Mar
15
Sat
JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS
Mar 15 @ 8:00 pm
JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS @ Balboa Theatre | San Diego | California | United States

Jazz at Lincoln Center Orchestra with Wynton Marsalis

La Jolla Music Society opens this Season’s Jazz Series with Jazz at Lincoln Center Orchestra with Wynton Marsalis.

Under the musical leadership of Pulitzer Prize and nine-time Grammy® Award Winner Wynton Marsalis, the world-renowned jazz orchestra brings together the finest soloists, ensemble players and arrangers in jazz music today. Called the “greatest large jazz ensemble working today” by The Chicago Tribune, JLCO has toured nearly 400 cities in more than 35 countries on 6 continents. Their San Diego program will feature repertoire from some of the most influential composers in jazz, including Duke Ellington, Count Basie and Billy Strayhorn.


Meet the Company:

Claudia Russell, Director of Programming for Jazz 88.3 hosts an informal conversation with a Jazz at Lincoln Center Orchestra member, Ted Nash.

Apr
12
Sat
RAMSEY LEWIS & JOHN PIZZARELLI
Apr 12 @ 8:00 pm
RAMSEY LEWIS & JOHN PIZZARELLI @ Balboa Theatre | San Diego | California | United States

Straighten Up & Fly Right – The Nat King Cole Tribute
Ramsey Lewis & John Pizzarelli

La Jolla Music Society closes this Season’s Jazz Series with The Nat King Cole Tribute with Ramsey Lewis and John Pizzarelli.

Composer, pianist and jazz legend Ramsey Lewis and world-renowned jazz guitarist and singer, John Pizzarelli join forces in a tribute to the titan of fifties vocal pop, Nat “King” Cole. In a performance titled after his first hit from 1943; Straighten Up & Fly Right will feature Nat King Cole’s songs along with singular tracks of sophisticated cool jazz.


Pre-concert lecture with Claudia Russell, Director of Programming for Jazz 88.3

Mar
20
Fri
CHICK COREA & HERBIE HANCOCK
Mar 20 @ 8:00 pm
CHICK COREA & HERBIE HANCOCK @ Jacobs Music Center/ Copley Symphony Hall | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Combined Thirty-six time Grammy Award® Winners

Chick Corea & Herbie Hancock

La Jolla Music Society presents opens it’s 46th Season Jazz Series with jazz titans Chick Corea and Herbie Hancock.

For over half a century, Chick Corea and Herbie Hancock have been blazing their own paths of artistic innovation at the keyboard. Program includes both artists as an acoustic piano duo.

Purchase Tickets

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Works will be announced from the stage.




Prelude 7 PM
Lecture by Jazz 88’s Claudia Russell

[tab title=”Artist Bios”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

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Apr
11
Sat
BUDDY GUY
Apr 11 @ 8:00 pm
BUDDY GUY @ Balboa Theatre | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Six-time Grammy Award® Winner & 2012 Kennedy Center Honoree

Buddy Guy

La Jolla Music Society presents American guitarist, singer and blues legend Buddy Guy.

Buddy Guy is an exponent of the Chicago blues and has influenced such musicians as, Eric Clapton, Jimmy Page, and Stevie Ray Vaughan.

Purchase Tickets

RESTAURANT NIGHT:
Prior to the performance please join us for dinner at the Westgate Hotel.


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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.




Prelude 7 PM
Buddy Guy: Living the Blues with Jazz 88’s Claudia Russell

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


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May
16
Sat
ARTURO SANDOVAL & PONCHO SANCHEZ and his Latin Jazz Band
May 16 @ 8:00 pm
ARTURO SANDOVAL & PONCHO SANCHEZ and his Latin Jazz Band @ Balboa Theatre | San Diego | California | United States

[tabs active=”1″][tab title=”Performance Info”]

Nine-time Grammy Award® Winner

Arturo Sandoval & Poncho Sanchez and his Latin Jazz Band

La Jolla Music Society presents two of the biggest names in latin jazz, Arturo Sandoval and Poncho Sanchez.

