Aug
11
Tue
RESTAURANT NIGHT: Baroque Virtuosi
Aug 11 @ 5:45 pm

SF2015-NINE-TEN-200x200

Baroque Virtuosi
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Prior to the performance, we invite you to join us at NINE-TEN, in the Grand Colonial Hotel in
La Jolla Village. Relax and enjoy this fabulous pre-concert dinner with friends before taking your
seats for Baroque Virtuosi at 8pm.

TO JOIN US FOR DINNER:
Please contact Carolyn Osorio
858.459.3724, ext. 206
COsorio@LJMS.org.


Aug
18
Tue
RESTAURANT NIGHT: Russian Masters
Aug 18 @ 5:45 pm

SF2015-LA_V-200x200

Russian Masters
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$60 per person all inclusive
Tonight’s MENU
 
 
Prior to the performance, we invite you to join us at La Jolla’s famous La Valencia Hotel. Relax and enjoy this fabulous pre-concert dinner with friends before taking your seats for Russian Masters at 8pm.

TO JOIN US FOR DINNER:
Please contact Carolyn Osorio
858.459.3724, ext. 206
COsorio@LJMS.org.


Aug
25
Tue
RESTAURANT NIGHT: Music of our Time
Aug 25 @ 5:45 pm

SF2015-Rappongi-200x200

Music of our Time
Restaurant Night

5:45 PM SPARKLING WINE
6:15 PM SEATED DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Prior to the performance, we invite you to join us at La Jolla’s award-winning restaurant and sushi bar, Roppongi. Relax and enjoy this fabulous pre-concert dinner with friends before tonight’s performance of Music of our Time at 8pm.

TO JOIN US FOR DINNER:
Please contact Carolyn Osorio
858.459.3724, ext. 206
COsorio@LJMS.org.


Oct
30
Fri
RESTAURANT NIGHT: New York City Ballet MOVES
Oct 30 @ 5:45 pm

SF2015-Rappongi-200x200

New York City Ballet MOVES
Restaurant Night

5:45 PM CHAMPAGNE
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Prior to our opening night performance, we invite you to join us at The Westgate Hotel. Relax and enjoy this fabulous pre-concert dinner with friends before tonight’s performance with New York City Ballet MOVES at 8pm.

TO JOIN US FOR DINNER:
Please contact Carolyn Osorio
858.459.3724, ext. 206
COsorio@LJMS.org.


Nov
12
Thu
RESTAURANT NIGHT: The Israel Philharmonic Orchestra
Nov 12 @ 5:45 pm

SF2015-Rappongi-200x200

The Israel Philharmonic Orchestra
Restaurant Night

5:45 PM CHAMPAGNE
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Prior to the performance, we invite you to join us at The Westgate Hotel. Relax and enjoy this fabulous pre-concert dinner with friends before tonight’s performance with The Israel Philharmonic Orchestra at 8pm.

TO JOIN US FOR DINNER:
Please contact Carolyn Osorio
858.459.3724, ext. 206
COsorio@LJMS.org.


Dec
19
Sat
RESTAURANT NIGHT: The Blind Boys of Alabama
Dec 19 @ 5:45 pm

La Valencia

The Blind Boys of Alabama
Restaurant Night

5:45 PM CHAMPAGNE
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Prior to the performance, we invite you to join us at La Jolla’s famous La Valencia Hotel. Relax and enjoy this fabulous pre-concert dinner with friends before tonight’s performance with The Blind Boys of Alabama at 8pm.

TO JOIN US FOR DINNER:
Please contact Carolyn Osorio
858.459.3724, ext. 206
COsorio@LJMS.org.


Jan
16
Sat
MONTEREY JAZZ FESTIVAL ON TOUR
Jan 16 @ 8:00 pm
MONTEREY JAZZ FESTIVAL ON TOUR @ Balboa Theatre | San Diego | California | United States

MONTEREY JAZZ FESTIVAL ON TOUR

The longest continuously-running jazz festival in the world, under the musical direction of Gerald Clayton, presents a program that will embody the Monterey Jazz Festival’s joyful, fun and rich performances.

Nicholas Payton, trumpet – Grammy® Award Winner
Ravi Coltrane, saxophone – Grammy® Nominee
Joe Sanders, bass
Gregory Hutchinson, drums
Gerald Clayton, music director & piano – Grammy® Nominee
Raul Midon, guitar & vocals

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Jan
24
Sun
DISCOVERY DINNER: with Ji
Jan 24 @ 5:00 pm

La Valencia

Discovery Dinner with Ji

Sunday, January 24, 2016
5:30 PM
$75 per person
 
 
 
 
Reminisce on the performance over an evening meal with the Discovery Series pianist, Ji, himself as well as your fellow concertgoers. This unique dinner experience at the La Jolla home of Maureen and Tom Shiftan has limited seating, so early reservations are strongly encouraged!

TO JOIN THE ARTIST FOR DINNER:
Please contact Benjamin Guercio
858.459.3724, ext. 216
BGuercio@LJMS.org.


Feb
11
Thu
AARON NEVILLE QUINTET
Feb 11 @ 8:00 pm
AARON NEVILLE QUINTET @ Balboa Theatre | San Diego | California | United States

Four-time Grammy® Award Winner

Aaron Neville Quintet
featuring Charles Neville, saxophone

Aaron Neville has lead a remarkable career as both a soloist and a member of the legendary Neville Brothers. This performance will feature his new album of New Orleans R&B/funk, along with some of his favorites from his five decade career.

Aaron Neville, vocals
Charles Neville, saxophone
Michael Goods, keyboard
David Johnson, bass
Eric Struthers, guitar
Earl Smith Jr., drums & vocals

Buy Tickets

Please be aware there is no intermission in this performance.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Feb
28
Sun
RESTAURANT NIGHT: Daniil Trifonov
Feb 28 @ 5:45 pm

La Valencia

Daniil Trifonov
Restaurant Night

5:45 PM CHAMPAGNE
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Prior to the performance, we invite you to join us at La Jolla’s famous La Valencia Hotel. Relax and enjoy this fabulous pre-concert dinner at La Valencia’s THE MED restaurant with friends before tonight’s performance with pianist Daniil Trifonov at 8pm.

TO JOIN US FOR DINNER:
Please contact Benjamin Guercio
858.459.3724, ext. 216
BGuercio@LJMS.org.


Mar
4
Fri
RESTAURANT NIGHT: Keb’ Mo’
Mar 4 @ 5:45 pm

SF2015-Rappongi-200x200

Keb’ Mo’
Restaurant Night

5:45 PM CHAMPAGNE
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Prior to the performance, we invite you to join us at The Westgate Hotel. Relax and enjoy this fabulous pre-concert dinner with friends before tonight’s performance with visionary roots-music story teller Keb’ Mo’ at 8pm.

TO JOIN US FOR DINNER:
Please contact Benjamin Guercio
858.459.3724, ext. 216
BGuercio@LJMS.org.


KEB’ MO’ – BLUESAmericana
Mar 4 @ 8:00 pm
KEB' MO' - BLUESAmericana @ Balboa Theatre | San Diego | California | United States

Three-time Grammy® Award Winner

Keb’ Mo’
BLUESAmericana

Twenty years since the release of his debut album, visionary roots-music story teller Keb’ Mo’ embarks on a new chapter of artistic and personal growth with the release of the Grammy&#174-nominated BLUESAmericana, his 12th full-length recording.

Buy Tickets

RESTAURANT NIGHT:
Prior to the performance please join us for dinner in the beautiful Fontainebleau Room
at The Westgate Hotel


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
14
Sat
SPECIAL DINNER: The Beethoven Piano Trios
May 14 @ 5:30 pm

La Valencia

The Complete Beethoven Piano Trios: Parts I & II
Special Dinner Event

5:45 PM CHAMPAGNE & HORS D’OEUVRES
6:15 PM BUFFET DINNER
$60 per person all inclusive
Tonight’s MENU
 
 
We invite you to join us at La Jolla’s famous La Valencia Hotel. Relax and enjoy this fabulous event with friends between today’s performances of The Complete Beethoven Piano Trios.

