Jan
20
Sat
PAUL TAYLOR DANCE COMPANY
Jan 20 @ 8:00 pm
PAUL TAYLOR DANCE COMPANY @ Spreckels Theatre | San Diego | California | United States

Paul Taylor Dance Company

MIXED REPERTOIRE PROGRAM FEATURING THE ICONIC WORK
CLOVEN KINGDOM

A national treasure, Paul Taylor Dance Company has been described as a stunning burst of momentum and a cascade of emotion, moving powerfully and powerfully moving. Paul Taylor’s enduringly popular works are a brilliant fusion of bravura dancing, profound emotional insight and glorious musicality that have brought audiences around the world equal measures of message and mastery.

Cloven Kingdom is set to John Herbert McDowell’s freewheeling arrangement – or disarrangement – of music by Arcangelo Corelli, Henry Cowell and Malloy Miller. Cloven Kingdom’s stunning Men’s Quartet will feature a special live percussion performance by Steven Schick and members of red fish blue fish as part of It’s About Time: A Festival of Rhythm. Sound. And Place.

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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Jan
21
Sun
ROLSTON STRING QUARTET
Jan 21 @ 3:00 pm
ROLSTON STRING QUARTET @ The Auditorium at TSRI | San Diego | California | United States

Rolston String Quartet

2016 Banff International String Quartet Competition Winner

This award-winning quartet bring a program of works by Beethoven, Schumann and contemporary Canadain composer, Sophia di Castri.

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BEETHOVENString Quartet, Op. 18, No. 3
DI CASTRIString Quartet No. 1
SCHUMANNString Quartet in A Major, Op. 41, No. 3

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Musical Prelude 2 PM
Artists from the San Diego Youth Symphony and Conservatory will perform.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Feb
25
Sun
PAUL HUANG, VIOLIN
Feb 25 @ 3:00 pm
PAUL HUANG, VIOLIN @ The Auditorium at TSRI | San Diego | California | United States

Paul Huang, violin

2015 Avery Fisher Career Grant Winner

Award-winning violinist Paul Huang returns to La Jolla Music Society after an acclaimed SummerFest debut in 2016, with a virtuosic program of works by Prokofiev, Kreisler and more.

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Paul Huang, violin
Helen Huang, piano

DVOŘÁKSonatina, Op. 100
PROKOFIEVSonata in F Minor, Op. 80
SCOTT/KREISLERLotus Land, Op. 47, No. 1
SARASATERomanza Andaluza, Op. 22, No. 1
SAINT-SAËNSSonata in D Minor, Op. 75

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Musical Prelude 2 PM
Artists from the San Diego Youth Symphony and Conservatory will perform.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
1
Thu
PIERRE-LAURENT AIMARD
Mar 1 @ 8:00 pm
PIERRE-LAURENT AIMARD @ Balboa Theatre | San Diego | California | United States

PIERRE-LAURENT AIMARD, piano

Winner of the 2017 Ernst von Siemens Music Prize, an award which is given to artists for a life devoted to the service of music, the Grammy Award-winning French pianist Pierre-Laurent Aimard makes his La Jolla Music Society debut at San Diego’s inspiring Balboa Theatre. Described by The Washington Post as ” a thinker at the piano and a champion of contemporary music, Mr. Aimard opens his program with the 1915 work Revelation by Russian mystic Nikolai Obukhov, paired with Chopin’s Piano Sonata No. 2 in B-flat Major, Op. 35 “Marche Funèbre” (Funeral March) and Beethoven’s powerful and colossal Piano Sonata No. 29 in B-flat Major, Op. 106, the “Hammerklavier.” This will be a powerful and passionate performance.

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OBUKHOVRevelation
CHOPINPiano Sonata No. 2 in B-flat Major, Op. 35 “Marche Funèbre”
BEETHOVENPiano Sonata No. 29 in B-flat Major, Op. 106 “Hammerklavier”

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
3
Sat
AX – KAVAKOS – MA
Mar 3 @ 8:00 pm
AX - KAVAKOS - MA @ Jacobs Music Center-Copley Symphony Hall | San Diego | California | United States

WINTERFEST GALA 2018

Ax – Kavakos – Ma

Three of the world’s greatest musicians form a “super trio” for an unforgettable performance exploring the piano trios of Johannes Brahms.

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BRAHMSPiano Trio No. 2 in C Major, Op. 87
BRAHMSPiano Trio No. 1 in C Minor, Op. 101
BRAHMSPiano Trio in B Major, Op. 8

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
16
Fri
ACADEMY OF ST MARTIN IN THE FIELDS
Mar 16 @ 8:00 pm
ACADEMY OF ST MARTIN IN THE FIELDS @ Jacobs Music Center-Copley Symphony Hall | San Diego | California | United States

Academy of St Martin in the Fields

Joshua Bell, violin

Renowned for its distinctive, polished and refined sound, the Academy of St Martin in the Fields, under the leadership of virtuoso violinist Joshua Bell, performs fresh and brilliant interpretations of beloved classical masterworks.

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MENDELSSOHNOverture from A Midsummer Night’s Dream
WIENIAWSKIViolin Concerto No. 2 in D Minor, Op. 22
       Joshua Bell, violin
BEETHOVEN Symphony No. 6 in F Major, Op. 68, “Pastoral”

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM
Arrive early for a pre-performance lecture

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
24
Sat
SCHUBERT’S SWAN SONG I
Mar 24 @ 8:00 pm
SCHUBERT'S SWAN SONG I @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG I

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

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SCHUBERTFantasy in F Minor for Piano Four-Hands, D.940
SCHUBERTPiano Sonata in B-flat Major, D.960
SCHUBERTPiano Trio in B-flat Major, D.898
Benjamin Beilman, violin; Clive Greensmith, cello; Inon Barnatan, Garrick Ohlsson, pianos

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Apr
8
Sun
DANIELA LIEBMAN, PIANO
Apr 8 @ 3:00 pm
DANIELA LIEBMAN, PIANO @ The Auditorium at TSRI | San Diego | California | United States

Daniel Liebman, piano

2014 Premio Nacional de Juventud

Award-winning young Mexican pianist Daniela Liebman makes her La Jolla Music Society debut with a program of works by Beethoven, Schubert, Chopin and Prokofiev.

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BEETHOVENRondo in C Major, Op. 50, No. 1
BEETHOVENSonata No. 24 in F-sharp Major, Op. 78
SCHUBERTImpromptus, Op. 90
CHOPINSelection of Impromptus, Ballades and Nocturnes
PROKOFIEVPiano Sonata No. 3, Op. 28

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Musical Prelude 2 PM
Artists from the San Diego Youth Symphony and Conservatory will perform.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Apr
14
Sat
SCHUBERT’S SWAN SONG II
Apr 14 @ 8:00 pm
SCHUBERT'S SWAN SONG II @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG II

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

Buy Tickets

SCHUBERTPiano Sonata No. 20 in A Major, D.959
SCHUBERTSchwanengesang, D.957 "Swan Song"
Robin Tritschler, tenor; Inon Barnatan, piano

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
12
Sat
MARK MORRIS DANCE GROUP: PEPPERLAND
May 12 @ 8:00 pm
MARK MORRIS DANCE GROUP: PEPPERLAND @ Civic Theatre | San Diego | California | United States

Mark Morris Dance Group:
Pepperland

Choreographer Mark Morris, hailed as the “the most successful and influential choreographer alive, and indisputably the most musical,” returns to San Diego with Pepperland, a unique tribute to the 50th anniversary of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Pepperland features an original score by Ethan Iverson, interspersing arrangements of “Sgt. Pepper’s Lonely Hearts Club Band”, “With a Little Help From My Friends”, “A Day in the Life”, “When I’m Sixty-Four”, “Within You Without You” and “Penny Lane” with six Pepper-inspired original pieces intended especially for Mark Morris’ profound understanding of classical forms: Allegro, Scherzo, Adagio and the blues.

A live chamber music ensemble of voice, theremin, soprano saxophone, trombone, two keyboards, and percussion will explore and elaborate on Sgt. Pepper’s non-rock and roll influences. This colorful new piece resounds with the ingenuity, musicality, wit, and humanity for which a Mark Morris work is known.

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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

PRELUDE 7 PM

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
18
Fri
JUHO POHJONEN
May 18 @ 8:00 pm
JUHO POHJONEN @ The Auditorium at TSRI | San Diego | California | United States

JUHO POHJONEN, piano

Since his U.S. debut, the celebrated Finnish pianist Juho Pohjene has garnered a reputation for giving performances that crackle with intensity, displaying his flawless technique and fearless musical conviction over a wide array of repertoire. Pohjonen’s versatility will be on full display when he returns to La Jolla Music Society to conclude this season’s Piano Series, with a program of works that span the Baroque, Classical and Romantic eras.

“It was quickly apparent that Pohjonen has both impeccable technique and a clear-eyed approach to music, unleashing the fugue with stunning clarity and precise dynamic control.” — The Washington Post

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J.S. BACHChromatic Fantasia and Fugue in D Minor, BWV 903
FRANCKPrèlude, Choral et Fugue
MOZARTPrelude and Fugue for Piano in C Major, K.394/383a
SCHUBERTWanderer Fantasy

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

May
19
Sat
SCHUBERT’S SWAN SONG III
May 19 @ 8:00 pm
SCHUBERT'S SWAN SONG III @ Irwin M. Jacobs Qualcomm Hall | San Diego | California | United States

SCHUBERT’S SWAN SONG III

Schubert’s Swan Song is a 3-concert exploration of the late works of composer Franz Schubert. Curated by celebrated pianist Inon Barnatan, and performed by a spectacular roster of musicians, the programs are anchored by Schubert’s deeply moving late piano sonatas and include a selection of the composer’s chamber music masterpieces.

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SCHUBERTPiano Sonata No. 19 in C Minor, D.958
SCHUBERTFantasy for Violin and Piano in C Major, D.934
SCHUBERTString Quintet in C Major, D.956
Benjamin Beilman, violin; Carter Brey, cello; Inon Barnatan, piano; Dover Quartet - Joel Link, Bryan Lee, violins; Milena Pajaro-van de Stadt, viola; Camden Shaw, cello

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Aug
3
Fri
OPENING NIGHT CARNIVAL
Aug 3 @ 8:00 pm
OPENING NIGHT CARNIVAL @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

OPENING NIGHT CARNIVAL!

Friday, August 3, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Take a walk on the wild side as the festival kicks off with this celebratory program. Legendary cellist Lynn Harrell leads an all-star roster of eight cellists, sharing the stage with beloved soprano Lyubov Petrova, known for her fiery presence and shimmering voice. The evening closes with a delightful salute to feathers, fur, and fins with Saint-Saëns’ humorous musical suite Carnival of the Animals, with text by comedic musical genius Peter Schickele.

Prelude · 7:00 PM
Interview with SummerFest Music Director Cho-Liang Lin hosted by Eric Bromberger

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OPENING NIGHT CARNIVAL!