Both Sandoval and Sanchez were influenced by Dizzy Gillespie as he became the first musician to bring Latin influences into American Jazz. Now, these latin jazz virtuosos, Arturo Sandoval and Poncho Sanchez bring their dynamic and vivacious sound together.

Purchase Tickets

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Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

[/fusion_tab]


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


[/fusion_tab]



Prelude 7 PM
Jazz 88.3’s Chris Springer hosts an informal conversation with Poncho Sanchez

[tab title=”Artist Bios”]

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

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Jan
16
Sat
MONTEREY JAZZ FESTIVAL ON TOUR
Jan 16 @ 8:00 pm
MONTEREY JAZZ FESTIVAL ON TOUR @ Balboa Theatre | San Diego | California | United States

MONTEREY JAZZ FESTIVAL ON TOUR

The longest continuously-running jazz festival in the world, under the musical direction of Gerald Clayton, presents a program that will embody the Monterey Jazz Festival’s joyful, fun and rich performances.

Nicholas Payton, trumpet – Grammy® Award Winner
Ravi Coltrane, saxophone – Grammy® Nominee
Joe Sanders, bass
Gregory Hutchinson, drums
Gerald Clayton, music director & piano – Grammy® Nominee
Raul Midon, guitar & vocals

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Feb
11
Thu
AARON NEVILLE QUINTET
Feb 11 @ 8:00 pm
AARON NEVILLE QUINTET @ Balboa Theatre | San Diego | California | United States

Four-time Grammy® Award Winner

Aaron Neville Quintet
featuring Charles Neville, saxophone

Aaron Neville has lead a remarkable career as both a soloist and a member of the legendary Neville Brothers. This performance will feature his new album of New Orleans R&B/funk, along with some of his favorites from his five decade career.

Aaron Neville, vocals
Charles Neville, saxophone
Michael Goods, keyboard
David Johnson, bass
Eric Struthers, guitar
Earl Smith Jr., drums & vocals

Buy Tickets

Please be aware there is no intermission in this performance.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
4
Fri
KEB’ MO’ – BLUESAmericana
Mar 4 @ 8:00 pm
KEB' MO' - BLUESAmericana @ Balboa Theatre | San Diego | California | United States

Three-time Grammy® Award Winner

Keb’ Mo’
BLUESAmericana

Twenty years since the release of his debut album, visionary roots-music story teller Keb’ Mo’ embarks on a new chapter of artistic and personal growth with the release of the Grammy&#174-nominated BLUESAmericana, his 12th full-length recording.

Buy Tickets

RESTAURANT NIGHT:
Prior to the performance please join us for dinner in the beautiful Fontainebleau Room
at The Westgate Hotel


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Oct
6
Thu
JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS
Oct 6 @ 8:00 pm
JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS @ Balboa Theatre | San Diego | California | United States

Jazz at Lincoln Center Orchestra
with Wynton Marsalis

Under the leadership of nine-time Grammy® Award-winner Wynton Marsalis, this world-renowned orchestra opens La Jolla Music Society’s 2016-17 Season. Combining the finest jazz soloists and ensemble players, Jazz at Lincoln Center returns to San Diego for a celebratory opening to La Jolla Music Society’s 48th Season.

Buy Tickets

HAPPY HOUR:
Prior to the performance please join us for Happy Hour at The Westgate Hotel.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Oct
7
Fri
OMARA PORTUONDO 85 TOUR
Oct 7 @ 8:00 pm
OMARA PORTUONDO 85 TOUR @ Balboa Theatre | San Diego | California | United States

From Buena Vista Social Club:
Omara Portuondo 85th Anniversary Tour

Special Guests Roberto Fonseca,
Anat Cohen & Regina Carter

Embodying the musical spirit of the original Havana club and encapsulating Cuba’s “musical golden age,” Buena Vista Social Club’s leading lady Omara Portuondo headlines this 85th Anniversary Tour. A legendary vocalist who has been singing professionally for an incredible 70 years, the great Cuban Diva Omara Portuondo’s voice reflects a long, creative life and passion for music.