TO JOIN US FOR DINNER:
Please contact Rewa Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Aug
5
Fri
RESTAURANT NIGHT: A Bohemian Rhapsody
Aug 5 @ 5:45 pm

SF2016-Venue

OPENING NIGHT: A Bohemian Rhapsody
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Meet Fellowship Artists: Beacon Street Trio and Verona Quartet
Join us for Opening Night of SummerFest 2016. Prior to the performance, we invite you to join us at La Jolla’s wonderful NINE-TEN restaurant. Relax and enjoy this fabulous pre-concert dinner with friends before taking your seats for A Bohemian Rhapsody at 8pm.

TO JOIN US FOR DINNER:
Please contact Rewa Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Aug
10
Wed
RESTAURANT NIGHT: 1842-1924: Richard, Robert & Ludwig
Aug 10 @ 5:45 pm

SF2016-Venue

1842-1924: Richard, Robert & Ludwig
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Meet the Escher String Quartet
Prior to the performance, we invite you to join us at La Jolla’s Catania restaurant. Relax and enjoy this fabulous pre-concert dinner with friends before taking your seats for 1842-1924: Richard, Robert & Ludwig at 8pm.

TO JOIN US FOR DINNER:
Please contact Rewa Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Aug
16
Tue
RESTAURANT NIGHT: A Spiritual Journey
Aug 16 @ 5:45 pm

RN Spitirual Journey

A Spiritual Journey
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Meet bassist Pablo Aslan and pianist Alex Brown
Prior to the performance, we invite you to join us at La Jolla’s famous La Valencia Hotel. Relax and enjoy this fabulous pre-concert dinner with friends before taking your seats for A Spiritual Journey at 8pm.

TO JOIN US FOR DINNER:
Please contact Rewa Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Aug
23
Tue
RESTAURANT NIGHT: Virtuoso Winds
Aug 23 @ 5:45 pm

RN Virtuoso Winds

Virtuoso Winds
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Meet Cho-Liang Lin, SummerFest Music Director and violinist Paul Huang
Prior to the performance, we invite you to join us at La Jolla’s NINE-TEN restaurant. Relax and enjoy this fabulous pre-concert dinner with friends before taking your seats for Virtuoso Winds at 8pm.

TO JOIN US FOR DINNER:
Please contact Rewa Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Oct
6
Thu
HAPPY HOUR: Jazz at Lincoln Center Orchestra
Oct 6 @ 6:30 pm – 7:30 pm

Westgate

Jazz at Lincoln Center Orchestra
with Wynton Marsalis
HAPPY HOUR

6:30 – 7:30 PM
$40 per person
 
 
 
Prior to the performance, we invite you to join us for Happy Hour at The Westgate Hotel in downtown San Diego. Enjoy this fabulous pre-concert reception featuring specialty cocktails and delicious appetizers with friends before tonight’s performance with Jazz at Lincoln Center with Wynton Marsalis at 8 pm.

TO JOIN US FOR HAPPY HOUR:
Please contact Rewa Colette Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS
Oct 6 @ 8:00 pm
JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS @ Balboa Theatre | San Diego | California | United States

Jazz at Lincoln Center Orchestra
with Wynton Marsalis

Under the leadership of nine-time Grammy® Award-winner Wynton Marsalis, this world-renowned orchestra opens La Jolla Music Society’s 2016-17 Season. Combining the finest jazz soloists and ensemble players, Jazz at Lincoln Center returns to San Diego for a celebratory opening to La Jolla Music Society’s 48th Season.

Buy Tickets

HAPPY HOUR:
Prior to the performance please join us for Happy Hour at The Westgate Hotel.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Oct
7
Fri
OMARA PORTUONDO 85 TOUR
Oct 7 @ 8:00 pm
OMARA PORTUONDO 85 TOUR @ Balboa Theatre | San Diego | California | United States

From Buena Vista Social Club:
Omara Portuondo 85th Anniversary Tour

Special Guests Roberto Fonseca,
Anat Cohen & Regina Carter

Embodying the musical spirit of the original Havana club and encapsulating Cuba’s “musical golden age,” Buena Vista Social Club’s leading lady Omara Portuondo headlines this 85th Anniversary Tour. A legendary vocalist who has been singing professionally for an incredible 70 years, the great Cuban Diva Omara Portuondo’s voice reflects a long, creative life and passion for music.

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Dec
1
Thu
RESTAURANT NIGHT: Hélène Grimaud, piano
Dec 1 @ 5:45 pm – 7:30 pm

NINE-TEN

Hélène Grimaud, piano
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
Prior to the performance, we invite you to join us at NINE-TEN at the famous Grande Colonial Hotel in La Jolla. Relax and enjoy this fabulous pre-concert dinner with friends before tonight’s performance with pianist Hélène Grimaud at 8pm.

TO JOIN US FOR RESTAURANT NIGHT:
Please contact Rewa Colette Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Dec
9
Fri
HAPPY HOUR: Takács Quartet
Dec 9 @ 6:30 pm – 7:30 pm

The LOT

Takács Quartet
Happy Hour

6:30 PM – 7:30 PM
$18 per person for 1 glass of wine, beer or sparkling water and a choice from 4 delicious hors d’oeuvres
 
 
 
 
 
Prior to the performance, we invite you to join us for Happy Hour at The LOT on Fay Street in La Jolla. Enjoy this fabulous pre-concert reception featuring specialty cocktails and delicious appetizers with friends before tonight’s performance with the Takács Quartet at 8 pm.

TO JOIN US FOR HAPPY HOUR:
Please contact Rewa Colette Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Jan
20
Fri
RESTAURANT NIGHT: Kronos Quartet
Jan 20 @ 5:45 pm – 7:30 pm

The MED

Kronos Quartet
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
 
 
 
Prior to the performance, we invite you to join us at The MED at La Jolla’s famous La Valencia Hotel. Relax and Enjoy this fabulous pre-concert dinner with friends before tonight’s performance with the Kronos Quartet at 8pm.

TO JOIN US FOR RESTAURANT NIGHT:
Please contact Rewa Colette Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Feb
10
Fri
RESTAURANT NIGHT: Branford Marsalis Quartet
Feb 10 @ 5:45 pm – 7:30 pm

The Westgate Hotel

Branford Marsalis Quartet
with Special Guest Kurt Elling
Restaurant Night

 
 
 
 
5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$75 per person all inclusive, includes parking at Horton Plaza Park, 225 Broadway, San Diego, CA 92101
Tonight’s MENU
 
Prior to the performance, we invite you to join us at The Westgate Hotel. Relax and Enjoy this fabulous pre-concert dinner with friends before tonight’s performance with the Branford Marsalis Quartet at 8pm.

TO JOIN US FOR RESTAURANT NIGHT:
Please contact Rewa Colette Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


BRANFORD MARSALIS QUARTET
Feb 10 @ 8:00 pm
BRANFORD MARSALIS QUARTET @ Balboa Theatre | San Diego | California | United States

Branford Marsalis Quartet
with Special Guest Kurt Elling

The Branford Marsalis Quartet will be joined by guest-vocalist Kurt Elling in a singular collaboration of musical forces. The tight-knit working band featuring Marsalis on saxophones, Joey Calderazzo on piano, Eric Revis on bass, and Justin Faulkner on drums rarely invites other musicians into the folds of their nearly telepathically cohesive unit, and Elling’s deep jazz vocabulary, technical versatility, and outstanding intonation will enable the band to perform a variety of material in new ways. Energized by the artistic promise of this collaboration, the band members have all contributed new arrangements to perform with this special line-up and will be looking beyond the Great American Songbook. Although following the format of a standard jazz quartet with vocals, the collaboration between jazz’s most intense band and one of jazz’s foremost singers should prove to be anything but standard.

Buy Tickets

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at The Westgate Hotel.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
3
Fri
HAPPY HOUR: SDYS Chamber Orchestra
Mar 3 @ 6:30 pm – 7:30 pm

The LOT

SDYS Chamber Orchesatra with Caroline Goulding, violin
Happy Hour

6:30 PM – 7:30 PM
$18 per person for 1 glass of wine, beer or sparkling water and a choice from 4 delicious hors d’oeuvres
 
 
 
 
Prior to the performance, we invite you to join us for Happy Hour at The LOT on Fay Street in La Jolla. Enjoy this fabulous pre-concert reception featuring specialty cocktails and delicious appetizers with friends before tonight’s performance with SDYS Chamber Orchesta and violinist Caroline Goulding at 8 pm.