BARTÓK · Contrasts for Violin, Clarinet, and Piano, Sz.111
Paul Huang, violin; Anthony McGill, clarinet; Shai Wosner, piano

VILLA-LOBOS · Bachianas Brasileiras No. 1 for Eight Cellos
VILLA-LOBOS · Bachianas Brasileiras No. 5 for Soprano and Eight Cellos
Lyubov Petrova, soprano; Lynn Harrell, Ben Hong, Hai-Ye Ni, Chia-Ling Chien, Yao Zhao, Max Geissler, Jonathan Lo, Alex Greenbaum, cellos

SAINT-SAËNS · Carnival of the Animals
Paul Huang, Cho-Liang Lin, violins; Tien-Hsin Cindy Wu, viola; Ben Hong, cello; Peter Lloyd, bass; Pamela Vliek Martchev, flute; Anthony McGill, clarinet; Shai Wosner, Joyce Yang, pianos; Ryan Nestor, percussion; Mark Pinter, narrator

Aug
4
Sat
AN EVENING WITH YEFIM BRONFMAN
Aug 4 @ 8:00 pm
AN EVENING WITH YEFIM BRONFMAN @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

AN EVENING WITH YEFIM BRONFMAN

Saturday, August 4, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Extolled by The Wall Street Journal for “his range of sonority – from lyrical to pungent, to explosive,” Yefim Bronfman is internationally recognized as one of today’s most acclaimed and admired pianists. As a close friend of Cho-Liang Lin, Mr. Bronfman celebrates the music director’s 18-year tenure with a beautiful and rich evening of solo and chamber music masterpieces, including Schubert’s iconic Piano Sonata, D.958, written in the last year of the composer’s life.

Prelude · 7:00 PM
Interview with Yefim Bronfman hosted by Eric Bromberger

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AN EVENING WITH YEFIM BRONFMAN

MOZART · Sonata in E Minor for Violin and Piano, K.304
Cho-Liang Lin, violin; Yefim Bronfman, piano

SCHUBERT · Piano Sonata in C Minor, D.958
Yefim Bronfman, piano

SCHUMANN · Quintet for Piano and Strings in E-flat Major, Op. 44
Yefim Bronfman, piano; Paul Huang, Emily Kruspe, violins; Tien-Hsin Cindy Wu, viola; Lynn Harrell, cello

Aug
5
Sun
AN AFTERNOON WITH EMERSON STRING QUARTET
Aug 5 @ 3:00 pm
AN AFTERNOON WITH EMERSON STRING QUARTET @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

Emerson String Quartet

AN AFTERNOON WITH EMERSON STRING QUARTET

Sunday, August 5, 2018 · 3:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Named “America’s greatest quartet” by TIME Magazine, the distinguished Emerson String Quartet performs an all-Beethoven program, featuring the bewildering and complex Grosse Fuge.

Prelude · 2:00 PM
Interview with members of Emerson String Quartet hosted by Eric Bromberger

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AN AFTERNOON WITH EMERSON STRING QUARTET

BEETHOVEN · String Quartet in C-sharp Minor, Op. 131
BEETHOVEN · String Quartet in B-flat Major, Op. 130 with Grosse Fuge, Op. 133
Emerson String Quartet:
Eugene Drucker, Philip Setzer, violins; Laurence Dutton, viola; Paul Watkins, cello

Aug
7
Tue
MUSIC FROM THE HEART
Aug 7 @ 8:00 pm
MUSIC FROM THE HEART @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MUSIC FROM THE HEART

Tuesday, August 7, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Strings soar in beautifully lyrical works by Stravinsky and Mendelssohn. The evening culminates with Rachmaninoff’s final composition, Symphonic Dances, performed by two of the most accomplished pianists of their generation, Shai Wosner and Joyce Yang. Let your emotions take flight!

Prelude · 7:00 PM
Rolston String Quartet performs Tchaikovsky’s String Quartet No. 1 in D Major, Op. 11

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MUSIC FROM THE HEART

STRAVINSKY · Suite Italienne for Violin and Piano
Martin Beaver, violin; Joyce Yang, piano

MENDELSSOHN · String Quintet in B-flat Major, Op. 87
Paul Huang, Anna Lee, violins; Tien-Hsin Cindy Wu, Heiichiro Ohyama, violas; Hai-Ye Ni, cello

RACHMANINOFF · Symphonic Dances, Op. 45 for Two Pianos
Shai Wosner, Joyce Yang, pianos

Aug
8
Wed
LATE NIGHT WITH LEONARD BERNSTEIN
Aug 8 @ 8:00 pm
LATE NIGHT WITH LEONARD BERNSTEIN @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

LATE NIGHT WITH LEONARD BERNSTEIN

Wednesday, August 8, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Celebrate the centennial of Leonard Bernstein (1918-1990) with an intimate look into the life and music of this remarkable man, composer, conductor, musician, and father, through the eyes of his daughter Nina Bernstein Simmons.

Leonard Bernstein, a well-known insomniac for whom night was a time for creativity and friendship, was often found entertaining guests late into the night. Hosted by his daughter Nina and featuring soprano Amy Burton and pianists John Musto and Michael Boriskin, this performance is an affectionate, multi-media portrait of the personal side of this singularly public figure.

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LATE NIGHT WITH LEONARD BERNSTEIN

 
Program to be announced from stage.

Aug
9
Thu
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9)
Aug 9 @ 12:30 pm
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9) @ Athenaeum Music & Arts Library | San Diego | California | United States

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE

Thursday, August 9, 2018 · 12:30 PM
Athanaeum Music & Arts Library

New York Philharmonic Principal Cellist Carter Brey, soprano Lyubov Petrova, pianist Saetbyeol Kim, and Fellowship Artist Ensemble Rolston String Quartet are featured in this all-Schubert program. Host Marcus Overton delves into the connection between Schubert’s music and the time in which the composer lived.

Please note, this free event has sold out. Tickets are no longer available.

Register to Attend

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 9)

SCHUBERT · Lieder Selections
Lyubov Petrova, soprano; Saetbyeol Kim, piano

SCHUBERT · String Quartet in C Major, D.956
Rolston String Quartet; Carter Brey, cello

49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET
Aug 9 @ 8:00 pm
49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET

Thursday, August 9, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

In this first of two 49-minute performances, the acclaimed FLUX Quartet will take the audience onto a new musical plane with a program celebrating contemporary composers. Audience members are invited to mingle at a post-concert gathering with the artists, creating an opportunity for essential dialogue around this next wave of composition.

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49 MINUTES ON THE EDGE: AN EXPLORATION WITH FLUX QUARTET

BROWN · String Quartet (1965)

OLIVER LAKE · Hey Now Hey (2017)

LEI LIANG · Serashi Fragments (2005)

NANCARROW · String Quartet No. 3 (1987)

RAND STEIGER · String Quartet (2018) WORLD PREMIÈRE

FLUX Quartet:
Tom Chiu, Conrad Harris, violins; Max Mandel, viola; Felix Fan, cello

Aug
10
Fri
ACROSS OCEANS
Aug 10 @ 8:00 pm
ACROSS OCEANS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

ACROSS OCEANS

Friday, August 10, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Dive into this lush, dynamic program bridging the great masterworks of Bruch and Dvorák with one of the most prolific and esteemed Japanese composers working today, Toshi Ichiyanagi.

Prelude · 7:00 PM
Cambridge Trio performs Dvorák’s Piano Trio in F Minor, Op. 65

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ACROSS OCEANS

TOSHI ICHIYANAGI · String Quartet
FLUX Quartet

BRUCH · Octet in B-flat Major, Op. posth.
Martin Beaver, Tien-Hsin Cindy Wu, Luri Lee, Emily Kruspe, violins; Hezekiah Leung, Heiichiro Ohyama, violas; Felix Fan, cello; DaXun Zhang, bass

DVORÁK · Piano Quartet in E-flat Major, Op. 87
Gilles Vonsattel, piano; Martin Beaver, violin; Tien-Hsin Cindy Wu, viola; Carter Brey, cello

Aug
11
Sat
SUMMERFEST GALA
Aug 11 @ 6:00 pm
SUMMERFEST GALA @ UC San Diego's Audrey Geisel University House | San Diego | California | United States
SummerFest Gala

SummerFest Gala

Saturday, August 11, 2018
UC San Diego’s Audrey Geisel University House
6:00 PM

Dolly Woo, Gala Chair
Sylvia Ré, SummerFest Chair
Martha Dennis, Honorary Chair

Join us for an elegant evening celebrating Cho-Liang Lin’s incredible tenure! Enjoy a private concert with world-class musicians, paired with world-class cuisine created by the awarding-winning celebrity chef, Jeffrey Strauss of Pamplemousse.

Secure Your Gala Tickets Today



For reservations, please contact Rewa Colette Soltan at 858.459.3724, ext. 206 or RSoltan@LJMS.org


Aug
14
Tue
MY FAVORITE PLAYLIST
Aug 14 @ 8:00 pm
MY FAVORITE PLAYLIST @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MY FAVORITE PLAYLIST

Tuesday, August 14, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Cho-Liang Lin’s eclectic artistic palette has led him to diverse musical endeavors, including championing new works. Join us as we shuffle through some of the gems he has discovered, with friends he’s made along the way during his 18 years as Music Director!

Prelude · 7:00 PM
Lecture by Nicolas Reveles

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MY FAVORITE PLAYLIST

TURINA · Escena Andaluza, Op. 7 (Scenes of Andalusia)
Paul Neubauer, viola; Saetbyeol Kim, piano; Rolston String Quartet

DEBUSSY · Sonata in D Minor for Cello and Piano
Jian Wang, cello; John Novacek, piano

LEI LIANG · Vis-à-vis, for Pipa and Percussion WORLD PREMIÈRE
Wu Man, pipa; Steven Schick, percussion

MAHLER · Rückert-Lieder
Tamara Mumford, mezzo-soprano; Ken Noda, piano

GINASTERA · String Quartet No. 1, Op. 20
Rolston String Quartet

Aug
15
Wed
AN EVENING WITH ADELE ANTHONY & GIL SHAHAM
Aug 15 @ 8:00 pm
AN EVENING WITH ADELE ANTHONY & GIL SHAHAM @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

AN EVENING WITH ADELE ANTHONY & GIL SHAHAM

Wednesday, August 15, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

A string extravaganza featuring the extraordinary Gil Shaham and
Adele Anthony alongside powerhouse violinists and rising stars from
the Bravo! International Music Academy.

Prelude · 7:00 PM
Cambridge Trio performs Beethoven’s Piano Trio in B-flat Major, Op. 97 “Archduke”

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AN EVENING WITH ADELE ANTHONY & GIL SHAHAM

LECLAIR · Sonata in E Minor for Two Violins, Op. 3, No. 5
Adele Anthony, Gil Shaham, violins

MOSZKOWSKI · Suite in G Minor for Two Violins and Piano, Op. 71
Adele Anthony, Gil Shaham, violins; Juho Pohjonen, piano

BACH/BRAHMS · Presto after J.S. Bach from Five Studies for Piano,
op. Anh. Ia/1

BARTÓK · Selections from 44 Duos for Two Violins, Sz.98

WIENIAWSKI · Selections from Études-Caprices for Two Violins, Op. 18
Adele Anthony, Gil Shaham, violins

JULIAN MILONE · Flower Duet from Delibes’ Lakmé
Song to the Moon from Dvorák’s Rusalka
Bohemian Rhapsody by Queen

Adele Anthony, Gil Shaham, Cho-Liang Lin, Kyoko Takezawa, violins; DaXun Zhang, bass

JULIAN MILONE · En Coulisses for Twelve Violins
Adele Anthony, Gil Shaham, Emily Kruspe, Anna Lee, Luri Lee, Cho-Liang Lin, Kyoko Takezawa, Bravo! International Music Academy students, violins

Aug
16
Thu
SUMMERFEST ENCOUNTER: THE VIOLIN MAKER
Aug 16 @ 12:30 pm
SUMMERFEST ENCOUNTER: THE VIOLIN MAKER @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

SUMMERFEST ENCOUNTER: THE VIOLIN MAKER

Thursday, August 16, 2018 · 12:30 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Renowned contemporary luthier and SummerFest Scholar-in-Residence Sam Zygmuntowicz guides the audience on a journey of instrument making through the history of the great houses of Guarneri and Stradivari to the present day. Festival artists Gary Hoffman, Yura Lee, Cho-Liang Lin, Kyoko Takezawa, and more demonstrate the quality of craftsmanship, artistry, and exquisite sound of these rare instruments from the 17th and 18th centuries. Come and see this priceless collection up close before it is featured onstage at The Glory of Cremona on August 19th!