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Feb
10
Fri
BRANFORD MARSALIS QUARTET
Feb 10 @ 8:00 pm
BRANFORD MARSALIS QUARTET @ Balboa Theatre | San Diego | California | United States

Branford Marsalis Quartet
with Special Guest Kurt Elling

The Branford Marsalis Quartet will be joined by guest-vocalist Kurt Elling in a singular collaboration of musical forces. The tight-knit working band featuring Marsalis on saxophones, Joey Calderazzo on piano, Eric Revis on bass, and Justin Faulkner on drums rarely invites other musicians into the folds of their nearly telepathically cohesive unit, and Elling’s deep jazz vocabulary, technical versatility, and outstanding intonation will enable the band to perform a variety of material in new ways. Energized by the artistic promise of this collaboration, the band members have all contributed new arrangements to perform with this special line-up and will be looking beyond the Great American Songbook. Although following the format of a standard jazz quartet with vocals, the collaboration between jazz’s most intense band and one of jazz’s foremost singers should prove to be anything but standard.

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RESTAURANT NIGHT:
Prior to the performance please join us for dinner at The Westgate Hotel.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Oct
29
Sun
CROSSCURRENTS
Oct 29 @ 1:00 pm

CROSSCURRENTS
Featuring ZAKIR HUSSAIN, DAVE HOLLAND, CHRIS POTTER, SHANKAR MAHADEVAN, LOUIZ BANKS, SANJAY DIVECHA & GINO BANKS

Bridging both directions of inspiration between jazz and the music of India, Crosscurrents is an international super-group led by 2017 NEA Jazz Master and Grammy® Award-winning bassist Dave Holland and the world’s foremost tabla virtuoso, Zakir Hussain. Joining the duo onstage is acclaimed saxophone player Chris Potter and renowned composer/vocalist Shankar Mahadevan.

Sunday, October 29, 2017 @ 8:00 pm
Balboa Theatre
868 Fourth Avenue, San Diego, CA 92101

Crosscurrents
Photo courtesy of RNH Events

Jazz 88.3 FM is a proud media sponsor of Crosscurrent’s La Jolla Music Society performance.

Zakir Hussain says of Crosscurrents, “The influence of Indian classical music on jazz is widely known. Less known, however, is the influence of jazz on the popular music of India. Jazz first came to India by way of the Hollywood musicals of the 1930s and’ 40s and quickly influenced the music of India’s burgeoning film industry. The improvisational nature of jazz was familiar to Indian composers and musicians, who found a way to incorporate jazz harmonies and chord progressions into their work. As a few decades passed, and as the West was enjoying the inspiration of Indian classical music, certain musicians came to influence popular music in India in a big way. Among these are jazz pianist Louiz Banks, jazz guitarist Sanjay Divecha, and superstar composer/vocalist Shankar Mahadevan.”

CROSSCURRENTS
Zakir Hussain, tabla
Dave Holland, bass
Chris Potter, saxophone
Shankar Mahadevan, vocals
Louiz Banks, keyboards
Sanjay Divecha, guitar
Gino Banks, drums


Program to be announced from stage.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Mar
7
Wed
HERBIE HANCOCK
Mar 7 @ 8:00 pm
HERBIE HANCOCK @ Balboa Theatre | San Diego | California | United States

HERBIE HANCOCK

14-time Grammy® Award Winner

Herbie Hancock is a true icon of modern music. In addition to being recognized as a legendary pianist and composer, he has been an integral part of every popular music movement since the 1960s. His career has transcended limitations and genres while maintaining his unmistakable voice. In honor of his work, Herbie Hancock was bestowed in 2016 with the Grammy® Lifetime Achievement Award.