TO JOIN US FOR HAPPY HOUR:
Please contact Rewa Colette Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Mar
9
Thu
RESTAURANT NIGHT: Brad Mehldau, piano
Mar 9 @ 5:45 pm – 7:30 pm

Whisknladle

Brad Mehldau, piano
Restaurant Night

5:45 PM CHAMPAGNE RECEPTION
6:15 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU
 
 
 
 
Prior to the performance, we invite you to join us at La Jolla’s Whisknladle retaurant on Wall Street. Relax and Enjoy this fabulous pre-concert dinner with friends before tonight’s performance with pianist Brad Mehldau at 8pm.

Valet Parking at Sherwood Auditorium is included

TO JOIN US FOR RESTAURANT NIGHT:
Please contact Rewa Colette Soltan
858.459.3724, ext. 206
RSoltan@LJMS.org.


Apr
22
Sat
RESTAURANT NIGHT: Emerson String Quartet
Apr 22 @ 5:15 pm – 7:00 pm

The LOT

Emerson String Quartet
Restaurant Night

5:15 PM COCKTAIL RECEPTION
5:45 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU

Prior to the performance, we invite you to join us at The LOT on Fay Avenue in La Jolla. Relax and Enjoy this fabulous pre-concert dinner with friends before tonight’s performance with the Emerson String Quartet at 7:30pm.

TO JOIN US FOR RESTAURANT NIGHT:
Please contact our Box Office
858.459.3728
BoxOffice@LJMS.org.


May
12
Fri
RESTAURANT NIGHT: Jeremy Denk, piano
May 12 @ 5:15 pm – 7:00 pm

Catania

Jeremy Denk, piano
Restaurant Night

5:15 PM CHAMPAGNE RECEPTION
5:45 PM SEATED 3-COURSE DINNER WITH WINE
$65 per person all inclusive
Tonight’s MENU

Prior to the performance, we invite you to join us at Catania in La Jolla. Relax and Enjoy this fabulous pre-concert dinner with friends before tonight’s performance with pianist Jeremy Denk at 7:30pm.

TO JOIN US FOR RESTAURANT NIGHT:
Please contact our Box Office
858.459.3728
BoxOffice@LJMS.org.


Aug
4
Fri
OPENING NIGHT CELEBRATION: August 4
Aug 4 @ 5:00 pm – 7:00 pm

NINE-TEN

SummerFest 2017 Opening Night Celebration
August 4 at The Lodge at Torrey Pines

$95 per person, all inclusive

Kick-off SummerFest in style with Fabulous Food and Signature Cocktails. Join us at this special mix-and-mingle reception with SummerFest Artists before Opening Night: Fiddles vs. Pianos at 8 pm.



TO JOIN US FOR THE OPENING NIGHT CELEBRATION:
Please contact Rewa Colette Soltan
858.459.3724 ext. 206
RSoltan@LJMS.org.


Aug
6
Sun
SUNDAY BRUNCH: August 6
Aug 6 @ 11:30 am – 1:30 pm

NINE-TEN

SummerFest 2017 Sunday Brunch
August 6 at NINE-TEN Restaurant

$40 per person all inclusive

Join SummerFest Artists and fellow concert-goers for Sunday Brunch and festive libations prior to the afternoon concert.
See the program and artists performing on August 6: Genius from Finland: Olli Mustonen at 3 pm.

TO JOIN US FOR SUNDAY BRUNCH:
Please contact Rewa Colette Soltan
858.459.3724 ext. 206
RSoltan@LJMS.org.

Pre-concert Prelude and performance immediately following at UC San Diego Department of Music’s Conrad Prebys Concert Hall.


Aug
13
Sun
SUNDAY BRUNCH: August 13
Aug 13 @ 11:30 am – 1:30 pm

Catania

SummerFest 2017 Sunday Brunch
August 13 at Catania Restaurant

$40 per person all inclusive

Join SummerFest Artists and fellow concert-goers for Sunday Brunch and festive libations prior to the afternoon concert.
See the program and artists performing on August 13: Kalichstein-Laredo-Robinson Trio: 40th Anniversary at 3 pm.

TO JOIN US FOR SUNDAY BRUNCH:
Please contact Rewa Colette Soltan
858.459.3724 ext. 206
RSoltan@LJMS.org.

Pre-concert Prelude and performance immediately following at UC San Diego Department of Music’s Conrad Prebys Concert Hall.


Aug
20
Sun
SUNDAY BRUNCH: August 20
Aug 20 @ 11:30 am – 1:30 pm

La Valencia

SummerFest 2017 Sunday Brunch
August 20 at La Valencia Hotel

$40 per person all inclusive

Join SummerFest Artists and fellow concert-goers for Sunday Brunch and festive libations prior to the afternoon concert.
See the program and artists performing on August 20: Summer Serenades at 3 pm.

TO JOIN US FOR SUNDAY BRUNCH:
Please contact Rewa Colette Soltan
858.459.3724 ext. 206
RSoltan@LJMS.org.

Pre-concert Prelude and performance immediately following at UC San Diego Department of Music’s Conrad Prebys Concert Hall.


Oct
29
Sun
CROSSCURRENTS
Oct 29 @ 1:00 pm

CROSSCURRENTS
Featuring ZAKIR HUSSAIN, DAVE HOLLAND, CHRIS POTTER, SHANKAR MAHADEVAN, LOUIZ BANKS, SANJAY DIVECHA & GINO BANKS

Bridging both directions of inspiration between jazz and the music of India, Crosscurrents is an international super-group led by 2017 NEA Jazz Master and Grammy® Award-winning bassist Dave Holland and the world’s foremost tabla virtuoso, Zakir Hussain. Joining the duo onstage is acclaimed saxophone player Chris Potter and renowned composer/vocalist Shankar Mahadevan.

Sunday, October 29, 2017 @ 8:00 pm
Balboa Theatre
868 Fourth Avenue, San Diego, CA 92101

Crosscurrents
Photo courtesy of RNH Events

Jazz 88.3 FM is a proud media sponsor of Crosscurrent’s La Jolla Music Society performance.

Zakir Hussain says of Crosscurrents, “The influence of Indian classical music on jazz is widely known. Less known, however, is the influence of jazz on the popular music of India. Jazz first came to India by way of the Hollywood musicals of the 1930s and’ 40s and quickly influenced the music of India’s burgeoning film industry. The improvisational nature of jazz was familiar to Indian composers and musicians, who found a way to incorporate jazz harmonies and chord progressions into their work. As a few decades passed, and as the West was enjoying the inspiration of Indian classical music, certain musicians came to influence popular music in India in a big way. Among these are jazz pianist Louiz Banks, jazz guitarist Sanjay Divecha, and superstar composer/vocalist Shankar Mahadevan.”

CROSSCURRENTS
Zakir Hussain, tabla
Dave Holland, bass
Chris Potter, saxophone
Shankar Mahadevan, vocals
Louiz Banks, keyboards
Sanjay Divecha, guitar
Gino Banks, drums


Program to be announced from stage.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
7
Wed
HERBIE HANCOCK
Mar 7 @ 8:00 pm
HERBIE HANCOCK @ Balboa Theatre | San Diego | California | United States

HERBIE HANCOCK

14-time Grammy® Award Winner

Herbie Hancock is a true icon of modern music. In addition to being recognized as a legendary pianist and composer, he has been an integral part of every popular music movement since the 1960s. His career has transcended limitations and genres while maintaining his unmistakable voice. In honor of his work, Herbie Hancock was bestowed in 2016 with the Grammy® Lifetime Achievement Award.

Herbie Hancock is currently in the studio at work on a new album..

