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So far Rachel Cohen has created 25 blog entries.
The New York Times
May 1, 2020
Lynn Harrell, a leading American cellist whose acclaimed playing, begun when he was 8 years old, combined robust sound, insightful musicianship and feeling for nuances, died on April 27 at his home in Santa Monica, Calif. He was 76.
In his 20s critics were already describing Mr. Harrell as a “gentle giant” of the cello, and both words applied. At 6 feet 4 inches tall and built like a linebacker, with long arms and enormous hands, he seemed to envelop the cello when he played it, producing burnished and penetrating sound easily. Yet he was also a sensitive interpreter and subtle colorist.
ANNOUNCEMENT: LJMS’ Leah Rosenthal Named New Artistic Director
La Jolla Music Society (LJMS) announced today that Leah Rosenthal has been named the organization’s new Artistic Director, effective April 1.
Rosenthal studied at Boston University before graduating from Northeastern Illinois University with a B.A. in Voice Performance. She later got her Masters of Arts Management from Columbia College Chicago. Before moving to San Diego, Leah was active in the Chicago arts scene, holding coveted positions with the Chicago Symphony Orchestra, PBS, Ravinia Festival, Chicago International Film Festival, and The Recording Academy Chicago Chapter (GRAMMYs). Rosenthal began her tenure at La Jolla Music Society in 2008 as an Artistic Administrator and quickly moved up the ranks to Director of Artistic Planning & Education in 2011 before settling into the role of Director of Programming in 2016.
“I am so thrilled that Leah Rosenthal is officially at the artistic helm of LJMS. We owe a lot of the success and brilliance of the past seasons to her vision and taste, and she has been an indispensable partner to me with SummerFest. Congratulations to Leah and to LJMS. I look forward to many more years of artistic collaboration,” said Inon Barnatan, current SummerFest Music Director.
In her most recent position, Rosenthal was responsible for the curation and long range planning of La Jolla Music Society’s 40+ concert winter season, which includes a diverse range of programming from orchestras and chamber ensembles to dance and jazz. In collaboration with the SummerFest Music Director (Cho-Liang Lin 2008-2018 and Barnatan 2019- present), Rosenthal also programs and produces LJMS’ internationally recognized three week chamber music festival.
“It was always an invigorating process to discuss SummerFest ideas with Leah,” said Lin. “She was an indispensable part of the working process. I am very pleased by this appointment. It cannot go to a better or more deserving person.”
After over a decade with La Jolla Music Society, Rosenthal has a proven track record of programming innovative and compelling performers and educational activities for the organization. With the help of Education & Community Programming Manager Allison Boles, as well as Programming Manager Sarah Campbell, Rosenthal has created a department that is widely respected throughout both the performing arts and music education worlds.
“Leah has become a lynchpin of the North American presenting community. Her integrity, collaborative spirit and vision have not only enriched LJMS audiences, but helped us execute many of our most rewarding touring projects and special events. Opus 3 Artists congratulates Leah on this well-deserved promotion. She is a treasure!” said Robert Beretta, Vice President & Manager of Artists and Attractions at Opus 3 Artists.
Rosenthal is currently in the midst of finalizing details for this year’s SummerFest, as well as the 2020- 2021 winter season. “As Artistic Director, I look forward to the endless artistic possibilities that The Conrad provides, and to ensuring that LJMS continues to elevate and expand upon the world-class programming we are so well known for,” said Rosenthal. “My 12 years with LJMS has been a time of enormous personal growth for me. I have been fortunate to work with an exceptional staff, dedicated Board of Directors, unbelievably talented musicians and many personal mentors who have both inspired me and helped me hone my skills and grasp of the vast repertoire we are fortunate to present.”
ABOUT LA JOLLA MUSIC SOCIETY As one of Southern California’s leading presenters of premier performing arts, La Jolla Music Society contributes to San Diego’s cultural vitality year-round through a rich variety of presentations, including classical, jazz, contemporary music, and dance. In addition to robust educational programs and community outreach, La Jolla Music Society produces SummerFest, a three-week music festival featuring over 80 world-class artists and ensembles performing eclectic concerts. For more information, visit www.LJMS.org, or call 858.459.3728. ###
San Diego Moms Blog
February 13, 2020
This past weekend my daughter and I, along with our family friend and her daughter, attended the Jazzy Ash & The Leaping Lizards concert with La Jolla Music Society. All four of us walked away feeling elevated, joyous, and even more connected. The only downside was that the concert ended (after several encores)!
When it comes to music concerts and cultural experiences, I must confess — I’m a bit of a snob . . . Having grown up surrounded by the arts and music and studying music as my major, I developed an ear for high-quality concerts. I also uphold the same level when it comes to attending these productions with my daughter…
They did NOT disappoint! I was pleasantly surprised and grateful for La Jolla Music Society’s commitment to bringing quality music to our children. They made it so accessible and engaging for the whole family! There was not one child in the audience who didn’t have a smile or at least a wiggle. All eyes and ears were on the exceptional artistry of Jazzy Ash & Leaping Lizards! There was something for everyone at this concert: the small and the big kids got to fully enjoy and experience the amazing talent of the musicians, New Orleans culture, and even learn a bit of Creole.