Herbie Hancock is currently in the studio at work on a new album..

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Apr
28
Sat
THE JOEY ALEXANDER TRIO
Apr 28 @ 8:00 pm
THE JOEY ALEXANDER TRIO @ Balboa Theatre | San Diego | California | United States

THE JOEY ALEXANDER TRIO

A uniquely gifted young pianist from Bali, Joey Alexander taught himself to play piano by listening with his father to classic jazz albums. His father soon recognized that his son’s gift to grasp complicated musical concepts was beyond someone of his years. His recording debut, My Favorite Things, was nominated as Best Instrumental Jazz Album for the 2016 Grammy® Awards. This performance will feature original compositions and jazz classics by Coltrane, Monk and more.

Buy Tickets

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.

Joey Alexander Born on June 25, 2003 on the island of Bali, pianist Joey Alexander originally learned about jazz from his dad, who exposed his son to a variety of classic albums from his extensive collection. At the age of six, Joey began teaching himself to play piano using a mini electronic keyboard given to him by his father. He was immediately able to pick out the melody of Monk’s “Well, You Needn’t,” but he didn’t stop there. Joey’s dad nurtured his gift of swing and improvisation by taking him to jam sessions with veteran musicians in Bali and Jakarta.

Joey’s musicianship and grasp of jazz fundamentals developed at a remarkable pace, and at age eight UNESCO invited him to play solo piano for an elated Herbie Hancock during the piano great’s visit to Indonesia. Joey later remarked to Hancock, “You told me that you believed in me, and that was the day I decided to dedicate my childhood to jazz.”

At nine, Joey won the grand prize at the first Master-Jam Fest, an all-ages competition in Ukraine which included 200 competitors from 17 countries. By 10, he was performing at jazz festivals in both Jakarta and Copenhagen. An invitation from Wynton Marsalis led to his U.S. debut appearance at Jazz at Lincoln Center’s Rose Hall in 2014 where he amazed the audience with his musicality, followed by appearances before the Jazz Foundation of America at the Apollo and the Arthur Ashe Learning Center at Gotham Hall. Wishing to encourage the continued development of Joey’s prodigious playing, his parents sold the family business in Jakarta and relocated to the United States. Success did not arrive overnight, however. Promoters were skeptical that an 11 year-old could drive substantial ticket sales and captivate discerning jazz audiences, but soon recognized his ability to absolutely delight audiences, despite the challenges associated with learning a new language. Joey experienced a major stroke of luck when he received an invitation from impresario George Wein to perform on two stages at the prestigious Newport Jazz Festival. Joey took full advantage of the opportunity and brought audiences to their feet with his playful musicality and keen sense of swing.

Over the past two years Joey has been paying his dues and honing his craft: learning what it means to be a bandleader, keeping material fresh after repeated performances, and seeking out sidemen who are also collaborators. Along the way, The Joey Alexander Trio has performed at well-known venues and major festivals across the United States and around the globe, including tour dates in Tel Aviv, Marciac, Montréal, Abu Dhabi, Singapore, Bern, Prague, Vienna, Perugia, and his native Indonesia.

Media interest in Joey has resulted in appearances and interviews for The Today Show, 60 Minutes, CNN, The New York Times, and a host of other television, radio and print media. This has fueled a rare level of public notoriety for Joey as a jazz musician, entirely unheard of for one his age, both within the jazz community and among the public at large.

 His 2015 debut album for Motema Music, My Favorite Things, garnered two Grammy Award nominations for “Best Jazz Instrumental Album” and “Best Improvised Solo” for his performance of John Coltrane’s “Giant Steps”, making him the youngest jazz artist ever nominated for a Grammy. His performances on the 58th Annual Grammy Awards broadcast – far more magical than what was expected – received standing ovations from the star-studded audience, bringing his talent to the attention of music lovers everywhere, mesmerizing long-time industry professionals, and inspiring other young musicians to pursue their own dreams.