Free to the public, reservation required.

Register to Attend

 

Please note, parking permits will be required at UC San Diego for The Violin Maker.


49 MINUTES ON THE EDGE: PIANO FOCUS
Aug 16 @ 8:00 pm
49 MINUTES ON THE EDGE: PIANO FOCUS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

49 MINUTES ON THE EDGE: PIANO FOCUS

Thursday, August 16, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

In a spotlight of SummerFest commissions, Marc-André Dalbavie’s Piano Quartet and Pierre Jalbert’s most recent Piano Quintet refashion piano chamber music staples into a vehicle for exploring contemporary harmonies. Following this 49-minute performance, audience members are invited to mingle at a post-concert gathering with the artists, creating the opportunity for essential dialogue around this next wave of composition.

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49 MINUTES ON THE EDGE: PIANO FOCUS

MARC-ANDRÉ DALBAVIE · Piano Quartet for Piano and Strings (2012)
John Novacek, piano; Margaret Batjer, violin, Che-Yen Chen, viola; Max Geissler, cello

PIERRE JALBERT · Piano Quintet (2017) WEST COAST PREMIÈRE
Juho Pohjonen, piano; Rolston String Quartet

Aug
17
Fri
JOHANNES, CLARA, & ROBERT
Aug 17 @ 8:00 pm
JOHANNES, CLARA, & ROBERT @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

JOHANNES, CLARA, & ROBERT

Friday, August 17, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Robert Schumann, Clara Schumann, and Johannes Brahms shared one of the most fascinating and yet tragic love triangles in the history of music. The details of their relationship can be traced through letters, and of course, the great music that was written for and played by each of these three iconic musical figures, who continued to inspire each other even after Robert’s untimely death.

Prelude · 7:00 PM
Rolston String Quartet performs Webern’s Langsamer Satz and Haydn’s String Quartet in B-flat Major, Op. 76, No. 4 “Sunrise”

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JOHANNES, CLARA, & ROBERT

BRAHMS · Two Songs for Alto, Viola, and Piano, Op. 91
Tamara Mumford, mezzo-soprano; Paul Neubauer, viola; John Novacek, piano

C. SCHUMANN · Piano Trio in G Minor, Op. 17
John Novacek, piano; Yura Lee, violin; Jian Wang, cello

R. SCHUMANN · Three Romances for Oboe and Piano, Op. 94
Liang Wang, oboe; Juho Puhonen, piano

BRAHMS · Trio in E-flat Major for Piano, Violin, and Horn, Op. 40
Juho Pohjonen, piano; Kyoko Takezawa, violin; Erik Ralske, horn

Aug
18
Sat
A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO
Aug 18 @ 8:00 pm
A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO

Saturday, August 18, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Called “madly creative” by the Los Angeles Times, world-renowned jazz guitarist and singer John Pizzarelli entertains and delights with his all-star trio. Let “the genial genius of the guitar” (The Toronto Star) take you on a musical journey exploring the Great American Songbook and beyond.

Prelude · 7:00 PM
Interview with John Pizzarelli hosted by Jazz 88.3’s Claudia Russell

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Preview Article from The San Diego Union-Tribune
Guitar ace John Pizzarelli returns with his jazz trio for SummerFest concert

Read Article

A NIGHT OF JAZZ WITH JOHN PIZZARELLI TRIO

Program to be announced from stage.

Aug
19
Sun
THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI
Aug 19 @ 3:00 pm
THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI

Sunday, August 19, 2018 · 3:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Enjoy a rare opportunity to hear an exquisite collection of string instruments from the greatest lutherie houses of the 17th and 18th centuries on this stunning program. Performed by world-class musicians, these dazzlingly beautiful works from Massenet’s Meditation to Tchaikovsky’s Souvenir de Florence—arguably one of the greatest chamber music works every written—come to life before your eyes.

Prelude · 2:00 PM
Lecture by Sam Zygmuntowicz

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THE GLORY OF CREMONA: STRADIVARI, GUARNERI, & AMATI

TELEMANN · Concerto in D Major for Four Violins
Cho-Liang Lin, Yura Lee, Anna Lee, Kyoko Takezawa, violins

TCHAIKOVSKY · Mélodie, Op. 42, No. 3
Yura Lee, violin; Saetbyeol Kim, piano

MASSENET · Meditation from Thaïs
Anna Lee, violin; Saetbyeol Kim, piano

SCHUMANN · Adagio and Allegro in A-flat Major for Cello and Piano, Op. 70
Jian Wang, cello; Saetbyeol Kim, piano

DVORÁK · Terzetto in C Major for Two Violins and Viola, Op. 74
Yura Lee, Kyoko Takezawa, violins; Toby Hoffman, viola

MENDELSSOHN · Capriccio in E Minor for String Quartet, Op. 81
Anna Lee, Yura Lee, violins; Che-Yen Chen, viola; Jian Wang, cello

TCHAIKOVSKY · Sextet for Strings in D Major, Op. 70 “Souvenir de Florence”
Kyoko Takezawa, Yura Lee, violins; Paul Neubauer, Che-Yen Chen, violas; Gary Hoffman, Jian Wang, cellos

Aug
21
Tue
MIDNIGHT IN PARIS
Aug 21 @ 8:00 pm
MIDNIGHT IN PARIS @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

MIDNIGHT IN PARIS

Tuesday, August 21, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

Stroll along the Seine and fall in love all over again with some of the most beautiful works in chamber music written by the foremost French composers of their time. Delight in the sensualistic palette of harmonies and timbres, and let the reverie transport you à Paris!

Prelude · 7:00 PM
Cambridge Trio performs Ravel’s Piano Trio in A Minor

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MIDNIGHT IN PARIS

GOUNOD · Petite Symphonie for Wind Nonet in B-flat Major, Op. 216
Catherine Ransom Karoly, flute; Liang Wang, Laura Griffiths, oboes; John Bruce Yeh, Teresa Reilly, clarinets; Keith Buncke, Ryan Simmons, bassoons; Erik Ralske, Dylan Hart, horns

RAVEL · String Quartet in F Major
New Orford String Quartet

CHAUSSON · Concerto for Violin, Piano, and String Quartet, Op. 21
Cho-Liang Lin, violin; Orion Weiss, piano; New Orford String Quartet

Aug
22
Wed
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22)
Aug 22 @ 12:30 pm
SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22) @ Athenaeum Music & Arts Library | San Diego | California | United States

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE

Wednesday, August 22, 2018 · 12:30 PM
Athanaeum Music & Arts Library

Hosted by Scholar-in-Residence Eric Bromberger, this Encounter features a virtuosic and exuberant program with Fellowship Artist Ensemble Cambridge Trio and acclaimed violist Eric Nowlin of the New Orford String Quartet.

Please note, this free event has sold out. Tickets are no longer available.

Register to Attend

SUMMERFEST ENCOUNTER: MUSICAL PERFORMANCE (AUG. 22)

HANDEL/HALVORSEN · Passacaglia for Violin and Cello
Anna Lee, violin; Max Geissler, cello

BRAHMS · Piano Quartet in A Major, Op. 26
Cambridge Trio; Eric Nowlin, viola

AN EVENING WITH EMANUEL AX
Aug 22 @ 8:00 pm
AN EVENING WITH EMANUEL AX @ UC San Diego Department of Music's Conrad Prebys Concert Hall | San Diego | California | United States

Emanuel Ax

AN EVENING WITH EMANUEL AX

Wednesday, August 22, 2018 · 8:00 PM
UC San Diego Department of Music’s Conrad Prebys Concert Hall

One of the most versatile and universally respected pianists on the international concert scene, with a career that has taken him to every major venue and orchestra in the world, Emanuel Ax rounds out our celebration of Music Director Cho-Liang Lin with this glorious program.

Prelude · 7:00 PM
Rolston String Quartet performs Brahms’ String Quartet No. 2 in A Minor, Op. 51, No. 2

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AN EVENING WITH EMANUEL AX

BRAHMS · Variations on a Theme by Haydn, Op. 56b
Emanuel Ax, Orion Weiss, pianos

SCHOENBERG · Six Little Piano Pieces, Op. 19
Emanuel Ax, piano

MOZART · “Kagelstatt” Trio in E-flat Major, K. 498
John Bruce Yeh, clarinet; Che-Yen Chen, viola; Emanuel Ax, piano

BRAHMS · Piano Quartet No. 3 in C Minor, Op. 60
Emanuel Ax, piano; Cho-Liang Lin, violin; Toby Hoffman, viola; Gary Hoffman, cello

Aug
24
Fri
SUMMERFEST FINALE WITH DAVID ZINMAN
Aug 24 @ 8:00 pm
SUMMERFEST FINALE WITH DAVID ZINMAN @ Balboa Theatre | San Diego | California | United States

SUMMERFEST FINALE WITH DAVID ZINMAN

Friday, August 24, 2018 · 8:00 PM
Balboa Theatre

How does one say farewell after 18 incredible years? For Music Director Cho-Liang Lin, the answer is easy: in a performance with one’s closest friends and the most resplendent music. Maestro David Zinman, pianists Emanuel Ax and Jon Kimura Parker, and cellist Gary Hoffman join forces with the SummerFest Orchestra and San Diego Master Chorale to celebrate Cho-Liang Lin’s legacy. With the Beethoven Triple and Choral Fantasy on the same program, this is a rare and wondrous occasion—and one you will never forget!

Prelude · 7:00 PM
Lecture by Eric Bromberger

Buy Tickets

SUMMERFEST FINALE WITH DAVID ZINMAN

ALL WORKS FEATURE THE SUMMERFEST ORCHESTRA

ELGAR · Serenade for Strings in E Minor, Op. 20

BEETHOVEN · Triple Concerto in C Major, Op. 56
Cho-Liang Lin, violin; Gary Hoffman, cello; Jon Kimura Parker, piano

ELGAR · Introduction and Allegro for Strings, Op. 47
New Orford String Quartet

BEETHOVEN · Choral Fantasy in C Minor, Op. 80
Emanuel Ax, piano; San Diego Master Chorale

Oct
18
Thu
SEONG-JIN CHO
Oct 18 @ 8:00 pm
SEONG-JIN CHO @ The Auditorium at TSRI | San Diego | California | United States

SEONG-JIN CHO, piano

Thursday, Oct. 18, 2018 · 8:00 PM
The Auditorium at TSRI

Seong-Jin Cho was brought to the world’s attention in 2015 when he won the coveted First Prize at the Chopin International Competition in Warsaw. With an overwhelming talent and innate musicality, Cho is rapidly embarking on a world-class career and considered one of the most distinctive artists of his generation.

