Continuing to astonish audiences with his phenomenal technique, poetic sensitivity and gorgeous tone, Augustin Hadelich has established himself as one of the most sought-after violinists of his generation. His remarkable consistency throughout the repertoire, from Paganini to Adès, is seldom encountered in a single artist.
Worldwide appearances include multiple engagements with the Boston Symphony, Cleveland Orchestra, Los Angeles Philharmonic, New York Philharmonic, Philadelphia Orchestra, San Francisco Symphony, and internationally, with the BBC Philharmonic/Manchester, BBC Symphony/London, NHK Symphony/Tokyo, Royal Scottish National Orchestra, and the Stuttgart Radio Orchestra, to name a few.
Highlights of Mr. Hadelich’s 2014/2015 season include debuts with the Minnesota Orchestra, Danish National Symphony, and the London Philharmonic, as well as return engagements with the New York Philharmonic and the symphonies of Baltimore, Houston, Indianapolis, Liverpool, Saint Louis, and Seattle. Other recent and upcoming projects include debuts with the Chicago Symphony, Pittsburgh Symphony, and the Orpheus Chamber Orchestra in Carnegie Hall, as well as his recital debut at the Wigmore Hall in London, an Artist-in- Residency with the Netherlands Philharmonic, and tours with both the Toronto and San Diego symphonies.
In addition to several recital CDs, Mr. Hadelich’s first major orchestral recording, featuring the violin concertos of Jean Sibelius and Thomas Adès (Concentric Paths) with Hannu Lintu conducting the Royal Liverpool Philharmonic Orchestra, was released to great acclaim in March 2014 on the AVIE label. The disc has been nominated for a Gramophone Award, and was listed by NPR on their Top 10 Classical CDs of 2014. A recent recording of the Mendelssohn Violin Concerto and Bartók’s Concerto No. 2 with the Norwegian Radio Orchestra under Miguel Harth-Bedoya is scheduled for release on AVIE in the spring of 2015.
The 2006 Gold Medalist of the International Violin Competition of Indianapolis, Mr. Hadelich is the recipient of an Avery Fisher Career Grant (2009), a Borletti-Buitoni Trust Fellowship in the UK (2001), and Lincoln Center’s Martin E. Segal Award (2012). He received an artist diploma from The Juilliard School, where he was a student of Joel Smirnoff. Mr. Hadelich plays on the 1723 “Ex-Kiesewetter” Stradivari
Augustin Hadelich last performed for La Jolla Music Society in SummerFest 2015.
For more information visit augustin-hadelich.com
Blessed with “poetic and sensitive pianism” (Washington Post) and a “wondrous sense of color” (San Francisco Classical Voice), pianist Joyce Yang captivates audiences with her virtuosity, lyricism, and interpretive sensitivity. As a Van Cliburn International Piano Competition silver medalist and Avery Fisher Career Grant recipient, Yang showcases her colorful musical personality in solo recitals and collaborations with the world’s top orchestras and chamber musicians.
Yang came to international attention in 2005 when she won the silver medal at the 12th Van Cliburn International Piano Competition. The youngest contestant at 19 years old, she took home two additional awards: the Steven De Groote Memorial Award for Best Performance of Chamber Music (with the Takàcs Quartet) and the Beverley Taylor Smith Award for Best Performance of a New Work.
Since her spectacular debut, she has blossomed into an “astonishing artist” (Neue Zürcher Zeitung). She has performed as soloist with the New York Philharmonic, Chicago Symphony, Los Angeles Philharmonic, Philadelphia Orchestra, the Baltimore, Detroit, Houston, Milwaukee, San Francisco, Sydney, and Toronto symphony orchestras, Deutsches Symphonie-Orchester Berlin, and the BBC Philharmonic (among many others), working with such distinguished conductors as Edo de Waart, Lorin Maazel, James Conlon, Leonard Slatkin, David Robertson, Bramwell Tovey, Peter Oundjian, and Jaap van Zweden. In recital, Yang has taken the stage at New York’s Lincoln Center and Metropolitan Museum; the Kennedy Center in Washington, DC; Chicago’s Symphony Hall; and Zurich’s Tonhalle.
During the 2014-15 season Yang returns to the New York Philharmonic to play Rachmaninoff’s Piano Concerto No. 1 under Bramwell Tovey at Lincoln Center and the Bravo! Vail Festival, and enjoys a full schedule of North American concerto engagements. She joins the Takács Quartet for Dvorak in Lincoln Center’s Great Performers Series, tours and records with violinist Augustin Hadelich, plays chamber music and solo recitals with Musica Viva Australia, as well as gives performances in Aspen, Montreal, and for the Van Cliburn Foundation in Fort Worth. In her return to the Aspen Music Festival this summer she plays the Grieg Concerto under Osmo Vänskä and reunites with Hadelich and guitarist Pablo Villegas for a reprise of their acclaimed “Tango, Song, and Dance” program in which “Yang shone” (Washington Post) at its Kennedy Center premiere.