Through all this Joey has remained humble, focused on developing as a player and pursuing his growing interest in composing. His highly-anticipated sophomore album Countdown (set for release in September 2016 on Motema Music) showcases Joey’s remarkable development as a contemporary jazz bandleader and promise as a composer. He develops fresh takes on well-known tunes, combining them seamlessly with his own original compositions in a way which invites both new and seasoned listeners in, and reflects the true emotional heart and soul of his musical personality.

Joey says that his growth as a composer is due to the hours he spends practicing piano in between his school, media and touring commitments – and his rare moments of free time in which he enjoys doing “regular kid things” like watching movies, playing games, swimming, and tennis. “Sometimes, when I’m just practicing or playing something, new melodic and rhythmic ideas come to me, and I realize that I’m actually starting to compose a song,” he says. “I think that writing memorable tunes comes from listening to so much music from composers and artists I like. I actually find it harder to interpret other people’s songs than to write my own, because I have to figure out and feel what the song is about and find a way to make it my own.”

Wynton Marsalis says of Joey, “There has never been anyone that you can think of who could play like that at his age. I love everything about his playing – his rhythm, his confidence, his understanding of the music.” Now, as he enters his teen years, Joey takes another step in charting his artistic direction with the release of Countdown.

“You know, I love both creating music in the studio and performing for people onstage,” he says, “but I have to admit there’s something special about getting a crowd excited by playing jazz live. In most situations I try to be calm, but I love the intense energy that happens between me and the audience. When they express their appreciation in this way, I am inspired to go deeper as a person and musician, improve my craft and create exciting new sounds.”

Building upon the swing and improvisational style that made his first project a critical and popular success, Countdown is a reflection of the growth and maturity of Joey Alexander as an artist, and a confident next step toward a limitless future.

This performance marks Joey Alexander's La Jolla Music Society debut.


Oct
3
Wed
SPACES BY WYNTON MARSALIS – JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS
Oct 3 @ 8:00 pm
SPACES BY WYNTON MARSALIS - JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS @ Balboa Theatre | San Diego | California | United States

Wynton Marsalis

SPACES BY WYNTON MARSALIS

JAZZ AT LINCOLN CENTER ORCHESTRA WITH WYNTON MARSALIS

Wednesday, October 3, 2018 · 8:00 PM
Balboa Theatre

Spaces – composed with the concept of “animal ballet” in mind by Pulitzer Prize-winning trumpeter Wynton Marsalis – comes to life with Jazz at Lincoln Center Orchestra’s true jazz melodies and the groundbreaking dance magic of Memphis “jookin’” star Lil Buck and tap dancer Jared Grimes.

Buy Tickets

Or call Balboa Theatre at (619) 570-1100.

Jazz 88.3 FM is a proud media sponsor of this performance.

Prelude · 7:00 PM
Prelude interview with Vincent Gardner, trombone, hosted by Robert John Hughes

Free Event · Open Sound Check and Q&A with Kenny Rampton, trumpet
Please contact Allison Boles, Education and Community Programming Manager: 858.459.3724, ext. 221 or ABoles@LJMS.org for details and to register.


Feb
16
Sat
JAZZ IN THE KEY OF ELLISON
Feb 16 @ 8:00 pm

Jazz in the Key of Ellison

JAZZ IN THE KEY OF ELLISON

Saturday, February 16, 2019 · 8:00 PM
Balboa Theatre

Inspired by the musical life of the National Book Award-winning American writer Ralph Ellison, Jazz in the Key of Ellison is a multimedia concert featuring music by Ellison’s favorite artists including Duke Ellington, Louis Armstrong, Ray Charles, and Thelonious Monk. This star-led evening includes Grammy® Award-winning trumpeter Nicholas Payton, R&B and jazz vocalist Will Downing, iconic Labelle singer Nona Hendryx, 2017 Sarah Vaughan International Jazz Vocal Competition winner Quiana Lynell, the Andy Farber Jazz Orchestra, and author Roxane Gay as narrator.