“… this latest Chopin Competition winner can stand proud next to illustrious past winners like Pollini, Argerich and Zimerman.” – Pianist

Prelude · 7:00 PM
Prelude lecture by Seth Lerer

Buy Tickets

SEONG-JIN CHO, piano

J.S. BACH · Chromatic Fantasia and Fugue in D Minor, BWV 903

SCHUBERT · Fantasy in C Major, D.760 “Wanderer Fantasy”

CHOPIN · Polonaise-Fantaisie in A-flat Major, Op. 61

MUSSORGSKY · Pictures at an Exhibition

Nov
10
Sat
SHADOWLAND BY PILOBOLUS
Nov 10 @ 2:00 pm
SHADOWLAND BY PILOBOLUS @ Spreckels Theatre | San Diego | California | United States

Pilobolus Shadowland

SHADOWLAND BY PILOBOLUS

Saturday, Nov. 10, 2018 · 2:00 PM
Spreckels Theatre

Created by famed dance company Pilobolus, Shadowland tells the story of a teenage girl, longing for independence, who sleeps, only to wake to something incredible lurking behind her bedroom wall – her shadow.  And, she’s off on a journey into Shadowland.  Legendary modern dance is combined with high-energy, fast-paced multimedia, merging front-of-screen choreography with projected images to create a narrative with the fluid logic of a dream, powered by the grace of an acrobatic dance, which evinces surprise and joyous delight in a way that is uniquely Pilobolus.

Shadowland was conceived in collaboration with Steven Banks, lead writer for “SpongeBob SquarePants,” with an original score by composer David Poe.

Buy Tickets

Prelude · 1:00 PM
Prelude interview hosted by John Malashock

Please note, Shadowland will be performed at 2:00 PM and 8:00 PM on November 10. Click here to view the 8:00 PM performance listing.

More information about Shadowland is available at pilobolus.org/shadowland.


SHADOWLAND BY PILOBOLUS
Nov 10 @ 8:00 pm
Pilobolus Shadowland

SHADOWLAND BY PILOBOLUS

Saturday, Nov. 10, 2018 · 8:00 PM
Spreckels Theatre

Created by famed dance company Pilobolus, Shadowland tells the story of a teenage girl, longing for independence, who sleeps, only to wake to something incredible lurking behind her bedroom wall – her shadow.  And, she’s off on a journey into Shadowland.  Legendary modern dance is combined with high-energy, fast-paced multimedia, merging front-of-screen choreography with projected images to create a narrative with the fluid logic of a dream, powered by the grace of an acrobatic dance, which evinces surprise and joyous delight in a way that is uniquely Pilobolus.

Shadowland was conceived in collaboration with Steven Banks, lead writer for “SpongeBob SquarePants,” with an original score by composer David Poe.

Buy Tickets

Prelude · 7:00 PM
Prelude interview hosted by John Malashock

Dinner Reception · 5:30 PM
Join us for a reception dinner at The Westgate Hotel. Please select Dinner at The Westgate Hotel above for event details and reservation information.

Please note, Shadowland will be performed at 2:00 PM and 8:00 PM on November 10. Click here to view the 2:00 PM performance listing.

More information about Shadowland is available at pilobolus.org/shadowland.


BEGIN YOUR EVENING WITH DINNER AMONG FRIENDS

Dinner at The Westgate HotelJoin us for a reception dinner at The Westgate Hotel before the evening performance of Shadowland by Pilobolus on November 10, 2018.

The evening will also include a special behind-the-scenes morsel about the performance from Leah Rosenthal, LJMS Director of Programming.

November 10, 2018
The Westgate Hotel

5:30 PM · Champagne Reception
6:15 PM · Dinner

$75 per person – Includes champagne reception, a three-course dinner, and a glass of wine.

View Menu
For dinner reservations or more information, please contact Landon Akiyama at LAkiyama@LJMS.org or by calling him at 858-459-3724 ext. 216.

Jan
20
Sun
LEIF OVE ANDSNES
Jan 20 @ 6:00 pm
LEIF OVE ANDSNES @ The Auditorium at TSRI | San Diego | California | United States

LEIF OVE ANDSNES, piano

Sunday, Jan. 20, 2019 · 6:00 PM
The Auditorium at TSRI

CANCELLED


LEIF OVE ANDSNES, piano

SCHUMANN · Three Romances, Op. 28

JANÁCEK · On an Overgrown Path, Book I

BARTÓK · Three Burlesques, Op. 8c, Sz. 47

SCHUMANN · Carnaval, Op. 9

Feb
7
Thu
DANISH STRING QUARTET: THURSDAY SKÅL!
Feb 7 @ 6:30 pm
DANISH STRING QUARTET: THURSDAY SKÅL! @ basileIE Gallery | San Diego | California | United States
Danish String Quartet

DANISH STRING QUARTET:
THURSDAY SKÅL!

Thursday, Feb. 7, 2019 · 6:30 PM
General Admission, Standing Only
basileIE Gallery

Join us for an informal gathering uniting music, art, and beer with the Danish String Quartet as they play an array of Nordic folk tunes and classical favorites. Presented at the basileIE Gallery in Barrio Logan, this concert brings traditional music to a contemporary space. Step outside of the concert hall and toast the musicians with beer provided by Mikkeller Brewing. Skål!

“I can’t imagine a more involving performance.” – Anthony Tommasini, The New York Times

Thursday Skål is sponsored by Mikkeller Brewing. Please note, two beverages are included with the purchase of each ticket.

Online sales have closed. Tickets will be available for purchase at the door on Thursday, Feb. 7, beginning at 6 pm.



ADDITIONAL PERFORMANCES BY DANISH STRING QUARTET

DANISH STRING QUARTET ON THE REVELLE CHAMBER MUSIC SERIES
Friday, Feb. 8, 2019 · 8:00 PM
The Auditorium at TSRI

Learn More

DANISH STRING QUARTET: AN EVENING OF NORDIC FOLK MUSIC
Saturday, Feb. 9, 2019 · 8:00 PM
The Auditorium at TSRI

Learn More
Feb
8
Fri
DANISH STRING QUARTET
Feb 8 @ 8:00 pm
DANISH STRING QUARTET @ The Auditorium at TSRI | San Diego | California | United States

Danish String Quartet

DANISH STRING QUARTET

Friday, Feb. 8, 2019 · 8:00 PM
The Auditorium at TSRI

The Danish String Quartet begins year one of their three year residency with La Jolla Music Society with three unique concert experiences celebrating the quartet’s diverse repertoire and commitment to Scandanavian composers, traditional Nordic folk tunes, and classical music masters. Winners of the 2016 Borletti-Buitoni Trust Award, they have played everywhere from Alice Tully Hall at Lincoln Center to NPR’s Tiny Desk Concerts.

“One of the best quartets before the public today.” – The Washington Post

Prelude · 7:00 PM
Prelude lecture

Online sales have closed. Tickets will be available for purchase at the performance venue on Friday, Feb. 8, beginning at 6 pm.



ADDITIONAL PERFORMANCES BY DANISH STRING QUARTET

DANISH STRING QUARTET: AN EVENING OF NORDIC FOLK MUSIC
Saturday, Feb. 9, 2019 · 8:00 PM
The Auditorium at TSRI

Learn More

DANISH STRING QUARTET: THURSDAY SKÅL!
Thursday, Feb. 7, 2019 · 6:30 PM
basileIE Gallery

Learn More

DANISH STRING QUARTET

HAYDN · String Quartet in B-flat Major, Op. 1, No. 1 “La Chasse”

MOZART · String Quartet, K. 458 “Hunt”

WIDMANN · Jagdquartett (Hunt Quartet)

NIELSEN · String Quartet No. 1 in G Minor, Op. 13

Feb
9
Sat
DANISH STRING QUARTET: AN EVENING OF NORDIC FOLK MUSIC
Feb 9 @ 8:00 pm
DANISH STRING QUARTET: AN EVENING OF NORDIC FOLK MUSIC @ The Auditorium at TSRI | San Diego | California | United States

Danish String Quartet

DANISH STRING QUARTET:
AN EVENING OF NORDIC FOLK MUSIC

Saturday, Feb. 9, 2019 · 8:00 PM
The Auditorium at TSRI

The Danish String Quartet showcases some of the treasures of their Nordic musical heritage with beloved folk arrangements near and dear to their hearts.

“They could be grounded in their tone or mystical. They allowed time to stand still, and they could assume the pose of excitingly aggressive rockers. They did it all.”
The Los Angeles Times

Online sales have closed. Tickets will be available for purchase at the performance venue on Saturday, Feb. 9, beginning at 6 pm.



ADDITIONAL PERFORMANCES BY DANISH STRING QUARTET

DANISH STRING QUARTET ON THE REVELLE CHAMBER MUSIC SERIES
Friday, Feb. 8, 2019 · 8:00 PM
The Auditorium at TSRI

Learn More

DANISH STRING QUARTET: THURSDAY SKÅL!
Thursday, Feb. 7, 2019 · 6:30 PM
basileIE Gallery

Learn More
Feb
22
Fri
SIR ANDRÁS SCHIFF
Feb 22 @ 8:00 pm
SIR ANDRÁS SCHIFF @ Balboa Theatre | San Diego | California | United States

Sir Andras Schiff

SIR ANDRÁS SCHIFF, piano

Friday, Feb. 22, 2019 · 8:00 PM
Balboa Theatre

Awarded Knighthood by Her Majesty Queen Elizabeth II in June 2014, Sir András Schiff is world-renowned and critically acclaimed as a pianist, conductor, pedagogue, and lecturer.

“Andras Schiff would make Bach proud.” – New York Magazine

Prelude · 7:00 PM
Prelude lecture by Seth Lerer

Buy Tickets

Tickets will be available for sale at the Balboa Theatre Box Office beginning at 4:00pm.


SIR ANDRÁS SCHIFF, piano

J.S. BACH · Partita for keyboard No. 5 in G major, BWV 829

SCHUMANN · Davidsbündlertänze, Op. 6

JANÁCEK · Piano Sonata 1.X.1905, “From the street

SCHUMANN · Piano Sonata No. 1 in F sharp minor, Op. 11

Mar
8
Fri
THE JOFFREY BALLET
Mar 8 @ 8:00 pm
THE JOFFREY BALLET @ Civic Theatre | San Diego | California | United States

The Joffrey Ballet

THE JOFFREY BALLET

Ashley Wheater, Mary B. Galvin artistic director

Friday, March 8, 2019 · 8:00 PM
Civic Theatre

With this program of new and recent works by some of the most exciting choreographers working today, The Joffrey Ballet stays true to its 60-year reputation for innovation and eclecticism. Performed to a live score by Philip Glass, Justin Peck’s In Creases showcases his keen eye for manipulating bodies to form complex geometric structures.

“The Joffrey Ballet… knocks you out with the sheer beauty, power and modernity of its dancing.” – Chicago Sun-Times

Prelude · 7:00 PM
Prelude interview hosted by Molly Puryear

Buy Tickets

Civic Theatre box office opens for ticket sales at 5:30PM and will-call opens at 6PM.

Please note, there will be a fog effect as part of this performance.


The Joffrey Ballet

THE JOFFREY BALLET

In Creases
Choreography by Justin Peck
Music by Philip Glass

Encounter
Choreography by Nicholas Blanc
Music by John Adams

Beyond the Shore
Choreography by Nicholas Blanc
Music by Mason Bates

Joy
Choreography by Alexander Ekman
Music by Brad Meldau Trio – Django Django, Tiga, Moby

Please note, there will be a fog effect as part of this performance.

Mar
10
Sun
BOMSORI KIM
Mar 10 @ 3:00 pm
BOMSORI KIM @ The Auditorium at TSRI | San Diego | California | United States

Bomsori Kim

BOMSORI KIM, violin

Sunday, March 10, 2019 · 3:00 PM
The Auditorium at TSRI

Winner of the 62nd ARD International Music Competition, Bomsori Kim has established herself as part of an emerging generation of internationally recognized violinists.