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Apr
28
Sat
THE JOEY ALEXANDER TRIO
Apr 28 @ 8:00 pm
THE JOEY ALEXANDER TRIO @ Balboa Theatre | San Diego | California | United States

THE JOEY ALEXANDER TRIO

A uniquely gifted young pianist from Bali, Joey Alexander taught himself to play piano by listening with his father to classic jazz albums. His father soon recognized that his son’s gift to grasp complicated musical concepts was beyond someone of his years. His recording debut, My Favorite Things, was nominated as Best Instrumental Jazz Album for the 2016 Grammy® Awards. This performance will feature original compositions and jazz classics by Coltrane, Monk and more.

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Oct
3
Wed
SPACES BY WYNTON MARSALIS – JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS
Oct 3 @ 8:00 pm
SPACES BY WYNTON MARSALIS - JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS @ Balboa Theatre | San Diego | California | United States

Wynton Marsalis

SPACES BY WYNTON MARSALIS

JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS

Wednesday, October 3, 2018 · 8:00 PM
Balboa Theatre

Spaces – composed with the concept of “animal ballet” in mind by Pulitzer Prize-winning trumpeter Wynton Marsalis – comes to life with Jazz at Lincoln Center Orchestra’s true jazz melodies and the groundbreaking dance magic of Memphis “jookin’” star Lil Buck and tap dancer Jared Grimes.

Buy Tickets

Or call Balboa Theatre at (619) 570-1100.

Jazz 88.3 FM is a proud media sponsor of this performance.

Prelude · 7:00 PM
Prelude interview with Vincent Gardner, trombone, hosted by Robert John Hughes

Free Event · Open Sound Check and Q&A with Kenny Rampton, trumpet
Please contact Allison Boles, Education and Community Programming Manager: 858.459.3724, ext. 221 or ABoles@LJMS.org for details and to register.


Feb
16
Sat
JAZZ IN THE KEY OF ELLISON
Feb 16 @ 8:00 pm

Jazz in the Key of Ellison

JAZZ IN THE KEY OF ELLISON

Saturday, February 16, 2019 · 8:00 PM
Balboa Theatre

Inspired by the musical life of the National Book Award-winning American writer Ralph Ellison, Jazz in the Key of Ellison is a multimedia concert featuring music by Ellison’s favorite artists including Duke Ellington, Louis Armstrong, Ray Charles, and Thelonious Monk. This star-led evening includes Grammy® Award-winning trumpeter Nicholas Payton, R&B and jazz vocalist Will Downing, iconic Labelle singer Nona Hendryx, 2017 Sarah Vaughan International Jazz Vocal Competition winner Quiana Lynell, the Andy Farber Jazz Orchestra, and author Roxane Gay as narrator.

Prelude · 7:00 PM
Prelude interview by Robert John Hughes

Buy Tickets

line-height:0px;”/>

Day of, tickets will be available at the Balboa Theatre Box Office beginning at 4:00pm.

Jazz 88
Jazz in the Key of Ellison featured on Jazz 88.3
Danny Kapilian, producer of Jazz in the Key of Ellison, sat down with Dave Drexler for “Inside Art” on Jazz 88.3 to discuss Ralph Ellison’s legacy and the inspiration for this Saturday’s show at Balboa Theatre.

Listen Here

Audible


Apr
5
Fri
OPENING NIGHT
Apr 5 @ 8:00 pm
The Conrad

The Conrad Prebys Performing Arts Center Grand Opening Weekend

OPENING NIGHT

Friday, April 5, 2019 · 8:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

From Bach to the Beatles, an evening of stunning performances and musical surprises led by superstar violinist Hilary Hahn, celebrated pianist Jean-Yves Thibaudet, ukulele sensation Jake Shimabukuro, jookin phenom Lil Buck, the revered Miró Quartet, creative technologist Osman Koç, and a special convening of SummerFest Music Directors past and present—Inon Barnatan, Cho-Liang Lin, David Finckel, Wu Han and Heiichiro Ohyama.

Please note, this Opening Weekend event is SOLD OUT.

View Opening Weekend Events

Apr
6
Sat
SEAL: LIVE AT THE CONRAD
Apr 6 @ 8:00 pm
Seal concert Sold Out

The Conrad Prebys Performing Arts Center Grand Opening Weekend

SEAL: LIVE AT THE CONRAD

Saturday, April 6, 2019 · 8:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

In a remarkable career that spans more than two decades, London-born multi-platinum singer-songwriter and four-time GRAMMY® Award winner Seal performs an evening of his greatest hits like “Crazy” and “Kiss from a Rose”, as well as timeless classics originated by Frank Sinatra, Ella Fitzgerald, and Nina Simone from his recent GRAMMY® nominated album Standards.

Please note, this Opening Weekend event is SOLD OUT.

View Opening Weekend Events

Apr
7
Sun
THE HOT SARDINES: JAZZ AT THE JAI
Apr 7 @ 8:00 pm

The Hot Sardines

The Conrad Prebys Performing Arts Center Grand Opening Weekend

THE HOT SARDINES: JAZZ AT THE JAI

Sunday, April 7, 2019 · 8:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Simply phenomenal, The Hot Sardines are on a mission to make famous music of a bygone era come alive through their brassy horn arrangements, rollicking piano melodies, and vocals from a chanteuse who transports listeners to a different time. In the hot jazz movement, The Hot Sardines stand apart for the innovation, verve, and sheer joy they bring to the stage.

Please note, tickets to this event are sold out.


Apr
9
Tue
JERUSALEM QUARTET
Apr 9 @ 8:00 pm
JERUSALEM QUARTET @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Jerusalem Quartet

JERUSALEM QUARTET

Tuesday, April 9, 2019 · 8:00 PM
The Baker-Baum Concert Hall

La Jolla Music Society is happy to welcome back The Jerusalem Quartet – regularly featured on the Revelle Chamber Music series. Since the ensemble’s founding in 1993 and subsequent 1996 debut, these four Israeli musicians have embarked on a journey of growth and maturation. This journey has resulted in a wide repertoire and stunning depth of expression.

“Passion, precision, warmth, a gold blend: these are the trademarks of this excellent Israeli string quartet.” – The New York Times

Prelude · 7:00 PM
Prelude lecture

Buy Tickets

JERUSALEM QUARTET

HAYDN · String Quartet in G Major, Op. 76, No. 1

DEBUSSY · String Quartet in G Minor

BEETHOVEN · String Quartet in E-flat Major, Op. 127

Apr
11
Thu
SAN DIEGO SYMPHONY PRESENTS INON BARNATAN
Apr 11 @ 7:30 pm
Inon Barnatan

SAN DIEGO SYMPHONY PRESENTS:
RAVEL AND DVORÁK WITH INON BARNATAN

April 11, 2019 · 7:30 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

Join the San Diego Symphony String Quartet, principal wind musicians of the San Diego Symphony and La Jolla Music Society’s SummerFest Music Director, pianist Inon Barnatan, for an unforgettable chamber music concert in San Diego’s newest intimate concert venue at The Conrad in Downtown La Jolla!

BUY TICKETS

Learn more about the San Diego Symphony at www.sandiegosymphony.org.


SAN DIEGO SYMPHONY PRESENTS:
RAVEL AND DVORÁK WITH INON BARNATAN

Special Guest Artist: Inon Barnatan, piano

San Diego Symphony String Quartet:
Jeff Thayer, violin
Alexander Palamidis, violin
Chi-Yuan Chen, viola
Yao Zhao, cello

Rose Lombardo, flute
Sarah Skuster, oboe
Sheryl Renk, clarinet
Valentin Martchev, bassoon
Benjamin Jaber, horn

PROGRAM:

RAVEL · Le Tombeau de Couperin (arr. Mason Jones)
RAVEL · La valse, poème chorégraphique (piano solo, transcription by composer)
DVORÁK · Piano Quintet No. 2 in A Major, Op. 81

Apr
12
Fri
MIDORI & JEAN-YVES THIBAUDET
Apr 12 @ 8:00 pm
MIDORI & JEAN-YVES THIBAUDET @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Sold Out

MIDORI & JEAN-YVES THIBAUDET

Friday, April 12, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Midori regularly transfixes audiences around the world, bringing together graceful precision and intimate expression that allows the listening public to not just hear music but to be personally moved by it.  For more than three decades, Jean-Yves Thibaudet has performed world-wide, recorded more than 50 albums, and built a reputation as one of today’s finest pianists.