Prelude · 7:00 PM
Prelude interview by Robert John Hughes

Buy Tickets

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Day of, tickets will be available at the Balboa Theatre Box Office beginning at 4:00pm.

Jazz 88
Jazz in the Key of Ellison featured on Jazz 88.3
Danny Kapilian, producer of Jazz in the Key of Ellison, sat down with Dave Drexler for “Inside Art” on Jazz 88.3 to discuss Ralph Ellison’s legacy and the inspiration for this Saturday’s show at Balboa Theatre.

Listen Here

Audible


May
9
Thu
THE TRIPLETS OF BELLEVILLE
May 9 @ 8:00 pm
The Triplets of Belleville

THE TRIPLETS OF BELLEVILLE

Thursday, May 9, 2019 · 8:00 PM
The Baker-Baum Concert Hall

Benoit Charest leads Le Terrible Orchestre de Belleville in the live performance of his original score for the film The Triplets of Belleville, including his ACADEMY AWARD® nominated best song “Belleville de Rendez-Vous.” In the spirit of the film, Le Terrible Orchestre de Belleville transports audiences to the exciting streets of 1920’s Paris and Le Jazz Hot.

Prelude · 7:00 PM
Prelude interview by Robert John Hughes

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Jazz 88
The Triplets Of Belleville on Jazz 88.3’s “Inside Art”

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Jazz 88.3 FM is a proud media sponsor of this performance.


Aug
7
Wed
SYNERGY SERIES I: INTERSECTION
Aug 7 @ 8:00 pm
Intersection

SYNERGY SERIES I: INTERSECTION

with CECILE MCLORIN SALVANT, AARON DIEHL, and INON BARNATAN
Produced by Inon Barnatan and Clara Wu Tsai

WEDNESDAY, AUGUST 7, 2019 · 8 PM
The Baker-Baum Concert Hall

An unforgettable performance highlighting the symbiotic relationship between classical music and jazz. Cécile McLorin Salvant, three-time GRAMMY® Award winner and “the finest jazz singer to emerge in the last decade” (The New York Times), Aaron Diehl, one of the most in-demand jazz pianists today, who studied classical piano and recently appeared as soloist with the New York Philharmonic and the Cleveland Orchestra, come together with pianist and SummerFest Music Director Inon Barnatan for a not-to-be-missed musical event.

“You get a singer like this once in a generation or two.”
Wynton Marsalis

Prelude · 7:00 PM
Interview with the artists hosted by Robert John Hughes

PLEASE NOTE, TICKETS TO THIS PERFORMANCE HAVE SOLD OUT.


Aug
11
Sun
TAKEOVER @ THE JAI: MUSIC FROM MUSIC I
Aug 11 @ 7:00 pm

TAKEOVER @ THE JAI
MUSIC FROM MUSIC I

Curated by David Lang

SUNDAY, AUGUST 11, 2019 · 7 PM
THE JAI

Pulitzer Prize-winning composer David Lang curates a two-part series in The JAI, our exciting alternative performance space, celebrating some of the most innovative compositional voices today. Each selected composer honors the storied chamber music of our past while forging new musical paths forward out of the older tradition.