“One of the eminent young, rising stars of the international concert stage.”— Violin Channel

Musical Prelude · 2:00 PM
Performance by students from the San Diego Youth Symphony and Conservatory

Online Ticket Sales are now closed. Tickets will be sold at the venue box office beginning at 1 PM, Sunday, March 10. Please call 858.459.3728 for last minute ticket availability.


BOMSORI KIM, violin

BEETHOVEN · Violin Sonata No. 8 in G major, Op. 30, No. 3

SIBELIUS · Three Pieces for Violin and Piano, Op. 79

WIENIAWSKI · Polonaise Brillante in D Major, Op. 4

RAVEL · Sonata No. 2 in G Major

SAINT-SAËNS · Caprice d’après I’Etude en forme de Valse (arr. Ysaÿe)

Mar
26
Tue
ALVIN AILEY AMERICAN DANCE THEATER
Mar 26 @ 8:00 pm
ALVIN AILEY AMERICAN DANCE THEATER @ Jacobs Music Center - Copley Symphony Hall | San Diego | California | United States
Alvin Ailey American Dance Company

ALVIN AILEY AMERICAN DANCE THEATER

Robert Battle, artistic director
Masazumi Chaya, associate artistic director

Tuesday, March 26, 2019 · 8:00 PM
Jacobs Music Center – Copley Symphony Hall

Regarded as one of the world’s premiere dance companies, Alvin Ailey American Dance Theater is a recipient of the National Medal of Arts and is recognized by a U.S. Congressional resolution as a vital American “Cultural Ambassador to the World.” Having performed in 71 countries on 6 continents for an estimated 23 million people worldwide—as well as millions more through television broadcasts—Alvin Ailey American Dance Theater continues to inspire and unite people of all backgrounds around the globe.

Prelude · 7:00 PM
Prelude interview hosted by Molly Puryear

Online ticket sales have closed. For last minute ticket availability, please call the Jacobs Music Center – Copley Symphony Hall Box Office at 619.235.0804.

Please note, La Jolla Music Society will present Alvin Ailey American Dance Theater two consecutive evenings, March 26 and 27. The performances will feature a different collection of repertory, and both conclude with the company’s iconic masterpiece, Revelations. Click here to view the March 27 performance listing.


Alvin Ailey American Dance Company

ALVIN AILEY AMERICAN DANCE THEATER

Robert Battle, artistic director
Masazumi Chaya, associate artistic director

Tuesday, March 26, 2019 · 8:00 PM
Jacobs Music Center – Copley Symphony Hall

Stack-Up: Choreography by Talley Beatty
The Call: Choreography by Ronald K. Brown
Juba: Choreography by Robert Battle
Ella: Choreography by Robert Battle
Revelations: Choreography by Alvin Ailey

Please note, La Jolla Music Society will present Alvin Ailey American Dance Theater two consecutive evenings, March 26 and 27. The performances will feature a different collection of repertory, and both conclude with the company’s iconic masterpiece, Revelations. Click here to view the March 27 performance listing.

Mar
27
Wed
ALVIN AILEY AMERICAN DANCE THEATER
Mar 27 @ 8:00 pm
ALVIN AILEY AMERICAN DANCE THEATER @ Jacobs Music Center - Copley Symphony Hall | San Diego | California | United States

Alvin Ailey American Dance Company

ALVIN AILEY AMERICAN DANCE THEATER

Robert Battle, artistic director
Masazumi Chaya, associate artistic director

Wednesday, March 27, 2019 · 8:00 PM
Jacobs Music Center – Copley Symphony Hall

Regarded as one of the world’s premiere dance companies, Alvin Ailey American Dance Theater is a recipient of the National Medal of Arts and is recognized by a U.S. Congressional resolution as a vital American “Cultural Ambassador to the World.” Having performed in 71 countries on 6 continents for an estimated 23 million people worldwide—as well as millions more through television broadcasts—Alvin Ailey American Dance Theater continues to inspire and unite people of all backgrounds around the globe.

Prelude · 7:00 PM
Prelude interview hosted by Molly Puryear

This performance is Sold Out.

Please note, La Jolla Music Society will present Alvin Ailey American Dance Theater two consecutive evenings, March 26 and 27. The performances will feature a different collection of repertory, and both conclude with the company’s iconic masterpiece, Revelations. Click here to view the March 26 performance listing.


Alvin Ailey American Dance Company

ALVIN AILEY AMERICAN DANCE THEATER

Robert Battle, artistic director
Masazumi Chaya, associate artistic director

Wednesday, March 27, 2019 · 8:00 PM
Jacobs Music Center – Copley Symphony Hall

Timeless Ailey Act I: Choreography by Alvin Ailey
Timeless Ailey Act II: Choreography by Alvin Ailey
Revelations: Choreography by Alvin Ailey

Please note, La Jolla Music Society will present Alvin Ailey American Dance Theater two consecutive evenings, March 26 and 27. The performances will feature a different collection of repertory, and both conclude with the company’s iconic masterpiece, Revelations. Click here to view the March 26 performance listing.

Mar
29
Fri
UKULELE ORCHESTRA OF GREAT BRITAIN
Mar 29 @ 8:00 pm
UKULELE ORCHESTRA OF GREAT BRITAIN @ Balboa Theatre | San Diego | California | United States

Ukulele Orchestra of Great Britain

GEORGE HINCHLIFFE’S
UKULELE ORCHESTRA OF GREAT BRITAIN

Friday, March 29, 2019 · 8:00 PM
Balboa Theatre

Back by popular demand, The Ukulele Orchestra of Great Britain is the original troupe of all-singing, all-strumming, all-ukulele players. Selling out concerts around the globe, these first-rate artists create big fun from small instruments as they slide playfully from Tchaikovsky to Spaghetti Western to Otis Redding.

Buy Tickets

Tickets will be available for purchase at the Balboa Theatre box office beginning at 4:00 PM.

Workshop with the Artists
Friday, March 29, 2019 – 5:30-6:30pm
Open to ticket holders

Join the Ukulele Orchestra of Great Britain at Balboa Theatre in a special Workshop prior to their performance. The artists will demonstrate how they approach arranging songs, highlight the roles of each performer, and inject their own unique “twist” on covers. The Workshop will also include practice of the play-along pieces for the evening’s concert.

Register

Practice for the play-along!
Use the following video and sheet music to practice for The Ukulele Orchestra of Great Britain’s participation piece, so we can all sing and play together.

View Sheet Music

Apr
5
Fri
OPENING NIGHT
Apr 5 @ 8:00 pm
The Conrad

The Conrad Prebys Performing Arts Center Grand Opening Weekend

OPENING NIGHT

Friday, April 5, 2019 · 8:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

From Bach to the Beatles, an evening of stunning performances and musical surprises led by superstar violinist Hilary Hahn, celebrated pianist Jean-Yves Thibaudet, ukulele sensation Jake Shimabukuro, jookin phenom Lil Buck, the revered Miró Quartet, creative technologist Osman Koç, and a special convening of SummerFest Music Directors past and present—Inon Barnatan, Cho-Liang Lin, David Finckel, Wu Han and Heiichiro Ohyama.

Please note, this Opening Weekend event is SOLD OUT.

View Opening Weekend Events

Apr
6
Sat
SEAL: LIVE AT THE CONRAD
Apr 6 @ 8:00 pm
Seal concert Sold Out

The Conrad Prebys Performing Arts Center Grand Opening Weekend

SEAL: LIVE AT THE CONRAD

Saturday, April 6, 2019 · 8:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

In a remarkable career that spans more than two decades, London-born multi-platinum singer-songwriter and four-time GRAMMY® Award winner Seal performs an evening of his greatest hits like “Crazy” and “Kiss from a Rose”, as well as timeless classics originated by Frank Sinatra, Ella Fitzgerald, and Nina Simone from his recent GRAMMY® nominated album Standards.

Please note, this Opening Weekend event is SOLD OUT.

View Opening Weekend Events

Apr
7
Sun
THE HOT SARDINES: JAZZ AT THE JAI
Apr 7 @ 8:00 pm

The Hot Sardines

The Conrad Prebys Performing Arts Center Grand Opening Weekend

THE HOT SARDINES: JAZZ AT THE JAI

Sunday, April 7, 2019 · 8:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Simply phenomenal, The Hot Sardines are on a mission to make famous music of a bygone era come alive through their brassy horn arrangements, rollicking piano melodies, and vocals from a chanteuse who transports listeners to a different time. In the hot jazz movement, The Hot Sardines stand apart for the innovation, verve, and sheer joy they bring to the stage.

Please note, tickets to this event are sold out.


Apr
9
Tue
JERUSALEM QUARTET
Apr 9 @ 8:00 pm
JERUSALEM QUARTET @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Jerusalem Quartet

JERUSALEM QUARTET

Tuesday, April 9, 2019 · 8:00 PM
The Baker-Baum Concert Hall

La Jolla Music Society is happy to welcome back The Jerusalem Quartet – regularly featured on the Revelle Chamber Music series. Since the ensemble’s founding in 1993 and subsequent 1996 debut, these four Israeli musicians have embarked on a journey of growth and maturation. This journey has resulted in a wide repertoire and stunning depth of expression.

“Passion, precision, warmth, a gold blend: these are the trademarks of this excellent Israeli string quartet.” – The New York Times

Prelude · 7:00 PM
Prelude lecture

Buy Tickets

JERUSALEM QUARTET

HAYDN · String Quartet in G Major, Op. 76, No. 1

DEBUSSY · String Quartet in G Minor

BEETHOVEN · String Quartet in E-flat Major, Op. 127

Apr
11
Thu
SAN DIEGO SYMPHONY PRESENTS INON BARNATAN
Apr 11 @ 7:30 pm
Inon Barnatan

SAN DIEGO SYMPHONY PRESENTS:
RAVEL AND DVORÁK WITH INON BARNATAN

April 11, 2019 · 7:30 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

Join the San Diego Symphony String Quartet, principal wind musicians of the San Diego Symphony and La Jolla Music Society’s SummerFest Music Director, pianist Inon Barnatan, for an unforgettable chamber music concert in San Diego’s newest intimate concert venue at The Conrad in Downtown La Jolla!

BUY TICKETS

Learn more about the San Diego Symphony at www.sandiegosymphony.org.


SAN DIEGO SYMPHONY PRESENTS:
RAVEL AND DVORÁK WITH INON BARNATAN

Special Guest Artist: Inon Barnatan, piano

San Diego Symphony String Quartet:
Jeff Thayer, violin
Alexander Palamidis, violin
Chi-Yuan Chen, viola
Yao Zhao, cello

Rose Lombardo, flute
Sarah Skuster, oboe
Sheryl Renk, clarinet
Valentin Martchev, bassoon
Benjamin Jaber, horn

PROGRAM:

RAVEL · Le Tombeau de Couperin (arr. Mason Jones)
RAVEL · La valse, poème chorégraphique (piano solo, transcription by composer)
DVORÁK · Piano Quintet No. 2 in A Major, Op. 81

Apr
12
Fri
MIDORI & JEAN-YVES THIBAUDET
Apr 12 @ 8:00 pm
MIDORI & JEAN-YVES THIBAUDET @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Sold Out

MIDORI & JEAN-YVES THIBAUDET

Friday, April 12, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Midori regularly transfixes audiences around the world, bringing together graceful precision and intimate expression that allows the listening public to not just hear music but to be personally moved by it.  For more than three decades, Jean-Yves Thibaudet has performed world-wide, recorded more than 50 albums, and built a reputation as one of today’s finest pianists.