Prelude · 7:00 PM
Prelude lecture

Buy Tickets

MIDORI & JEAN-YVES THIBAUDET

SCHUMANN · Sonata in A Minor, Op. 105

FAURÉ · Sonata No.1 in A Major, Op. 13

DEBUSSY · Sonata for Violin and Piano

ENESCU · Sonata No. 3 in A Minor

Apr
13
Sat
NPR’S FROM THE TOP
Apr 13 @ 6:00 pm
NPR'S FROM THE  TOP @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

NPR's From The Top

NPR’S FROM THE TOP

Saturday, April 13, 2019 · 6:00 PM
The Baker-Baum Concert Hall

Join the studio audience at The Conrad Prebys Performing Arts Center for a live taping of From the Top, one of National Public Radio’s most popular weekly music programs. From the Top shares the stories and performances of pre-college classical musicians with more than 700,000 listeners each week. Vijay Gupta, violinist, social justice advocate, and 2018 MacArthur Fellow, hosts the program and will be joined by special guests include the San Diego Youth Symphony Chamber Orchestra.

Buy Tickets

Guest Host: Vijay Gupta, 2018 MacArthur Fellow

Vijay Gupta is a violinist and social justice advocate providing musical enrichment and valuable human connection to the homeless, incarcerated, and other under-resourced communities in Los Angeles. After joining the Los Angeles Philharmonic as a young violinist, Gupta began to give lessons to Nathaniel Ayers, a Juilliard-trained musician whose mental illness led to homelessness. This experience motivated him to play for the homeless and mentally ill living on Skid Row, an area of concentrated poverty and homelessness in downtown Los Angeles and, eventually, to cofound the not-for-profit Street Symphony.


NPR’S FROM THE TOP

San Diego Youth Symphony Chamber Orchestra
IX. Scherzo: Presto assai e molto leggiero from The Comedians, Op. 26 by Dmitry Kabalevsky (1904-1987) with conductor Jeff Edmons

Pianist George Li with the San Diego Youth Symphony Chamber Orchestra
II. Romance. Larghetto from Piano Concerto No.1, Op.11 by Frédéric Chopin (1810-1849) with conductor Jeff Edmons

Piazzolla Trio:
Audrey Park, Violin, 16, from Valencia, CA
Kevin Song, Cello, 16, from San Diego, CA
Michelle Cann, Piano

Primavera Porteña from “The 4 Seasons of Buenos Aires” by Astor Piazzolla (1921-1992)

Vijay Gupta, violin
“Hallelujah” by Leonard Cohen

Vijay Gupta, violin, and Kevin Song, cello
II. Très vif from the Sonata for Violin and Cello by Maurice Ravel (1875-1937)

Phoebe Rawn, Flute, 18, from Seattle, WA
Andante Pastoral et Scherzettino by Paul Taffanel (1844-1908), with Michelle Cann, piano

Logan Wadley, Tuba, 18, from Vermillion, SD
I. Allegro pesante from the Sonata for Tuba and Piano by Paul Hindemith (1895-1963), with Michelle Cann, piano

Apr
14
Sun
GEORGE LI
Apr 14 @ 3:00 pm
GEORGE LI @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States
George Li

GEORGE LI, piano

Sunday, April 14, 2019 · 3:00 PM
The Baker-Baum Concert Hall

Pianist George Li possesses brilliant virtuosity and effortless grace far beyond his years. He captured the Silver Medal at the 2015 International Tchaikovsky Competition and was the recipient of the 2016 Avery Fisher Career Grant.

“…staggering technical prowess, a sense of command, and depth of expression” – The Washington Post

Musical Prelude · 2:00 PM
Performance by students from the San Diego Youth Symphony and Conservatory

Buy Tickets

GEORGE LI, piano

BEETHOVEN · Piano Sonata No.21 in C Major, Op. 53 ‘Waldstein’

LISZT · Sonetto 104 del Petrarca

LISZT · Les jeux d’eaux à la Villa d’Este

LISZT · Réminiscences de Don Juan

Apr
16
Tue
ART OF ELAN @ THE CONRAD
Apr 16 @ 7:00 pm
Art of Elan

ART OF ELAN @ THE CONRAD

April 16, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Be a part of history and join Art of Elan as they present the very first public chamber music performance in the JAI cabaret space at La Jolla Music Society’s new performance venue, The Conrad Prebys Performing Arts Center. Featuring colorful works by Erwin Schulhoff, Huang Ruo, Caroline Shaw and the world premiere of a clarinet quintet by Colin Jacobsen, this not-to-be-missed event will feature the internationally acclaimed string quartet Brooklyn Rider, as well as principal players from the San Diego Symphony.

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table. General Admission seating in the center rows are first come, first served as well.

Learn more about Art of Elan at artofelan.org.


ART OF ELAN @ THE CONRAD

April 16, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Erwin Schulhoff · Concertino for flute, viola and double bass

Huang Ruo · 4 Fragments for solo violin

Caroline Shaw · Schisma for string quartet (west coast premiere)

Colin Jacobsen · Starlighter for clarinet and string quartet (world premiere; co-commission with La Jolla Music Society)

Apr
17
Wed
DANIIL TRIFONOV
Apr 17 @ 8:00 pm
DANIIL TRIFONOV @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States
Daniil Trifonov

DANIIL TRIFONOV, piano

Wednesday, April 17, 2019 · 8:00 PM
The Baker-Baum Concert Hall

GRAMMY© award-winning Russian pianist Daniil Trifonov has made a spectacular ascent in the world of classical music as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe.

“Without question, the most astounding pianist of our age.” – The Times of London

Buy Tickets

Daniil Trifonov

DANIIL TRIFONOV, piano

BEETHOVEN · Andante Favori in F Major, WoO.57

BEETHOVEN · Sonata No. 18, Op. 31, No. 3

SCHUMANN · Selections from Bunte Blätter, Op. 99

SCHUMANN · Presto Passionato, Op. 22

PROKOFIEV · Piano Sonata No. 8 in B-flat Major, Op. 84

Apr
18
Thu
ANOUSHKA SHANKAR
Apr 18 @ 8:00 pm
ANOUSHKA SHANKAR @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

ANOUSHKA SHANKAR, sitar

Thursday, April 18, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Anoushka Shankar, sitar
Ojas Adhiya, tabla
Pirashanna Thevarajah, mridangam
Ravichandra Kulur, flute
Danny Keane, cello & piano
Kenji Ota, tanpura

Sitar  player  and  composer  Anoushka Shankar—daughter of legendary sitar master Ravi Shankar and former Encinitas resident—is  a  singular  figure  in  the  Indian  classical  and  progressive  world  music  scenes.  Her  dynamic  and  spiritual  musicality  has  garnered  several  prestigious  accolades  including  six  GRAMMY®  award  nominations.  In her  new  program,  she draws  on  classical ragas,  referencing  the  experiences  she’s  built  along  the  way  and  experimenting  with  new  ideas  in  a  cross cultural  dialogue showcasing  the  versatility  of  the  sitar  across  musical  genres.

Buy Tickets

Apr
24
Wed
CHRIS THILE
Apr 24 @ 8:00 pm
CHRIS THILE @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

CHRIS THILE

Wednesday, April 24, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Multiple Grammy© Award-winner and MacArthur Fellow Chris Thile, a member of Punch Brothers and Nickel Creek, and now the host of the radio program, Live from Here, is a mandolin virtuoso, composer and vocalist. With his broad outlook, Thile transcends the borders of conventionally circumscribed genres, creating a distinctly American canon and a new musical aesthetic for performers and audiences alike. His most recent album, Thanks for Listening, is a collection of songs of “gentle humor and musical imagination” (Uncut) from Live From Here’s popular “Song of the Week” segment.

Buy Tickets

Apr
25
Thu
GIL SHAHAM & AKIRA EGUCHI
Apr 25 @ 8:00 pm
GIL SHAHAM & AKIRA EGUCHI @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Gil Shaham & Akira Eguchi

GIL SHAHAM & AKIRA EGUCHI

Thursday, April 25, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Longtime friend of La Jolla Music Society Gil Shaham has solidified his renown as an American violin master. Named Musical America’s Instrumentalist of the Year, Shaham is sought after for concerto appearances with leading orchestras and conductors around the globe.