Doors Open · 6:00 PM
Join us for bites and beverages


TAKEOVER @ THE JAI
MUSIC FROM MUSIC I

CAROLINE SHAW · Entr’acte
Miró Quartet – Daniel Ching, William Fedkenheuer, violins; John Largess, viola; Joshua Gindele, cello

CHRIS CERRONE · South Catalina
Rose Lombardo, flute; Joseph Morris, clarinet; Paul Aguilar, violin; Hannah Moses, cello; Timo Andres, piano; Dustin Donahue, percussion

GABRIELLA SMITH · Carrot Revolution
Miró Quartet

DAVID LANG · Death Speaks
Nora Fischer, soprano; Tatjana Roos, violin; Timo Andres, piano; Derek Johnson, electric guitar

Aug
15
Thu
SYNERGY SERIES II: MUSIC AT AN EXHIBITION
Aug 15 @ 7:00 pm
Music at an Exhibition

SYNERGY SERIES II: MUSIC AT AN EXHIBITION

Produced by Inon Barnatan and Clara Wu Tsai

THURSDAY, AUGUST 15, 2019 · 7 PM
The Conrad Prebys Performing Arts Center

The Conrad transforms into an immersive and interactive “festival within a festival.” Walk through the different stages and public spaces of The Conrad and discover an array of musicians, painters, video artists, and creative technologists joining forces to explore the intrinsic connection between the visual and the aural. The evening revolves around a collaborative staging of Mussorgsky’s Pictures at an Exhibition by Music Director Inon Barnatan and revolutionary theatre director, stage designer, and visual artist Doug Fitch. Plus an exhibition of works by world renowned painter Caio Fonseca.

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Aug
18
Sun
TAKEOVER @ THE JAI: MUSIC FROM MUSIC II
Aug 18 @ 7:00 pm

TAKEOVER @ THE JAI
MUSIC FROM MUSIC II

Curated by David Lang
Produced by Inon Barnatan and Clara Wu Tsai
A part of the Synergy Initiative

SUNDAY, AUGUST 18, 2019 · 7 PM
THE JAI

Curator David Lang’s artistic narrative comes to life in the second part of Music From Music with bold works inspired by classical composers, a contemporary artist collective, visual art, and even the amazing light of Southern California. Step into the minds of some of the most remarkable composers today in a cool, relaxed space.

Doors Open · 6:00 PM
Join us for bites and beverages


TAKEOVER @ THE JAI
MUSIC FROM MUSIC II

TED HEARNE · For the Love of Charles Mingus
Liza Ferschtman, Alyssa Park, Jun Iwasaki, Paul Aguilar, Tatjana Roos, Rachel Stenzel, violins

NINA YOUNG · Spero lucem
Timo Andres, piano; Jun Iwasaki, violin; Eva Kennedy, viola; Hannah Moses, cello

TIMO ANDRES · Piano Trio
Timo Andres, piano; Alyssa Park, violin; Annie Jacobs-Perkins, cello

JULIA WOLFE · With a Blue Dress On
Liza Ferschtman, Alyssa Park, Jun Iwasaki, Tatjana Roos, Rachel Stenzel, violins

Aug
21
Wed
SYNERGY SERIES III: IN STEP
Aug 21 @ 8:00 pm

SYNERGY SERIES III: IN STEP
featuring MARK MORRIS DANCE GROUP

Produced by Inon Barnatan and Clara Wu Tsai

WEDNESDAY, AUGUST 21, 2019 · 8 PM
The Baker-Baum Concert Hall

Learn, interact, perform: Celebrate dance with MMDG during this multi-day collaborative engagement between dancers, musicians and audience. Enjoy the rare opportunity to watch Mark Morris Dance Group perform in the intimate setting of The Baker-Baum Concert Hall alongside some of the best musicians in the world, culminating in a world première of a brand new work by Mark Morris set to music by Handel.

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Please note, La Jolla Music Society will present In Step two consecutive evenings, August 21 and 22. Stay after the August 22 show and dance the night away at Club JAI. Click here to view the August 22 performance listing.