Prelude · 7:00 PM
Prelude lecture

Buy Tickets

MIDORI & JEAN-YVES THIBAUDET

SCHUMANN · Sonata in A Minor, Op. 105

FAURÉ · Sonata No.1 in A Major, Op. 13

DEBUSSY · Sonata for Violin and Piano

ENESCU · Sonata No. 3 in A Minor

Apr
13
Sat
NPR’S FROM THE TOP
Apr 13 @ 6:00 pm
NPR'S FROM THE  TOP @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

NPR's From The Top

NPR’S FROM THE TOP

Saturday, April 13, 2019 · 6:00 PM
The Baker-Baum Concert Hall

Join the studio audience at The Conrad Prebys Performing Arts Center for a live taping of From the Top, one of National Public Radio’s most popular weekly music programs. From the Top shares the stories and performances of pre-college classical musicians with more than 700,000 listeners each week. Vijay Gupta, violinist, social justice advocate, and 2018 MacArthur Fellow, hosts the program and will be joined by special guests include the San Diego Youth Symphony Chamber Orchestra.

Buy Tickets

Guest Host: Vijay Gupta, 2018 MacArthur Fellow

Vijay Gupta is a violinist and social justice advocate providing musical enrichment and valuable human connection to the homeless, incarcerated, and other under-resourced communities in Los Angeles. After joining the Los Angeles Philharmonic as a young violinist, Gupta began to give lessons to Nathaniel Ayers, a Juilliard-trained musician whose mental illness led to homelessness. This experience motivated him to play for the homeless and mentally ill living on Skid Row, an area of concentrated poverty and homelessness in downtown Los Angeles and, eventually, to cofound the not-for-profit Street Symphony.


NPR’S FROM THE TOP

San Diego Youth Symphony Chamber Orchestra
IX. Scherzo: Presto assai e molto leggiero from The Comedians, Op. 26 by Dmitry Kabalevsky (1904-1987) with conductor Jeff Edmons

Pianist George Li with the San Diego Youth Symphony Chamber Orchestra
II. Romance. Larghetto from Piano Concerto No.1, Op.11 by Frédéric Chopin (1810-1849) with conductor Jeff Edmons

Piazzolla Trio:
Audrey Park, Violin, 16, from Valencia, CA
Kevin Song, Cello, 16, from San Diego, CA
Michelle Cann, Piano

Primavera Porteña from “The 4 Seasons of Buenos Aires” by Astor Piazzolla (1921-1992)

Vijay Gupta, violin
“Hallelujah” by Leonard Cohen

Vijay Gupta, violin, and Kevin Song, cello
II. Très vif from the Sonata for Violin and Cello by Maurice Ravel (1875-1937)

Phoebe Rawn, Flute, 18, from Seattle, WA
Andante Pastoral et Scherzettino by Paul Taffanel (1844-1908), with Michelle Cann, piano

Logan Wadley, Tuba, 18, from Vermillion, SD
I. Allegro pesante from the Sonata for Tuba and Piano by Paul Hindemith (1895-1963), with Michelle Cann, piano

Apr
14
Sun
GEORGE LI
Apr 14 @ 3:00 pm
GEORGE LI @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States
George Li

GEORGE LI, piano

Sunday, April 14, 2019 · 3:00 PM
The Baker-Baum Concert Hall

Pianist George Li possesses brilliant virtuosity and effortless grace far beyond his years. He captured the Silver Medal at the 2015 International Tchaikovsky Competition and was the recipient of the 2016 Avery Fisher Career Grant.

“…staggering technical prowess, a sense of command, and depth of expression” – The Washington Post

Musical Prelude · 2:00 PM
Performance by students from the San Diego Youth Symphony and Conservatory

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GEORGE LI, piano

BEETHOVEN · Piano Sonata No.21 in C Major, Op. 53 ‘Waldstein’

LISZT · Sonetto 104 del Petrarca

LISZT · Les jeux d’eaux à la Villa d’Este

LISZT · Réminiscences de Don Juan

Apr
16
Tue
ART OF ELAN @ THE CONRAD
Apr 16 @ 7:00 pm
Art of Elan

ART OF ELAN @ THE CONRAD

April 16, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Be a part of history and join Art of Elan as they present the very first public chamber music performance in the JAI cabaret space at La Jolla Music Society’s new performance venue, The Conrad Prebys Performing Arts Center. Featuring colorful works by Erwin Schulhoff, Huang Ruo, Caroline Shaw and the world premiere of a clarinet quintet by Colin Jacobsen, this not-to-be-missed event will feature the internationally acclaimed string quartet Brooklyn Rider, as well as principal players from the San Diego Symphony.

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Seating will be available on a first come, first served basis at your assigned table. General Admission seating in the center rows are first come, first served as well.

Learn more about Art of Elan at artofelan.org.


ART OF ELAN @ THE CONRAD

April 16, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Erwin Schulhoff · Concertino for flute, viola and double bass

Huang Ruo · 4 Fragments for solo violin

Caroline Shaw · Schisma for string quartet (west coast premiere)

Colin Jacobsen · Starlighter for clarinet and string quartet (world premiere; co-commission with La Jolla Music Society)

Apr
17
Wed
DANIIL TRIFONOV
Apr 17 @ 8:00 pm
DANIIL TRIFONOV @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States
Daniil Trifonov

DANIIL TRIFONOV, piano

Wednesday, April 17, 2019 · 8:00 PM
The Baker-Baum Concert Hall

GRAMMY© award-winning Russian pianist Daniil Trifonov has made a spectacular ascent in the world of classical music as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe.

“Without question, the most astounding pianist of our age.” – The Times of London

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Daniil Trifonov

DANIIL TRIFONOV, piano

BEETHOVEN · Andante Favori in F Major, WoO.57

BEETHOVEN · Sonata No. 18, Op. 31, No. 3

SCHUMANN · Selections from Bunte Blätter, Op. 99

SCHUMANN · Presto Passionato, Op. 22

PROKOFIEV · Piano Sonata No. 8 in B-flat Major, Op. 84

Apr
18
Thu
ANOUSHKA SHANKAR
Apr 18 @ 8:00 pm
ANOUSHKA SHANKAR @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

ANOUSHKA SHANKAR, sitar

Thursday, April 18, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Anoushka Shankar, sitar
Ojas Adhiya, tabla
Pirashanna Thevarajah, mridangam
Ravichandra Kulur, flute
Danny Keane, cello & piano
Kenji Ota, tanpura

Sitar  player  and  composer  Anoushka Shankar—daughter of legendary sitar master Ravi Shankar and former Encinitas resident—is  a  singular  figure  in  the  Indian  classical  and  progressive  world  music  scenes.  Her  dynamic  and  spiritual  musicality  has  garnered  several  prestigious  accolades  including  six  GRAMMY®  award  nominations.  In her  new  program,  she draws  on  classical ragas,  referencing  the  experiences  she’s  built  along  the  way  and  experimenting  with  new  ideas  in  a  cross cultural  dialogue showcasing  the  versatility  of  the  sitar  across  musical  genres.

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Apr
24
Wed
CHRIS THILE
Apr 24 @ 8:00 pm
CHRIS THILE @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

CHRIS THILE

Wednesday, April 24, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Multiple Grammy© Award-winner and MacArthur Fellow Chris Thile, a member of Punch Brothers and Nickel Creek, and now the host of the radio program, Live from Here, is a mandolin virtuoso, composer and vocalist. With his broad outlook, Thile transcends the borders of conventionally circumscribed genres, creating a distinctly American canon and a new musical aesthetic for performers and audiences alike. His most recent album, Thanks for Listening, is a collection of songs of “gentle humor and musical imagination” (Uncut) from Live From Here’s popular “Song of the Week” segment.

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Apr
25
Thu
GIL SHAHAM & AKIRA EGUCHI
Apr 25 @ 8:00 pm
GIL SHAHAM & AKIRA EGUCHI @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Gil Shaham & Akira Eguchi

GIL SHAHAM & AKIRA EGUCHI

Thursday, April 25, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Longtime friend of La Jolla Music Society Gil Shaham has solidified his renown as an American violin master. Named Musical America’s Instrumentalist of the Year, Shaham is sought after for concerto appearances with leading orchestras and conductors around the globe.

Shaham is joined by longtime collaborator, pianist Akira Eguchi, distinguished for his performances for heads of State, including American Presidents and the Emperor and Empress of Japan.

Prelude · 7:00 PM
Prelude lecture

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GIL SHAHAM & AKIRA EGUCHI

KREISLER · Praeludium and Allegro

WHEELER · The Singing Turk: Sonata No.2 for Violin and Piano

DORMAN · Nigunim (Sonata No. 3)

J.S. BACH · Partita No.3 in E Major for Solo Violin, BWV 1006

FRANCK · Sonata in A Major for Violin and Piano

Apr
26
Fri
SAN DIEGO SYMPHONY
Apr 26 @ 8:00 pm
SAN DIEGO SYMPHONY @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

San Diego Symphony

SAN DIEGO SYMPHONY
JEANNETTE SORRELL, conductor & harpsichord soloist

Friday, April 26, 2019 · 8:00 PM
The Baker-Baum Concert Hall

La Jolla Music Society celebrates San Diego’s vibrant and collaborative arts community with a presentation from the San Diego Symphony. Led by Jeannette Sorrell, 2019 GRAMMY Award-winner and one of today’s most compelling interpreters of Baroque and Classical repertoire, the program of Baroque music will include works by J.S. Bach and Handel.

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Please note, Matthew Halls will not participate in this program due to a family health emergency.


SAN DIEGO SYMPHONY
JEANNETTE SORRELL, conductor & harpsichord soloist

Handel · Selections from Water Music and Fireworks Music Suites
J.S. Bach · Brandenburg Concerto No. 3 in G major, BWV 1048
J.S. Bach · Brandenburg Concerto No. 5 in D major, BWV 1050
Handel · Entrée (Jalousie) and Chaconne from Terpsichore (Il Pastor fido)
Handel · Selections from Water Music and Fireworks Music Suites

Apr
27
Sat
HIROMI: SOLO (CANCELLED)
Apr 27 @ 8:00 pm
HIROMI: SOLO (CANCELLED) @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Hiromi

HIROMI: SOLO

Saturday, April 27, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Unfortunately, Hiromi must cancel performances through August 2019 under advisement from her doctor regarding her pregnancy.

CANCELLED


Apr
28
Sun
CANTAMORE CHORUS PRESENTS SPRING MUSIC FESTIVAL
Apr 28 @ 6:30 pm
Cantamore Chorus

CANTAMORE CHORUS PRESENTS:
SPRING MUSIC FESTIVAL

APRIL 28, 2019 · 6:30 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

Cantamore, a choral group of men and women of Korean descent, is recognized for delicate yet powerful expression and performances. Presenting repertoire ranging across all genres to produce musical expression in its most elevated form, Cantamore will be joined by numerous musical talents from the local community including young musicians.

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This Rental Event at The Conrad Prebys Performing Arts Center is presented by Cantamore. Learn more about the Cantamore Chorus at cantamore.org.


May
3
Fri
GARRICK OHLSSON: BRAHMS EXPLORATION
May 3 @ 8:00 pm
GARRICK OHLSSON: BRAHMS EXPLORATION @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Garrick Ohlsson

GARRICK OHLSSON: BRAHMS EXPLORATION

Friday, May 3, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Since his triumph as winner of the 1970 Chopin International Piano Competition, pianist Garrick Ohlsson has established himself worldwide as a musician of magisterial, interpretive, and technical prowess.