Shaham is joined by longtime collaborator, pianist Akira Eguchi, distinguished for his performances for heads of State, including American Presidents and the Emperor and Empress of Japan.

Prelude · 7:00 PM
Prelude lecture

Buy Tickets

GIL SHAHAM & AKIRA EGUCHI

KREISLER · Praeludium and Allegro

WHEELER · The Singing Turk: Sonata No.2 for Violin and Piano

DORMAN · Nigunim (Sonata No. 3)

J.S. BACH · Partita No.3 in E Major for Solo Violin, BWV 1006

FRANCK · Sonata in A Major for Violin and Piano

Apr
26
Fri
SAN DIEGO SYMPHONY
Apr 26 @ 8:00 pm
SAN DIEGO SYMPHONY @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

San Diego Symphony

SAN DIEGO SYMPHONY
JEANNETTE SORRELL, conductor & harpsichord soloist

Friday, April 26, 2019 · 8:00 PM
The Baker-Baum Concert Hall

La Jolla Music Society celebrates San Diego’s vibrant and collaborative arts community with a presentation from the San Diego Symphony. Led by Jeannette Sorrell, 2019 GRAMMY Award-winner and one of today’s most compelling interpreters of Baroque and Classical repertoire, the program of Baroque music will include works by J.S. Bach and Handel.

Buy Tickets
Please note, Matthew Halls will not participate in this program due to a family health emergency.


SAN DIEGO SYMPHONY
JEANNETTE SORRELL, conductor & harpsichord soloist

Handel · Selections from Water Music and Fireworks Music Suites
J.S. Bach · Brandenburg Concerto No. 3 in G major, BWV 1048
J.S. Bach · Brandenburg Concerto No. 5 in D major, BWV 1050
Handel · Entrée (Jalousie) and Chaconne from Terpsichore (Il Pastor fido)
Handel · Selections from Water Music and Fireworks Music Suites

Apr
27
Sat
HIROMI: SOLO (CANCELLED)
Apr 27 @ 8:00 pm
HIROMI: SOLO (CANCELLED) @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Hiromi

HIROMI: SOLO

Saturday, April 27, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Unfortunately, Hiromi must cancel performances through August 2019 under advisement from her doctor regarding her pregnancy.

CANCELLED


Apr
28
Sun
CANTAMORE CHORUS PRESENTS SPRING MUSIC FESTIVAL
Apr 28 @ 6:30 pm
Cantamore Chorus

CANTAMORE CHORUS PRESENTS:
SPRING MUSIC FESTIVAL

APRIL 28, 2019 · 6:30 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

Cantamore, a choral group of men and women of Korean descent, is recognized for delicate yet powerful expression and performances. Presenting repertoire ranging across all genres to produce musical expression in its most elevated form, Cantamore will be joined by numerous musical talents from the local community including young musicians.

BUY TICKETS

This Rental Event at The Conrad Prebys Performing Arts Center is presented by Cantamore. Learn more about the Cantamore Chorus at cantamore.org.


May
3
Fri
GARRICK OHLSSON: BRAHMS EXPLORATION
May 3 @ 8:00 pm
GARRICK OHLSSON: BRAHMS EXPLORATION @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Garrick Ohlsson

GARRICK OHLSSON: BRAHMS EXPLORATION

Friday, May 3, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial, interpretive, and technical prowess.

“A born Brahmsian, equipped at the highest level with the necessary speed and power.” — BBC Music Magazine

Prelude · 7:00 PM
Prelude Lecture by Seth Lerer

Buy Tickets

GARRICK OHLSSON, piano

BRAHMS · Six Pieces, Op. 118

BRAHMS · Sonata in F-sharp Minor, Op. 2

BRAHMS · Intermezzi, Op. 117

BRAHMS · Variations and Fugue on a Theme by Handel, Op. 24

May
4
Sat
STORM LARGE & LE BONHEUR
May 4 @ 8:00 pm
STORM LARGE & LE BONHEUR @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE & LE BONHEUR

Saturday, May 4, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Singer, actor, author, and playwright Storm Large makes a triumphant return to La Jolla Music  Society with her band Le Bonheur.

Best known as a guest vocalist for Pink Martini, Storm and her band perform American songbook classics, Broadway tearjerkers, and rock anthems with ferocity and a wicked sense of humor. Enjoy an eclectic mix of sublime and subversive interpretations of classic songs from the rock and roll cannon and the Great American Songbook.

Buy Tickets

May
9
Thu
THE TRIPLETS OF BELLEVILLE
May 9 @ 8:00 pm
The Triplets of Belleville

THE TRIPLETS OF BELLEVILLE

Thursday, May 9, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Benoit Charest leads Le Terrible Orchestre de Belleville in the live performance of his original score for the film The Triplets of Belleville, including his ACADEMY AWARD® nominated best song “Belleville de Rendez-Vous.” In the spirit of the film, Le Terrible Orchestre de Belleville transports audiences to the exciting streets of 1920’s Paris and Le Jazz Hot.

Prelude · 7:00 PM
Prelude interview by Robert John Hughes

Buy Tickets
Jazz 88
The Triplets Of Belleville on Jazz 88.3’s “Inside Art”

LISTEN
Jazz 88.3 FM is a proud media sponsor of this performance.


May
10
Fri
DAVID FINCKEL & WU HAN
May 10 @ 8:00 pm
DAVID FINCKEL & WU HAN @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

David Finckel & Wu Han

DAVID FINCKEL & WU HAN

Friday, May 10, 2019 · 8:00 PM
The Baker-Baum Concert Hall

David Finckel and Wu Han are among the most esteemed and influential classical musicians in the world today.  They are recipients of Musical America’s Musicians of the Year award, one of the highest honors granted by the music industry. Their duo performances have garnered superlatives from the press, public, and presenters alike. La Jolla Music Society welcomes these two previous SummerFest music directors home.

Prelude · 7:00 PM
Prelude lecture

Buy Tickets

DAVID FINCKEL & WU HAN

The Unfolding of Music

J.S. BACH · Sonata in G Major for Viola da Gamba and Keyboard, BWV 1027

BEETHOVEN · Sonata in C Major for Cello and Piano, Op. 102, No. 1

MENDELSSOHN · Sonata No. 2 in D Major for Cello and Piano, Op. 58

DEBUSSY · Sonata in D Minor for Cello and Piano

BRITTEN · Sonata in C Major for Cello and Piano, Op. 65

May
11
Sat
STORM LARGE’S CRAZY ENOUGH
May 11 @ 8:00 pm
STORM LARGE'S CRAZY ENOUGH @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE’S CRAZY ENOUGH

Saturday, May 11, 2019 · 8:00 PM
The Baker-Baum Concert Hall

An autobiographical musical written and performed by Storm Large, Crazy Enough is about staying alive and living fully in the moment. Part cabaret, part confessional, and part comedy, the show reveals how she grew up with a schizophrenic mother and the way music helped her to overcome heartache. In painful and humorous detail, Storm Large takes her audience on a gritty journey, showing us what it takes sometimes just to survive.

“An empowering look at how one woman has managed, despite repeated heartaches and screw-ups, to stay aware of the preciousness of life.” – The Oregonian

MATURE CONTENT: Please be advised that this performance will contain adult content and explicit language. Children below the age of 12 will not be admitted.

Buy Tickets

Please note, La Jolla Music Society will present Storm Large’s Crazy Enough two consecutive evenings, May 11 and 12. Click here to view the May 12 performance listing.


May
12
Sun
STORM LARGE’S CRAZY ENOUGH
May 12 @ 3:00 pm
STORM LARGE'S CRAZY ENOUGH @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE’S CRAZY ENOUGH

Sunday, May 12, 2019 · 3:00 PM
The Baker-Baum Concert Hall

An autobiographical musical written and performed by Storm Large, Crazy Enough is about staying alive and living fully in the moment. Part cabaret, part confessional, and part comedy, the show reveals how she grew up with a schizophrenic mother and the way music helped her to overcome heartache. In painful and humorous detail, Storm Large takes her audience on a gritty journey, showing us what it takes sometimes just to survive.