Additional highlights of recent seasons include Yang’s Royal Flemish Philharmonic and Deutsches Symphonie-Orchester Berlin debuts, the conclusion of a four-year Rachmaninoff cycle with de Waart and the Milwaukee Symphony, to which she brought “an enormous palette of colors, and tremendous emotional depth” (Milwaukee Sentinel Journal), collaborations with the Alexander, Modigliani and Takács Quartets, and “ravishing performances” (Dallas Morning News) with Hadelich in Dallas and Los Angeles. Yang also made her UK debut in the Cambridge International Piano Series, and impressed the New York Times with “vivid and beautiful playing” of Schubert’s “Trout” Quintet with members of the Emerson String Quartet at the Mostly Mozart Festival at Lincoln Center.
In spring 2014, Yang “demonstrated impressive gifts” (New York Times) with a trio of album releases: her second solo disc for Avie Records, Wild Dreams, on which she plays Schumann, Bartók, Hindemith, Rachmaninoff, and arrangements by Earl Wild; a pairing of the Brahms and Schumann Piano Quintets with the Alexander Quartet; and a recording of Tchaikovsky’s Piano Concerto No. 1 with Denmark’s Odense Symphony Orchestra that International Record Review called “hugely enjoyable, beautifully shaped … a performance that marks her out as an enormous talent.” Of her 2011 debut album for Avie Records, Collage, featuring works by Scarlatti, Liebermann, Debussy, Currier, and Schumann, Gramophone praised her “imaginative programming” and “beautifully atmospheric playing.”
Yang made her celebrated New York Philharmonic debut with Maazel at Avery Fisher Hall in November 2006 and performed on the orchestra’s tour of Asia, making a triumphant return to her hometown of Seoul, South Korea. Subsequent appearances with the Philharmonic included the opening night of the Leonard Bernstein Festival in September 2008, at the special request of Maazel in his final season as music director. The New York Times pronounced her performance in Bernstein’s The Age of Anxiety a “knockout.”
Born in 1986 in Seoul, South Korea, Yang received her first piano lesson at the age of four. She quickly took to the instrument, which she received as a birthday present, and over the next few years won several national piano competitions in her native country. By the age of ten, she had entered the School of Music at the Korea National University of Arts, and went on to make a number of concerto and recital appearances in Seoul and Daejeon. In 1997, Yang moved to the United States to begin studies at the pre-college division of the Juilliard School with Dr. Yoheved Kaplinsky. During her first year at Juilliard, Yang won the pre-college division Concerto Competition, resulting in a performance of Haydn’s Keyboard Concerto in D with the Juilliard Pre-College Chamber Orchestra. After winning the Philadelphia Orchestra’s Greenfield Student Competition, she performed Prokofiev’s Third Piano Concerto with that orchestra at just twelve years old. She graduated from Juilliard with special honor as the recipient of the school’s 2010 Arthur Rubinstein Prize, and in 2011 she won its 30th Annual William A. Petschek Piano Recital Award.
Yang appears in the film In the Heart of Music, a documentary about the 2005 Van Cliburn International Piano Competition. A Steinway artist, she currently lives in New York City.
Yoyce Yang last performed for La Jolla Music Society in SummerFest 2015.
Pablo Villegas is hailed by critics as one of the world’s leading classical guitarists and celebrated as a natural ambassador of Spanish culture with performances in more than 30 countries since his auspicious debut with the New York Philharmonic under Rafael Frühbeck de Burgos at Avery Fisher Hall.The soul of the Spanish guitar runs in Pablo Villegas’s blood. Born and raised in La Rioja, Spain – the country uniquely and deeply linked to his chosen instrument – Villegas is praised for performances as charismatic as they are intimate. With his singing tone and consummate technique, Villegas offers interpretations that conjure the passion, playfulness, and drama of his homeland’s rich musical heritage, routinely drawing comparisons with such legendary exponents of his instrument as Andrés Segovia.
Indeed, at just 15 he won the Andrés Segovia Award, launching a succession of international wins that include Gold Medal at the inaugural Christopher Parkening International Guitar Competition. The first guitarist to win El Ojo Crítico, Spain’s top classical music honor, Villegas also became the youngest of his generation to appear with the New York Philharmonic, in an auspicious debut under the late Rafael Frühbeck de Burgos at Avery Fisher Hall. He has since performed for both the Dalai Lama and the Spanish royal family, and it was he who gave the world premiere of Rounds, the first composition for guitar by five-time Academy Award-winner John Williams. A born communicator, the guitarist explains: “Music is a social tool, and opening people’s hearts, and helping them connect to the inner life of the emotions, is my mission.”
For more information please visit pablosainzvillegas.com
Pablo Villegas last performed for La Jolla Music Society in the Discovery Series on April 10, 2011.