“A born Brahmsian, equipped at the highest level with the necessary speed and power.” — BBC Music Magazine

Prelude · 7:00 PM
Prelude Lecture by Seth Lerer

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GARRICK OHLSSON, piano

BRAHMS · Six Pieces, Op. 118

BRAHMS · Sonata in F-sharp Minor, Op. 2

BRAHMS · Intermezzi, Op. 117

BRAHMS · Variations and Fugue on a Theme by Handel, Op. 24

May
4
Sat
STORM LARGE & LE BONHEUR
May 4 @ 8:00 pm
STORM LARGE & LE BONHEUR @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE & LE BONHEUR

Saturday, May 4, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Singer, actor, author, and playwright Storm Large makes a triumphant return to La Jolla Music  Society with her band Le Bonheur.

Best known as a guest vocalist for Pink Martini, Storm and her band perform American songbook classics, Broadway tearjerkers, and rock anthems with ferocity and a wicked sense of humor. Enjoy an eclectic mix of sublime and subversive interpretations of classic songs from the rock and roll cannon and the Great American Songbook.

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May
9
Thu
THE TRIPLETS OF BELLEVILLE
May 9 @ 8:00 pm
The Triplets of Belleville

THE TRIPLETS OF BELLEVILLE

Thursday, May 9, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Benoit Charest leads Le Terrible Orchestre de Belleville in the live performance of his original score for the film The Triplets of Belleville, including his ACADEMY AWARD® nominated best song “Belleville de Rendez-Vous.” In the spirit of the film, Le Terrible Orchestre de Belleville transports audiences to the exciting streets of 1920’s Paris and Le Jazz Hot.

Prelude · 7:00 PM
Prelude interview by Robert John Hughes

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Jazz 88
The Triplets Of Belleville on Jazz 88.3’s “Inside Art”

LISTEN
Jazz 88.3 FM is a proud media sponsor of this performance.


May
10
Fri
DAVID FINCKEL & WU HAN
May 10 @ 8:00 pm
DAVID FINCKEL & WU HAN @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

David Finckel & Wu Han

DAVID FINCKEL & WU HAN

Friday, May 10, 2019 · 8:00 PM
The Baker-Baum Concert Hall

David Finckel and Wu Han are among the most esteemed and influential classical musicians in the world today.  They are recipients of Musical America’s Musicians of the Year award, one of the highest honors granted by the music industry. Their duo performances have garnered superlatives from the press, public, and presenters alike. La Jolla Music Society welcomes these two previous SummerFest music directors home.

Prelude · 7:00 PM
Prelude lecture

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DAVID FINCKEL & WU HAN

The Unfolding of Music

J.S. BACH · Sonata in G Major for Viola da Gamba and Keyboard, BWV 1027

BEETHOVEN · Sonata in C Major for Cello and Piano, Op. 102, No. 1

MENDELSSOHN · Sonata No. 2 in D Major for Cello and Piano, Op. 58

DEBUSSY · Sonata in D Minor for Cello and Piano

BRITTEN · Sonata in C Major for Cello and Piano, Op. 65

May
11
Sat
STORM LARGE’S CRAZY ENOUGH
May 11 @ 8:00 pm
STORM LARGE'S CRAZY ENOUGH @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE’S CRAZY ENOUGH

Saturday, May 11, 2019 · 8:00 PM
The Baker-Baum Concert Hall

An autobiographical musical written and performed by Storm Large, Crazy Enough is about staying alive and living fully in the moment. Part cabaret, part confessional, and part comedy, the show reveals how she grew up with a schizophrenic mother and the way music helped her to overcome heartache. In painful and humorous detail, Storm Large takes her audience on a gritty journey, showing us what it takes sometimes just to survive.

“An empowering look at how one woman has managed, despite repeated heartaches and screw-ups, to stay aware of the preciousness of life.” – The Oregonian

MATURE CONTENT: Please be advised that this performance will contain adult content and explicit language. Children below the age of 12 will not be admitted.

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Please note, La Jolla Music Society will present Storm Large’s Crazy Enough two consecutive evenings, May 11 and 12. Click here to view the May 12 performance listing.


May
12
Sun
STORM LARGE’S CRAZY ENOUGH
May 12 @ 3:00 pm
STORM LARGE'S CRAZY ENOUGH @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

Storm Large

STORM LARGE’S CRAZY ENOUGH

Sunday, May 12, 2019 · 3:00 PM
The Baker-Baum Concert Hall

An autobiographical musical written and performed by Storm Large, Crazy Enough is about staying alive and living fully in the moment. Part cabaret, part confessional, and part comedy, the show reveals how she grew up with a schizophrenic mother and the way music helped her to overcome heartache. In painful and humorous detail, Storm Large takes her audience on a gritty journey, showing us what it takes sometimes just to survive.

“An empowering look at how one woman has managed, despite repeated heartaches and screw-ups, to stay aware of the preciousness of life.” – The Oregonian

MATURE CONTENT: Please be advised that this performance will contain adult content and explicit language. Children below the age of 12 will not be admitted.

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Please note, La Jolla Music Society will present Storm Large’s Crazy Enough two consecutive evenings, May 11 and 12. Click here to view the May 11 performance listing.


May
14
Tue
SAN DIEGO SYMPHONY PRESENTS MICHAEL BARENBOIM
May 14 @ 7:30 pm
Michael Barenboim

SAN DIEGO SYMPHONY PRESENTS:
MICHAEL BARENBOIM PLAYS BRAHMS AT THE CONRAD

May 14, 2019 · 7:30 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

The San Diego Symphony’s Chamber Music Series comes to a grand finale at The Conrad with a concert featuring key members of the Symphony’s string and wind sections performing with acclaimed violinist Michael Barenboim in a program of outstanding works by Janácek and Brahms.

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Learn more about the San Diego Symphony at www.sandiegosymphony.org.


SAN DIEGO SYMPHONY PRESENTS:
MICHAEL BARENBOIM PLAYS BRAHMS AT THE CONRAD

Special Guest Artist: Michael Barenboim, violin

Hanah Stuart, violin
Ethan Pernela, viola
Dorothy Zeavin, viola
Marcia Bookstein, cello
Andrew Hayhurst, cello
Diana Morgan, flute and piccolo
Andrea Overturf, oboe
Theresa Tunnicliff, clarinet
Frank Renk, bass clarinet
Ryan Simmons, bassoon
Darby Hinshaw; horn
Tina Chong, piano

PROGRAM:

JANÁCEK · Violin Sonata
JANÁCEK · Youth for Wind Sextet
BRAHMS · Sextet No. 2 in G Major, Op. 36

May
16
Thu
ANAT COHEN QUARTET
May 16 @ 7:00 pm
Anat Cohen

ANAT COHEN QUARTET

Thursday, May 16, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Clarinetist and saxophonist Anat Cohen has taken the jazz world by storm, winning hearts and minds the world over with her expressive virtuosity and delightful stage presence. As JazzTimes says, “With the clarinet she becomes a singer, a dancer, a poet, a mad scientist, laughing — musically — with the sheer delight of reaching that new place, that new feeling, with each chorus.” An established bandleader and prolific composer, the Anat Cohen Quartet program is a unique blend of modern and traditional jazz, classical music, Brazilian choro, Argentine tango, and an expansive timeline of Afro-Cuban styles. The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air‘s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”

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Seating will be available on a first come, first served basis at your assigned table. Small bites and beverages will be available from Snake Oil Cocktail Company.
Preview The JAI Menu
Please note, La Jolla Music Society will present the Anat Cohen Quartet at 7:00 PM and 9:00 PM. Click here to view the 9:00 PM performance listing.


ANAT COHEN QUARTET
May 16 @ 9:00 pm
Anat Cohen

ANAT COHEN QUARTET

Thursday, May 16, 2019 · 9:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Clarinetist and saxophonist Anat Cohen has taken the jazz world by storm, winning hearts and minds the world over with her expressive virtuosity and delightful stage presence. As JazzTimes says, “With the clarinet she becomes a singer, a dancer, a poet, a mad scientist, laughing — musically — with the sheer delight of reaching that new place, that new feeling, with each chorus.” An established bandleader and prolific composer, the Anat Cohen Quartet program is a unique blend of modern and traditional jazz, classical music, Brazilian choro, Argentine tango, and an expansive timeline of Afro-Cuban styles. The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air‘s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table. Small bites and beverages will be available from Snake Oil Cocktail Company.
Preview The JAI Menu
Please note, La Jolla Music Society will present the Anat Cohen Quartet at 7:00 PM and 9:00 PM. Click here to view the 7:00 PM performance listing.


May
19
Sun
RICHARD LIN, 2018 INDIANAPOLIS VIOLIN COMPETITION WINNER
May 19 @ 3:00 pm
RICHARD LIN, 2018 INDIANAPOLIS VIOLIN COMPETITION WINNER @ The Baker-Baum Concert Hall @ The Conrad | San Diego | California | United States

RICHARD LIN, violin
WINNER OF THE 2018 INTERNATIONAL VIOLIN COMPETITION OF INDIANAPOLIS

CHIH-YI CHEN, piano

Sunday, May 19, 2019 · 3:00 PM
The Baker-Baum Concert Hall

Musical Prelude · 2:00 PM
Performance by students from the San Diego Youth Symphony and Conservatory

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RICHARD LIN, violin

CHIH-YI CHEN, piano

GRIEG · Sonata No. 3 for Violin and Piano in C minor, Opus 45

POULENC · Sonata for Violin and Piano, FP 119

BRAHMS · Sonata for Violin and Piano in D minor, Opus 108

RAFF · Cavatina Opus 85, No. 3

SARASATE · Zigeunerweisen for Violin and Piano, Opus 20 (Gypsy Airs)

May
25
Sat
RESOUNDING JOY PRESENTS HEART OF A CHILD
May 25 @ 7:00 pm
Heart of a Child

RESOUNDING JOY PRESENTS:
HEART OF A CHILD

May 25, 2019 · 7:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

Now in it’s 8th year, “Heart of a Child” has become the premier showcase of young musical talent in San Diego. This benefit concert features a diverse array of talented vocalists and instrumentalists performing a variety of musical genres with acts both large and small. Performers have appeared on network television, played Carnegie Hall and won national competitions. You won’t want to miss this once-a-year musical celebration. All proceeds of the concert go to support Resounding Joy’s Ariana Miller Music with Heart Program providing no-cost music therapy to patients at Rady Children’s Hospital in San Diego.

Reception and Silent Auction at 5:30 pm
Concert at 7 pm

Full Price Ticket: $27 plus $3 facility fee
VIP Ticket (preferred reserve seating, VIP drink & raffle tickets): $97 plus $3 facility fee

For more information visit ResoundingJoyInc.org.

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This Rental Event at The Conrad Prebys Performing Arts Center is presented by Resounding Joy. Learn more about the Resounding Joy and Heart of a Child at resoundingjoyinc.org.


May
26
Sun
AFTER SCHOOL LEARNING TREE PRESENTS CHINESE DANCE GALA
May 26 @ 6:30 pm
Chinese Dance Gala

AFTER SCHOOL LEARNING TREE PRESENTS:
THE SECOND CHINESE DANCE GALA IN SAN DIEGO

MAY 26, 2019 · 6:30 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

The Second Annual Chinese Dance Gala will bring together eight dance companies including San Diego Ballet and Ling’s Dance Academy from Los Angeles. Additionally, the Bruce Li Dance Company and After School Learning Tree will delight audiences with Chinese Classical dance, featuring a variety of traditional dances and beautiful, colorful costumes. Adding a modern component, the Michelle Liu Pop Music Studio will entertain with contemporary and creative hip hop and break dancing.