“An empowering look at how one woman has managed, despite repeated heartaches and screw-ups, to stay aware of the preciousness of life.” – The Oregonian

MATURE CONTENT: Please be advised that this performance will contain adult content and explicit language. Children below the age of 12 will not be admitted.

Buy Tickets

Please note, La Jolla Music Society will present Storm Large’s Crazy Enough two consecutive evenings, May 11 and 12. Click here to view the May 11 performance listing.


May
14
Tue
SAN DIEGO SYMPHONY PRESENTS MICHAEL BARENBOIM
May 14 @ 7:30 pm
Michael Barenboim

SAN DIEGO SYMPHONY PRESENTS:
MICHAEL BARENBOIM PLAYS BRAHMS AT THE CONRAD

May 14, 2019 · 7:30 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

The San Diego Symphony’s Chamber Music Series comes to a grand finale at The Conrad with a concert featuring key members of the Symphony’s string and wind sections performing with acclaimed violinist Michael Barenboim in a program of outstanding works by Janácek and Brahms.

BUY TICKETS

Learn more about the San Diego Symphony at www.sandiegosymphony.org.


SAN DIEGO SYMPHONY PRESENTS:
MICHAEL BARENBOIM PLAYS BRAHMS AT THE CONRAD

Special Guest Artist: Michael Barenboim, violin

Hanah Stuart, violin
Ethan Pernela, viola
Dorothy Zeavin, viola
Marcia Bookstein, cello
Andrew Hayhurst, cello
Diana Morgan, flute and piccolo
Andrea Overturf, oboe
Theresa Tunnicliff, clarinet
Frank Renk, bass clarinet
Ryan Simmons, bassoon
Darby Hinshaw; horn
Tina Chong, piano

PROGRAM:

JANÁCEK · Violin Sonata
JANÁCEK · Youth for Wind Sextet
BRAHMS · Sextet No. 2 in G Major, Op. 36

May
16
Thu
ANAT COHEN QUARTET
May 16 @ 7:00 pm
Anat Cohen

ANAT COHEN QUARTET

Thursday, May 16, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Clarinetist and saxophonist Anat Cohen has taken the jazz world by storm, winning hearts and minds the world over with her expressive virtuosity and delightful stage presence. As JazzTimes says, “With the clarinet she becomes a singer, a dancer, a poet, a mad scientist, laughing — musically — with the sheer delight of reaching that new place, that new feeling, with each chorus.” An established bandleader and prolific composer, the Anat Cohen Quartet program is a unique blend of modern and traditional jazz, classical music, Brazilian choro, Argentine tango, and an expansive timeline of Afro-Cuban styles. The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air‘s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table. Small bites and beverages will be available from Snake Oil Cocktail Company.
Preview The JAI Menu
Please note, La Jolla Music Society will present the Anat Cohen Quartet at 7:00 PM and 9:00 PM. Click here to view the 9:00 PM performance listing.


ANAT COHEN QUARTET
May 16 @ 9:00 pm
Anat Cohen

ANAT COHEN QUARTET

Thursday, May 16, 2019 · 9:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Clarinetist and saxophonist Anat Cohen has taken the jazz world by storm, winning hearts and minds the world over with her expressive virtuosity and delightful stage presence. As JazzTimes says, “With the clarinet she becomes a singer, a dancer, a poet, a mad scientist, laughing — musically — with the sheer delight of reaching that new place, that new feeling, with each chorus.” An established bandleader and prolific composer, the Anat Cohen Quartet program is a unique blend of modern and traditional jazz, classical music, Brazilian choro, Argentine tango, and an expansive timeline of Afro-Cuban styles. The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air‘s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table. Small bites and beverages will be available from Snake Oil Cocktail Company.
Preview The JAI Menu
Please note, La Jolla Music Society will present the Anat Cohen Quartet at 7:00 PM and 9:00 PM. Click here to view the 7:00 PM performance listing.


May
19
Sun
RICHARD LIN, 2018 INDIANAPOLIS VIOLIN COMPETITION WINNER
May 19 @ 3:00 pm
RICHARD LIN, 2018 INDIANAPOLIS VIOLIN COMPETITION WINNER @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

RICHARD LIN, violin
WINNER OF THE 2018 INTERNATIONAL VIOLIN COMPETITION OF INDIANAPOLIS

CHIH-YI CHEN, piano

Sunday, May 19, 2019 · 3:00 PM
The Baker-Baum Concert Hall

Musical Prelude · 2:00 PM
Performance by students from the San Diego Youth Symphony and Conservatory

Buy Tickets

RICHARD LIN, violin

CHIH-YI CHEN, piano

GRIEG · Sonata No. 3 for Violin and Piano in C minor, Opus 45

POULENC · Sonata for Violin and Piano, FP 119

BRAHMS · Sonata for Violin and Piano in D minor, Opus 108

RAFF · Cavatina Opus 85, No. 3

SARASATE · Zigeunerweisen for Violin and Piano, Opus 20 (Gypsy Airs)

May
25
Sat
RESOUNDING JOY PRESENTS HEART OF A CHILD
May 25 @ 7:00 pm
Heart of a Child

RESOUNDING JOY PRESENTS:
HEART OF A CHILD

May 25, 2019 · 7:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

Now in it’s 8th year, “Heart of a Child” has become the premier showcase of young musical talent in San Diego. This benefit concert features a diverse array of talented vocalists and instrumentalists performing a variety of musical genres with acts both large and small. Performers have appeared on network television, played Carnegie Hall and won national competitions. You won’t want to miss this once-a-year musical celebration. All proceeds of the concert go to support Resounding Joy’s Ariana Miller Music with Heart Program providing no-cost music therapy to patients at Rady Children’s Hospital in San Diego.

Reception and Silent Auction at 5:30 pm
Concert at 7 pm

Full Price Ticket: $27 plus $3 facility fee
VIP Ticket (preferred reserve seating, VIP drink & raffle tickets): $97 plus $3 facility fee

For more information visit ResoundingJoyInc.org.

BUY TICKETS

This Rental Event at The Conrad Prebys Performing Arts Center is presented by Resounding Joy. Learn more about the Resounding Joy and Heart of a Child at resoundingjoyinc.org.


May
26
Sun
AFTER SCHOOL LEARNING TREE PRESENTS CHINESE DANCE GALA
May 26 @ 6:30 pm
Chinese Dance Gala

AFTER SCHOOL LEARNING TREE PRESENTS:
THE SECOND CHINESE DANCE GALA IN SAN DIEGO

MAY 26, 2019 · 6:30 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

The Second Annual Chinese Dance Gala will bring together eight dance companies including San Diego Ballet and Ling’s Dance Academy from Los Angeles. Additionally, the Bruce Li Dance Company and After School Learning Tree will delight audiences with Chinese Classical dance, featuring a variety of traditional dances and beautiful, colorful costumes. Adding a modern component, the Michelle Liu Pop Music Studio will entertain with contemporary and creative hip hop and break dancing.

Tickets are currently unavailable for this Rental Event at The Conrad Prebys Performing Arts Center, presented by After School Learning Tree.

Learn more about After School Learning Tree at www.yucailearningtree.com.


May
30
Thu
MAINLY MOZART PRESENTS FESTIVAL OPENING CONCERT
May 30 @ 8:00 pm
Derek Paravicini

MAINLY MOZART PRESENTS:
FESTIVAL OPENING CONCERT

Thursday, May 30, 2019
Derek Paravicini, piano
8:00 PM Concert | 10:00 PM VIP Reception
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

Back by popular demand blind and autistic piano virtuoso Derek Paravicni has wowed audiences across Europe and the United States. This concert is a part of Mozart & the Mind.

BUY TICKETS

This Rental Event at The Conrad Prebys Performing Arts Center is presented by Mainly Mozart. Learn more at www.mainlymozart.org.


