These iconic works, considered by many to be Bach’s greatest musical achievements, are some of the most emotionally intense pieces in the Baroque repertoire and demand a continual level of technical precision and stamina from the performer. Having performed the Bach Cello Suites all over the world, Mischa Maisky now takes San Diego audiences on an unforgettable musical journey with his interpretation of the “Mount Everest” of the cello repertoire.


J.S. BACHSuite No. 1 in G Major for Unaccompanied Cello, BWV 1007
Suite No. 4 in E-flat Major for Unaccompanied Cello, BWV 1010
Suite No. 5 in C Minor for Unaccompanied Cello, BWV 1011
Mischa Maisky, cello


WATCH!

J.S. BACH: Cello Suite No. I
Mischa Maisky, cello


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

Join us for a pre-performance lecture by Eric Bromberger

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
20
Sat
BACH CELLO SUITES WITH MISCHA MAISKY Part 2
Aug 20 @ 8:00 pm
BACH CELLO SUITES WITH MISCHA MAISKY Part 2 @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

THE BACH SUITES WITH MISCHA MAISKY Part 2

SummerFest 2016 welcomes the extraordinary cellist Mischa Maisky in his
San Diego debut. Over two consecutive evenings, Mr. Maisky will play all six of J.S. Bach’s Suites for Unaccompanied Cello, a feat that is as challenging intellectually as it is physically.

Tonight’s Suites: III, II, VI

THE BACH SUITES WITH MISCHA MAISKY Part 1

Buy Tickets
Recommended Listening

SummerFest 2016 welcomes the extraordinary cellist Mischa Maisky in his San Diego debut. Over two consecutive evenings, Mr. Maisky will play all six of J.S. Bach’s Suites for Unaccompanied Cello, a feat that is as challenging intellectually as it is physically. These iconic works, considered by many to be Bach’s greatest musical achievements, are some of the most emotionally intense pieces in the Baroque repertoire and demand a continual level of technical precision and stamina from the performer. Having performed the Bach Cello Suites all over the world, Mischa Maisky now takes San Diego audiences on an unforgettable musical journey with his interpretation of the “Mount Everest” of the cello repertoire.


J.S. BACHSuite No. 3 in C Major for Unaccompanied Cello, BWV 1009
Suite No. 2 in D Minor for Unaccompanied Cello, BWV 1008
Suite No. 6 in D Major for Unaccompanied Cello, BWV 1012
ENCORE/REPRISE
J.S. BACHSuite No. 1 in G Major for Unaccompanied Cello, BWV 1007, Praeludium
Mischa Maisky, cello


WATCH!

J.S. BACH: Cello Suite No. III
Mischa Maisky, cello


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

Cellist Mischa Maisky in a conversation hosted by Eric Bromberger

Aug
21
Sun
GREAT QUINTETS
Aug 21 @ 3:00 pm
GREAT QUINTETS @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

GREAT QUINTETS

Mozart, Schumann and Bolcom come together for a lively afternoon of music making with SummerFest Music Director Cho-Liang Lin.

BOLCOM    Three Rags for String Quartet
MOZART    String Quintet in E-flat Major, K.614
SCHUMANN    Quintet for Piano and Strings in E-flat Major, Op. 44

Buy Tickets
Recommended Listening

A little more information…
Mozart, Schumann and Bolcom come together for a lively afternoon of music making with SummerFest Music Director Cho-Liang Lin. The program swings into action with Bolcom’s jocular and lively Rags for String Quartet. The bouyant mood continues with Mozart’s String Quintet No. 6 and Schumann’s Piano Quintet in E-flat Major brings the afternoon to an exuberant close.


BOLCOMThree Rags for String Quartet
Paul Huang, violin, Cho-Liang Lin, violin,
Robert Brophy, viola , Rainer Crosett, cello
MOZARTString Quintet in E-flat Major, K.614
Andrew Wan, violin, Luke Hsu, violin, Cynthia Phelps, viola,
Abigail Rojansky, viola, John Sharp, cello
SCHUMANNQuintet for Piano and Strings in E-flat Major, Op. 44
Shai Wosner, piano, Sheryl Staples, violin, Paul Huang, violin,
Robert Brophy, viola , John Sharp, cello

LISTEN!


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
22
Mon
COACHING WORKSHOP | 10:00-10:50 AM
Aug 22 @ 10:00 am – 10:50 am
COACHING WORKSHOP | 10:00-10:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Fellowship Artists

Shai Wosner coaches the Beacon Street Trio on Brahms’ Piano Trio in B Major, Opus 8
(Please arrive 10 minutes early)


COACHING WORKSHOP | 11:00-11:50 AM
Aug 22 @ 11:00 am – 11:50 am
COACHING WORKSHOP | 11:00-11:50 AM @ Riford Library | San Diego | California | United States

Coaching Workshop:
Mornings with Master Teachers and Young Artists

Sheryl Staples coaches the Verona Quartet on Haydn’s String Quartet in B-flat Major, Opus 50, No. 1

(Please arrive 10 minutes early)


Aug
23
Tue
VIRTUOSO WINDS
Aug 23 @ 8:00 pm
VIRTUOSO WINDS @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

VIRTUOSO WINDS

The woodwind family moves downstage center for tonight’s performance featuring versatile and diverse works by Haydn, Britten, Fauré and Nielsen.