San Diego Union Tribune
January 27, 2020
Those unfamiliar with Soltani won’t soon forget his performance in The Conrad Prebys Performing Arts Center’s Baker Baum Concert Hall. He had irresistible charisma onstage and astounding technique.
La Jolla Music Society’s Discovery Series got off to a great start on Sunday afternoon, with cellist Kian Soltani and pianist Julio Elizalde playing Beethoven, Franck, Stravinsky and Pärt to a loudly appreciative full house.
Soltani — only 27 years old — may have been unknown here when the La Jolla Music Society booked him, but since 2018, he’s appeared on five recordings, three of those on the prestigious Deutsche Grammophon label, one of those an impressive solo album.
San Diego Story
January 27, 2020
If the goal of the La Jolla Music Society’s “Discovery Series” is to present highly promising young performers, Sunday’s (January 26) recital by cellist Kian Soltani and pianist Julio Elizalde made the best possible case for that premise. Their fiery but uncannily polished performance of Stravinsky, Beethoven, Pärt, and Franck thrilled the substantial afternoon crowd at the Baker-Baum Concert Hall.
I was immediately taken by the 27-year-old Soltani’s electric account of the Stravinsky Suite Italienne for Piano and Cello that opened their program. His lean, supple tone propelled each deftly delineated phrase of this neo-classical gem with an unswerving sense of purpose, an approach keenly paralleled by Elizalde at the piano. Their ferocious ostinatos in the “Tarantella” movement, for example, displayed a keen musical intuition that transcended their easily laudable technical prowess.
San Diego Story
January 26, 2020
Fresh. Vital. These are not words I expected to use for the Martha Graham Dance Company’s performance at the Civic Theatre on Wednesday. Graham, the imperious mother of American modern dance, was long ago superseded by her rebellious children, former company members Merce Cunningham and Paul Taylor; and later dance makers have moved even further from her often-overwrought style.
What a happy surprise, then, to see the exciting show the Graham company did here, performed by dancers who seemed enraptured by this work. The program, presented by the La Jolla Music Society, included three Graham dances from the 1930s and 40s. There was also a 2019 piece commission the very hot choreographer Pam Tanowitz, a brilliant choice by artistic director Janet Eilber. Although the Tanowitz dance showed a distinctly 21stcentury sensibility, it didn’t shove Graham into the dance-history dust heap. Rather, each woman’s work illuminated the other’s.
San Diego Union Tribune
January 23, 2020
Cellist Kian Soltani has options of where to rest up from his busy touring schedule, which includes playing with such orchestras as the Vienna Philharmonic and Boston Symphony and such musical luminaries as pianist Daniel Barenboim and violinist Anne-Sophie Mutter.
“Home base for me is several places,” said Soltani, who headlines La Jolla Music Society’s concert Sunday at The Conrad’s Baker-Baum Concert Hall. “One of them is Zurich, Switzerland, one of them is Vienna, Austria, and one of them is Berlin, Germany. And, of course, my parents’ house in Bregenz, Austria, which borders Switzerland. But Europe is not (that) big, so central Europe is my home base. It’s a wonderful place.”
The San Diego Story
November 10, 2019
Garrick Ohlsson returned to The Conrad in downtown La Jolla Saturday, November 9, to play another all-Brahms piano recital. With his evident affection for the repertory, his superlative technique, and his insight into what makes Brahms’ piano music distinctive, his recital also turned into a graduate level master class for anyone who plays piano or has ever studied the instrument.
From Brahms’ early Piano Sonata No. 3, Op. 5, and the Variations on a Theme of Paganini, Op. 35, Book II, to the mature Op. 79 Rhapsodies and the Op. 116 Fantasies, Ohlsson’s every phrase illuminated important aspects of this rich body of piano music, amplifying the sheer joy of experiencing Brahms played with such command and panache.
The San Diego Story
August 25, 2019
Following longstanding tradition, the final La Jolla SummerFest program is a chamber orchestra concert. Music Director Inon Barnatan not only upheld the tradition but—as is his wont—improved upon it. For Friday’s SummerFest finale at The Conrad, Barnatan invited 18th-century period music specialist Nicholas McGegan to conduct the orchestra in the usual suspects—Bach, Vivaldi, and Mozart—but he spliced edgy contemporary works by Andrew Norman and Ellen Taafe Zwilich into the mix.
Conducting the program’s Baroque works from the harpsichord, McGegan exhibited the zeal and insight into this repertory that has made his San Francisco-based Philharmonia Baroque Orchestra internationally celebrated. Not surprisingly, he led the Mozart and Zwilich works with equal finesse and conviction.
The concert, however, was dominated by a host of brilliant soloists. From the three scintillating violinists, Cho-Liang Lin, James Ehnes, and Augustin Hadelich, who blazed through J. S. Bach’s Concerto in D Major for Three Violins, BWV 1064, to amazing pianists Jonathan Biss and Barnatan who duelled playfully through Mozart’s Concerto in E-flat Major for Two Pianos, K. 365, to the arresting cellists Clive Greensmith and Edward Arron who mastered Vivaldi’s Concerto in G Minor for Two Cellos, RV 531, to Hadelich’s vibrant account of Handel’s Violin Sonata in D Major, HWV 371, the audience feasted on one virtuoso performance after another.