SYNERGY SERIES III: IN STEP
featuring MARK MORRIS DANCE GROUP

PRELUDE AND PRELUDE
ONE CHARMING NIGHT
THE OFFICE
THE MUIR
WORLD PREMIERE NEW WORK

Choreographed by: MARK MORRIS
Music by: COWELL, PURCELL, DVORÁK, BEETHOVEN and HANDEL

Performed by: Jennifer Zetlan, soprano; John Holiday, countertenor; Robin Tritschler, tenor; David Pershall, baritone; Augustin Hadelich, Andrew Wan, violins; Edward Arron, Clive Greensmith, Annie Jacobs-Perkins, cellos; Inon Barnatan, piano; Colin Fowler, harpsichord

Aug
22
Thu
SYNERGY SERIES III: IN STEP
Aug 22 @ 8:00 pm

Mark Morris Dance Group

SYNERGY SERIES III: IN STEP
featuring MARK MORRIS DANCE GROUP

Produced by Inon Barnatan and Clara Wu Tsai

THURSDAY, AUGUST 22, 2019 · 8 PM
The Baker-Baum Concert Hall

Learn, interact, perform: Celebrate dance with MMDG during this multi-day collaborative engagement between dancers, musicians and audience. Enjoy the rare opportunity to watch Mark Morris Dance Group perform in the intimate setting of The Baker-Baum Concert Hall alongside some of the best musicians in the world, culminating in a world première of a brand new work by Mark Morris set to music by Handel. Stay after the show and dance the night away at Club JAI (Aug 22 only).

Prelude · 7:00 PM
Callisto Quartet performs Haydn’s String Quartet Op. 77, No. 1

Please note, La Jolla Music Society will present In Step two consecutive evenings, August 21 and 22. Click here to view the August 21 performance listing.


SYNERGY SERIES III: IN STEP
featuring MARK MORRIS DANCE GROUP

PRELUDE AND PRELUDE
ONE CHARMING NIGHT
THE OFFICE
THE MUIR
WORLD PREMIERE NEW WORK

Choreographed by: MARK MORRIS
Music by: COWELL, PURCELL, DVORÁK, BEETHOVEN and HANDEL

Performed by: Jennifer Zetlan, soprano; John Holiday, countertenor; Robin Tritschler, tenor; David Pershall, baritone; Augustin Hadelich, Andrew Wan, violins; Edward Arron, Clive Greensmith, Annie Jacobs-Perkins, cellos; Inon Barnatan, piano; Colin Fowler, harpsichord

Oct
2
Wed
CHICK COREA TRILOGY
Oct 2 @ 8:00 pm
Chick Corea Trilogy

CHICK COREA TRILOGY WITH CHRISTIAN MCBRIDE & BRIAN BLADE

WEDNESDAY, OCTOBER 2, 2019 · 8 PM
Balboa Theatre

NEA Jazz Master and 22-time GRAMMY®-Award winner Chick Corea is joined by bass powerhouse Christian McBride and drum master Brian Blade to form this stellar trio. Trilogy includes reinventions of classic Corea compositions, previously unrecorded originals, and an array of jazz standards recognized with two GRAMMY® Awards.

Prelude · 7:00 PM
Audience Q&A with Chick Corea

BUY TICKETS
The box office will be open until 6:00 PM. For more information, please call 619.570.1100


Oct
16
Wed
BÉLA FLECK, ZAKIR HUSSAIN, EDGAR MEYER
Oct 16 @ 8:00 pm

Béla Fleck, Zakir Hussain, and Edgar Meyer

BÉLA FLECK, ZAKIR HUSSAIN, AND EDGAR MEYER WITH RAKESH CHAURASIA

WEDNESDAY, OCTOBER 16, 2019 · 8 PM
Balboa Theatre

The leading virtuosos on their respective instruments, Béla Fleck, Zakir Hussain, and Edgar Meyer move with ease within the spheres of classical, bluegrass, jazz, and world music. The genre-blending super group fuses world-class banjo, tabla, and double bass to create an original and unforgettable music experience.

Prelude · 7:00 PM
Interview hosted by Robert John Hughes

BUY TICKETS

The box office will be open until 6:00 PM. For more information, please call 619.570.1100