HAYDN    String Quartet in B-flat Major, Op. 50, No. 1
NEILSEN    Wind Quintet in A Major, Op. 43 FS100
BRITTEN    Six Metamorphoses for Solo Oboe, Op. 49
FAURÉ    Piano Quartet in C Minor, Op. 15

Buy Tickets
Recommended Listening

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at NINE-TEN.


A little more information…
The woodwind family moves downstage center for tonight’s performance featuring versatile and diverse works by Haydn, Britten, Fauré and Nielsen. Neilsen described his Wind Quintet as “… an attempt to render the characters of the various instruments. At one moment they are all talking at once, at another they are quite alone.”


HAYDNString Quartet in B-flat Major, Op. 50, No. 1
Verona Quartet
NIELSENWind Quintet in A Major, Op. 43 FS100
Laura Griffiths, oboe, Catherine Ransom Karoly, flute, John Bruce Yeh, clarinet,
Keith Buncke, bassoon , Erik Ralske, horn
BRITTENSix Metamorphoses for Solo Oboe, Op. 49
Liang Wang, oboe
FAURÉPiano Quartet in C Minor, Op. 15
Shai Wosner, piano , Sheryl Staples, violin ,
Cynthia Phelps, viola , Hai-Ye Ni, cello

WATCH!

BRITTEN: Six Metamorphoses after Ovid, for Oboe, Op. 49
Liang Wang, oboe


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
24
Wed
AN EVENING WITH MARC-ANDRÉ HAMELIN
Aug 24 @ 8:00 pm
AN EVENING WITH MARC-ANDRÉ  HAMELIN @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

AN EVENING WITH MARC-ANDRÉ HAMELIN

Internationally acclaimed pianist Marc-André Hamelin delivers the third and final An Evening With this SummerFest.

HAMELIN    Four Perspectives – World Première
LISZT    Piano Sonata in B Minor, S.178
TCHAIKOVSKY    Piano Trio in A Minor, Op. 50

Buy Tickets
Recommended Listening

A little more information…
Internationally acclaimed pianist Marc-André Hamelin delivers the third and final An Evening With this SummerFest. Audiences will experience three aspects of this multi-faceted musician tonight.First “the composer” with the world-première of Mr. Hamelin’s new work for cello and piano. Next “the collaborator” as he plays Tchaikovsky’s Piano Trio in A Minor with violinist Paul Huang and cellist Mischa Maiksy, and finally “the virtuoso” as Mr. Hamelin takes on Liszt’s prolific B Minor Piano Sonata, considered by many to be his greatest work.


HAMELINFour Perspectives
Hai-Ye Ni, cello, Marc-André Hamelin, piano
WORLD PREMIÈRE
LISZTPiano Sonata in B Minor, S.178
Marc-André Hamelin, piano
TCHAIKOVSKYPiano Trio in A Minor, Op. 50
Paul Huang, violin, Mischa Maisky, cello, Marc-André Hamelin, piano

WATCH!

LISZT: Étude Un sospiro S.144 No. 3 in D-flat major for Piano
Marc-André Hamelin, piano


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

Join us for tonight’s Prelude with Eric Bromberger

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
26
Fri
FINALE WITH JAMES CONLON & GIL SHAHAM
Aug 26 @ 8:00 pm
FINALE WITH JAMES CONLON & GIL SHAHAM @ MCASD Sherwood Auditorium | San Diego | California | United States

SUMMERFEST 2016

SUMMERFEST FINALE
WITH JAMES CONLON & GIL SHAHAM

End SummerFest on a Musical High!

Join La Opera’s Music Director, Maestro James Conlon, violin virtuoso Gil Shaham and the SummerFest Chamber Orchestra for a joyous evening celebrating a month fabulous performances and musical exploration.

SCHUBERT    Symphony No. 5 in B-flat Major, D.485
PROKOFIEV    Violin Concerto No. 2 in G Minor, Op. 63
MOZART    Symphony No. 34 in C Major, K.338

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Recommended Listening

A little more information…
End SummerFest on a Musical High! Join La Opera’s Music Director, Maestro James Conlon, violin virtuoso Gil Shaham and the SummerFest Chamber Orchestra for a joyous evening celebrating a month fabulous performances and musical exploration. We open with Schubert’s elegant Symphony No. 5, completed when the composer was just 19 years old, the only one of Schubert’s complete symphonies scored for Chamber Orchestra. Next, violinist Gil Shaham takes to the stage to perform Prokofiev’s lyrical and dramatic Violin Concerto No. 2. Mozart’s assured Symphony No. 34 in C Major, from its opening flourishing fanfare to its tarantella-style final movement, will bring our month-long journey to a joyous and satisfying conclusion.


SCHUBERTSymphony No. 5 in B-flat Major, D.485
PROKOFIEVViolin Concerto No. 2 in G Minor, Op. 63
MID-PERFORMANCE ENCORE
BARTÓK44 Duos for Violin, No. 43 “Pizzicato”
MOZARTSymphony No. 34 in C Major, K.338
James Conlon, conductor
Gil Shaham, violin
SummerFest Chamber Orchestra


WATCH!

PROKOFIEV: Violin Concerto No. 2 in G Minor, Op. 63
Gil Shaham, violin


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.