Tickets are currently unavailable for this Rental Event at The Conrad Prebys Performing Arts Center, presented by After School Learning Tree.

Learn more about After School Learning Tree at www.yucailearningtree.com.


May
30
Thu
MAINLY MOZART PRESENTS FESTIVAL OPENING CONCERT
May 30 @ 8:00 pm
Derek Paravicini

MAINLY MOZART PRESENTS:
FESTIVAL OPENING CONCERT

Thursday, May 30, 2019
Derek Paravicini, piano
8:00 PM Concert | 10:00 PM VIP Reception
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

Back by popular demand blind and autistic piano virtuoso Derek Paravicni has wowed audiences across Europe and the United States. This concert is a part of Mozart & the Mind.

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This Rental Event at The Conrad Prebys Performing Arts Center is presented by Mainly Mozart. Learn more at www.mainlymozart.org.


Jun
2
Sun
BALLET INSTITUTE OF SAN DIEGO PRESENTS 12 DANCING PRINCESSES
Jun 2 @ 12:00 pm
Ballet Institute of San Diego

BALLET INSTITUTE OF SAN DIEGO PRESENTS:
12 DANCING PRINCESSES

June 2, 2019 · 12:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

It is rare to see classical ballet for children by children. The US premiere of “12 Dancing Princesses” presented by Ballet Institute of San Diego follows the famous Brother Grim’s story accompanied by P.I. Tchaikovsky’s music: nobody can repress the girls’ desire for beauty and dance. At the Ballet Institute we believe it is of utmost importance to teach our students classical values and art appreciation, and to embrace their creativity. The magic dance world attracts everyone looking for elegance, passion and the secrets of music.

Music by P.I Tchaikovsky
Choreography by Z Baikstyte & Egle Spokaite
Costume Design by Jolanda Imbrasiene

BUY TICKETS
This Rental Event at The Conrad Prebys Performing Arts Center is presented by the Ballet Institute of San Diego. Learn more at balletinstituteSD.com.

Please note, 12 Dancing Princesses will be presented at both 12:00 pm and 5:00 pm. Click here to view the 5:00 pm performance listing.


BALLET INSTITUTE OF SAN DIEGO PRESENTS 12 DANCING PRINCESSES
Jun 2 @ 5:00 pm
Ballet Institute of San Diego

BALLET INSTITUTE OF SAN DIEGO PRESENTS:
12 DANCING PRINCESSES

June 2, 2019 · 5:00 PM
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

It is rare to see classical ballet for children by children. The US premiere of “12 Dancing Princesses” presented by Ballet Institute of San Diego follows the famous Brother Grim’s story accompanied by P.I. Tchaikovsky’s music: nobody can repress the girls’ desire for beauty and dance. At the Ballet Institute we believe it is of utmost importance to teach our students classical values and art appreciation, and to embrace their creativity. The magic dance world attracts everyone looking for elegance, passion and the secrets of music.

Music by P.I Tchaikovsky
Choreography by Z Baikstyte & Egle Spokaite
Costume Design by Jolanda Imbrasiene

BUY TICKETS
This Rental Event at The Conrad Prebys Performing Arts Center is presented by the Ballet Institute of San Diego. Learn more at balletinstituteSD.com.

Please note, 12 Dancing Princesses will be presented at both 12:00 pm and 5:00 pm. Click here to view the 12:00 pm performance listing.


Jun
8
Sat
JAZZMEIA HORN
Jun 8 @ 7:00 pm
Jazzmeia Horn

JAZZMEIA HORN

Saturday, June 8, 2019 · 7:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Grammy Award nominated vocalist Jazzmeia Horn has a name that speaks for itself, capturing her very essence. Since winning the Thelonious Monk Competition in 2015, Jazzmeia’s star has continued to rise, along with her reputation as an artist with an assured maturity and a vocal confidence far beyond her years. JazzTimes exclaims that Jazzmeia’s “vivacity, imagination, gutsiness and sociopolitical savvy echo the likes of Carter and Abbey Lincoln. Simply put, she is as exciting a discovery as Cécile McLorin Salvant or Gregory Porter.” Her debut album, A Social Call, was released on Concord’s Prestige label to overwhelming acclaim from critics and fans alike, earning Jazzmeia her first Grammy Award nomination for Best Jazz Vocal Album. Great story-telling, an inspired message, fluid vocals, scat-singing, and spirited group performances – A Social Call features all one would hope to hear from a veteran vocalist of longstanding reputation. As such, the album serves as a clarion call, proudly announcing the arrival of a young, confident musical talent with a bright future ahead of her, blessed with a name that carries its own destiny. Jazzmeia looks forward to her sophomore release in early summer 2019.

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table.
Please note, La Jolla Music Society will present Jazzmeia Horn at 7:00 PM and 9:00 PM. Click here to view the 9:00 PM performance listing.


JAZZMEIA HORN
Jun 8 @ 9:00 pm
Jazzmeia Horn

JAZZMEIA HORN

Saturday, June 8, 2019 · 9:00 PM
The JAI @ The Conrad Prebys Performing Arts Center

Grammy Award nominated vocalist Jazzmeia Horn has a name that speaks for itself, capturing her very essence. Since winning the Thelonious Monk Competition in 2015, Jazzmeia’s star has continued to rise, along with her reputation as an artist with an assured maturity and a vocal confidence far beyond her years. JazzTimes exclaims that Jazzmeia’s “vivacity, imagination, gutsiness and sociopolitical savvy echo the likes of Carter and Abbey Lincoln. Simply put, she is as exciting a discovery as Cécile McLorin Salvant or Gregory Porter.” Her debut album, A Social Call, was released on Concord’s Prestige label to overwhelming acclaim from critics and fans alike, earning Jazzmeia her first Grammy Award nomination for Best Jazz Vocal Album. Great story-telling, an inspired message, fluid vocals, scat-singing, and spirited group performances – A Social Call features all one would hope to hear from a veteran vocalist of longstanding reputation. As such, the album serves as a clarion call, proudly announcing the arrival of a young, confident musical talent with a bright future ahead of her, blessed with a name that carries its own destiny. Jazzmeia looks forward to her sophomore release in early summer 2019.

BUY TICKETS
Seating will be available on a first come, first served basis at your assigned table.
Please note, La Jolla Music Society will present Jazzmeia Horn at 7:00 PM and 9:00 PM. Click here to view the 7:00 PM performance listing.


Jun
23
Sun
MAINLY MOZART PRESENTS THE VOICE OF THE GUITAR
Jun 23 @ 8:00 pm

Mainly Mozart CANCELED

MAINLY MOZART PRESENTS:
THE VOICE OF THE GUITAR

Sunday, June 23, 2019
Miloš Karadaglic, classical guitar
The Baker-Baum Concert Hall @ The Conrad Prebys Performing Arts Center

For health reasons, guitarist Miloš Karadaglic has had to cancel his performances with The Mainly Mozart Festival. For that reason, Mainly Mozart has to take the unusual step of canceling The Voice of the Guitar performance that was scheduled for June 23 at The Conrad. For more information please contact Mainly Mozart at 619.239.0100 / MainlyMozart.org. Please note, refunds will be processed for all ticket buyers within 30 days.


Aug
2
Fri
OPENING NIGHT: THE TIME TRAVELER’S SUITE
Aug 2 @ 8:00 pm

SUMMERFEST OPENING NIGHT:
THE TIME TRAVELER’S SUITE

FRIDAY, AUGUST 2, 2019 · 8 PM
The Baker-Baum Concert Hall

Inspired by a Baroque dance suite, join us for a time-traveling musical adventure exploring how deeply connected music can be across centuries. After intermission, the journey continues with a new work by the dynamic young composer and pianist Conrad Tao, concluding with Rachmaninoff’s breathtakingly powerful Suite for Two Pianos.

Prelude · 7:00 PM
Interview with SummerFest Music Director Inon Barnatan, hosted by Eric Bromberger


SUMMERFEST OPENING NIGHT:
THE TIME TRAVELER’S SUITE

J.S. BACH · Allegro from Brandenburg Concerto No. 2 in F Major, BWV, 1047
HANDEL · Adagio from Trio for Two Violins and Continuo, Op. 2, No. 5
RAMEAU · La Poule from 6 concerts transcrits en sextour
Entrée de Polymnie from Les Boreades
COUPERIN · Les Baricades Mistérieuses (arr. Ades)
RAVEL · Rigaudon from Le Tombeau de Couperin
STRAVINSKY · Serenata from Suite Italienne for Cello and Piano
CHARLES WUORINEN · Selections from Bearbeitungen Über Das Glogauer Liederbuch
CONNESSON · Techno Parade for Flute, Clarinet and Piano
J.S.BACH · Finale from Brandenburg Concerto No. 2 in F Major, BWV, 1047

Erin Keefe, violin; Stefan Jackiw, Ben Beilman, violins; Masumi Per Rostad, viola; Alisa Weilerstein, cello; Timothy Cobb, bass; Henrik Heide, flute; James Austin Smith, oboe; Anthony McGill, clarinet; Frank Renk, bass clarinet; Inon Barnatan, harpsichord

CONRAD TAO · “All I had forgotten or tried to” (2019) · WORLD PREMIÈRE
Stefan Jackiw, violin; Conrad Tao, piano

HALVORSEN · Passacaglia (after Handel)
Benjamin Beilman, violin; Alisa Weilerstein, cello

RACHMANINOFF · Suite No. 2 for Two Pianos, Opus 17
Inon Barnatan, Conrad Tao, pianos

Aug
3
Sat
SONGS OF HEAVEN AND EARTH
Aug 3 @ 8:00 pm
Songs of Heaven and Earth

SONGS OF HEAVEN AND EARTH

SATURDAY, AUGUST 3, 2019 · 8 PM
The Baker-Baum Concert Hall

From J.S. Bach’s intimate portrayal of a man’s sublime resignation and yearning to Messiaen’s achingly beautiful movement from his Quartet For the End of Time, Songs of Heaven and Earth offers the distinctively unique ideas of three brilliant composers’ perceptions of heavenly voices. The program closes with soprano Susanna Phillips, whose voice The New York Times describes as “warm and shimmering,” singing “Das himmlische Leben” in Mahler’s sunniest and most intimate symphony presenting a child’s vision of the heavens.

Prelude · 7:00 PM
Lecture by Eric Bromberger

BUY TICKETS

SONGS OF HEAVEN AND EARTH

J.S. BACH · Ich habe genug, BWV 82a
Tyler Duncan, baritone; James Austin Smith, oboe; Stefan Jackiw, Andrew McIntosh, violins; Masumi Per Rostad, viola; Kenneth Olsen, cello; Timothy Cobb, bass; Tina Chong, harpsichord

MESSIAEN · Louange à l’Immortalité de Jésus from Quatuor pour la fin du temps
Stefan Jackiw, violin; Conrad Tao, piano

MAHLER · Symphony No. 4 in G Major (arr. Erwin Stein)
Susanna Phillips, soprano; Erin Keefe, Ben Beilman, violins; Masumi Per Rostad, viola; Alisa Weilerstein, cello; Timothy Cobb, bass; Henrik Heide, flute/piccolo; James Austin Smith, oboe/english horn; Anthony McGill, clarinet/bass clarinet; Valentin Martchev, bassoon; Dustin Donahue, percussion; Inon Barnatan, piano; Patricia Mabee, harmonium; Osmo Vänskä, conductor

Aug
4
Sun
ANCIENT VOICES
Aug 4 @ 3:00 pm