Jun
2
Sun
BALLET INSTITUTE OF SAN DIEGO PRESENTS 12 DANCING PRINCESSES
Jun 2 @ 12:00 pm
Ballet Institute of San Diego

BALLET INSTITUTE OF SAN DIEGO PRESENTS:
12 DANCING PRINCESSES

June 2, 2019 · 12:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

It is rare to see classical ballet for children by children. The US premiere of “12 Dancing Princesses” presented by Ballet Institute of San Diego follows the famous Brother Grim’s story accompanied by P.I. Tchaikovsky’s music: nobody can repress the girls’ desire for beauty and dance. At the Ballet Institute we believe it is of utmost importance to teach our students classical values and art appreciation, and to embrace their creativity. The magic dance world attracts everyone looking for elegance, passion and the secrets of music.

Music by P.I Tchaikovsky
Choreography by Z Baikstyte & Egle Spokaite
Costume Design by Jolanda Imbrasiene

BUY TICKETS
This Rental Event at The Conrad Prebys Performing Arts Center is presented by the Ballet Institute of San Diego. Learn more at balletinstituteSD.com.

Please note, 12 Dancing Princesses will be presented at both 12:00 pm and 5:00 pm. Click here to view the 5:00 pm performance listing.


BALLET INSTITUTE OF SAN DIEGO PRESENTS 12 DANCING PRINCESSES
Jun 2 @ 5:00 pm
Ballet Institute of San Diego

BALLET INSTITUTE OF SAN DIEGO PRESENTS:
12 DANCING PRINCESSES

June 2, 2019 · 5:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

It is rare to see classical ballet for children by children. The US premiere of “12 Dancing Princesses” presented by Ballet Institute of San Diego follows the famous Brother Grim’s story accompanied by P.I. Tchaikovsky’s music: nobody can repress the girls’ desire for beauty and dance. At the Ballet Institute we believe it is of utmost importance to teach our students classical values and art appreciation, and to embrace their creativity. The magic dance world attracts everyone looking for elegance, passion and the secrets of music.

Music by P.I Tchaikovsky
Choreography by Z Baikstyte & Egle Spokaite
Costume Design by Jolanda Imbrasiene

BUY TICKETS
This Rental Event at The Conrad Prebys Performing Arts Center is presented by the Ballet Institute of San Diego. Learn more at balletinstituteSD.com.

Please note, 12 Dancing Princesses will be presented at both 12:00 pm and 5:00 pm. Click here to view the 12:00 pm performance listing.


Jun
8
Sat
JAZZMEIA HORN
Jun 8 @ 7:00 pm
Jazzmeia Horn

JAZZMEIA HORN

Saturday, June 8, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Grammy Award nominated vocalist Jazzmeia Horn has a name that speaks for itself, capturing her very essence. Since winning the Thelonious Monk Competition in 2015, Jazzmeia’s star has continued to rise, along with her reputation as an artist with an assured maturity and a vocal confidence far beyond her years. JazzTimes exclaims that Jazzmeia’s “vivacity, imagination, gutsiness and sociopolitical savvy echo the likes of Carter and Abbey Lincoln. Simply put, she is as exciting a discovery as Cécile McLorin Salvant or Gregory Porter.” Her debut album, A Social Call, was released on Concord’s Prestige label to overwhelming acclaim from critics and fans alike, earning Jazzmeia her first Grammy Award nomination for Best Jazz Vocal Album. Great story-telling, an inspired message, fluid vocals, scat-singing, and spirited group performances – A Social Call features all one would hope to hear from a veteran vocalist of longstanding reputation. As such, the album serves as a clarion call, proudly announcing the arrival of a young, confident musical talent with a bright future ahead of her, blessed with a name that carries its own destiny. Jazzmeia looks forward to her sophomore release in early summer 2019.

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table.
Please note, La Jolla Music Society will present Jazzmeia Horn at 7:00 PM and 9:00 PM. Click here to view the 9:00 PM performance listing.


JAZZMEIA HORN
Jun 8 @ 9:00 pm
Jazzmeia Horn

JAZZMEIA HORN

Saturday, June 8, 2019 · 9:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Grammy Award nominated vocalist Jazzmeia Horn has a name that speaks for itself, capturing her very essence. Since winning the Thelonious Monk Competition in 2015, Jazzmeia’s star has continued to rise, along with her reputation as an artist with an assured maturity and a vocal confidence far beyond her years. JazzTimes exclaims that Jazzmeia’s “vivacity, imagination, gutsiness and sociopolitical savvy echo the likes of Carter and Abbey Lincoln. Simply put, she is as exciting a discovery as Cécile McLorin Salvant or Gregory Porter.” Her debut album, A Social Call, was released on Concord’s Prestige label to overwhelming acclaim from critics and fans alike, earning Jazzmeia her first Grammy Award nomination for Best Jazz Vocal Album. Great story-telling, an inspired message, fluid vocals, scat-singing, and spirited group performances – A Social Call features all one would hope to hear from a veteran vocalist of longstanding reputation. As such, the album serves as a clarion call, proudly announcing the arrival of a young, confident musical talent with a bright future ahead of her, blessed with a name that carries its own destiny. Jazzmeia looks forward to her sophomore release in early summer 2019.

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table.
Please note, La Jolla Music Society will present Jazzmeia Horn at 7:00 PM and 9:00 PM. Click here to view the 7:00 PM performance listing.


Jun
23
Sun
MAINLY MOZART PRESENTS THE VOICE OF THE GUITAR
Jun 23 @ 8:00 pm

Mainly Mozart CANCELED

MAINLY MOZART PRESENTS:
THE VOICE OF THE GUITAR

Sunday, June 23, 2019
Miloš Karadaglic, classical guitar
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

For health reasons, guitarist Miloš Karadaglic has had to cancel his performances with The Mainly Mozart Festival. For that reason, Mainly Mozart has to take the unusual step of canceling The Voice of the Guitar performance that was scheduled for June 23 at The Conrad. For more information please contact Mainly Mozart at 619.239.0100 / MainlyMozart.org. Please note, refunds will be processed for all ticket buyers within 30 days.


Aug
2
Fri
OPENING NIGHT: THE TIME TRAVELER’S SUITE
Aug 2 @ 8:00 pm

SUMMERFEST OPENING NIGHT:
THE TIME TRAVELER’S SUITE

FRIDAY, AUGUST 2, 2019 · 8 PM
The Baker-Baum Concert Hall

Inspired by a Baroque dance suite, join us for a time-traveling musical adventure exploring how deeply connected music can be across centuries. After intermission, the journey continues with a new work by the dynamic young composer and pianist Conrad Tao, concluding with Rachmaninoff’s breathtakingly powerful Suite for Two Pianos.

Prelude · 7:00 PM
Interview with SummerFest Music Director Inon Barnatan, hosted by Eric Bromberger


SUMMERFEST OPENING NIGHT:
THE TIME TRAVELER’S SUITE

J.S. BACH · Allegro from Brandenburg Concerto No. 2 in F Major, BWV, 1047
HANDEL · Adagio from Trio for Two Violins and Continuo, Op. 2, No. 5
RAMEAU · La Poule from 6 concerts transcrits en sextour
Entrée de Polymnie from Les Boreades
COUPERIN · Les Baricades Mistérieuses (arr. Ades)
RAVEL · Rigaudon from Le Tombeau de Couperin
STRAVINSKY · Serenata from Suite Italienne for Cello and Piano
CHARLES WUORINEN · Selections from Bearbeitungen Über Das Glogauer Liederbuch
CONNESSON · Techno Parade for Flute, Clarinet and Piano
J.S.BACH · Finale from Brandenburg Concerto No. 2 in F Major, BWV, 1047

Erin Keefe, violin; Stefan Jackiw, Ben Beilman, violins; Masumi Per Rostad, viola; Alisa Weilerstein, cello; Timothy Cobb, bass; Henrik Heide, flute; James Austin Smith, oboe; Anthony McGill, clarinet; Frank Renk, bass clarinet; Inon Barnatan, harpsichord

CONRAD TAO · “All I had forgotten or tried to” (2019) · WORLD PREMIÈRE
Stefan Jackiw, violin; Conrad Tao, piano

HALVORSEN · Passacaglia (after Handel)
Benjamin Beilman, violin; Alisa Weilerstein, cello

RACHMANINOFF · Suite No. 2 for Two Pianos, Opus 17
Inon Barnatan, Conrad Tao, pianos